Beyond Fear is a heavy metal band started in March, 2005 by Tim "Ripper" Owens after he left Judas Priest as a side-project apart from his former work with Iced Earth. It appeared for a spell in the '90s that the "classic metal singer" – specifically of the Rob Halford, Bruce Dickinson, and Geoff Tate mold – was a near extinct beast. But along came Halford disciple Tim "Ripper" Owens, and the floodgates opened once more. Having appeared on releases by Judas Priest and Iced Earth, it wasn't until Owens launched Beyond Fear that he was able to truly take center stage in the songwriting department. Although adamant that Beyond Fear is not just a solo project (he enlists the aid of longtime musician pals), it's Owens' voice that is the main focus throughout Beyond Fear.
During the last quarter of the 20th century, and thanks largely to Eric Clapton's remarkable devotion to his memory, Robert Leroy Johnson posthumously became the most celebrated Delta blues musician of the pre-WWII era. Among numerous editions of his complete works and various anthologies that combine his recordings with those of his contemporaries and followers, J.S.P.'s The Road to Robert Johnson and Beyond combines many of his essential performances with those by dozens of other blues artists from Blind Lemon Jefferson and Henry Thomas to Muddy Waters and Elmore James. 105 tracks fill four CDs with several decades' worth of strongly steeped blues that trace the African American migration from the deep south on up into Chicago. This is a fine way to savor the recorded evidence, as primary examples from Blind Blake, Charley Patton, Son House, Charlie McCoy, Walter Vincson, Skip James, Ma Rainey, Tampa Red, Kokomo Arnold, Scrapper Blackwell, Leroy Carr, Lonnie Johnson, and Peetie Wheatstraw lead directly to early modern masters like Big Joe Williams, Sonny Boy Williamson, Big Bill Broonzy, Johnny Temple, Leroy Foster, Johnny Shines, Homesick James Williamson, Robert Jr. Lockwood, Snooky Pryor, Little Walter, and David Honeyboy Edwards, among many others.
The very complementary tenors Al Cohn and Zoot Sims (whose similar styles often made them sound almost identical) teamed up many times through the years; this reissue brings back their first joint recording. Joined by either Dave McKenna or Hank Jones on piano, bassist Milt Hinton, drummer Osie Johnson, and (on some selections) the forgotten trumpeter Dick Sherman, Al and Zoot avoid obvious material ("Somebody Loves Me" and "East of the Sun" are the only standards) in favor of swinging "modern" originals by Cohn, Sherman, Osie Johnson, Ralph Burns, Manny Albam, Ernie Wilkins, and Milty Gold. Zoot contributed "Tenor for Two Please, Jack," his answer to the song "Dinner for One Please, James." [Some releases add four alternate takes to the original 12-song program, giving one a good example of the occasional Cohn-Sims musical partnership.]
In 1980 Sun-Ra fanatic Rick Steiger organised what was to be the "Greatest cultural event going on in America at that time" according to Sun Ra himself. The concert started the day after Christmas and evolved into a 6-day, 11-performance residency that rocked the Detroit Jazz centre to it's boots. These are nine tracks from those sessions, capturing the Arkestra in full flight with some help from local musicians Tani Tabbal, Ali Mora, Jaribu Shahid and Reggie Fields. Pure vibes!!!