This 22-cut double-disc set finally gets at it. Issuing a single disc of Dire Straits and Mark Knopfler would be a silly thing at best and a hopelessly frustrating one at worst. When the band burst on the scene with "Sultans of Swing," there was a lot happening in rock music, but most of it was under the radar and remains forgotten except in the historic annals of music fanatics. Knopfler and his band were full of rock & roll romance and proved it through their first four recordings time and again. They couldn't help but become superstars and mainstays of MTV. But there is another story told on this best-of, which begins with "Telegraph Road"…
While it's true that Oscar Peterson compilations appeared with regularity form the early '60s on, only a few of them – as with most recording artists – have any real merit. This two-disc collection from the Concord Music Group's Telarc label, is one of them. Appearing less than a year before his death, this compilation concentrates on recordings issued from the '50s through the middle of the '80s on Dizzy Gillespie's Pablo label, and those made for Telarc between 1990 and 2000. Many live dates are included here from both labels, including "Tenderly" with Herb Ellis and Ray Brown at the J.A.T.P. concerts in Japan; the trio dates at Zardi's in 1955 ("How High the Moon"), in Copenhagen with Joe Pass, Stéphane Grappelli, and Niels-Henning Ørsted Pedersen in 1979, and Mickey Roker in 1979 ("Nuages")….
2016 two CD collection of recordings by the former Rolling Stones bassist, both solo and with his Rhythm Kings. With all the tracks chosen by Bill Wyman himself, these two CDs present the perfect introduction to his recordings. Disc One contains songs from Bill's solo albums, kicking off with '(Si Si) Je Suis Un Rock Star', his big hit from 1981, as well as the follow-up hits. Disc Two features songs from Bill's Rhythm Kings, the ten-piece band with revolving guest stars that he put together in the 90s after leaving the Rolling Stones, as well as tracks from Willie And The Poor Boys, Bill's 1985 all-star side-project. The guest stars include Eric Clapton, George Harrison, Jimmy Page, Paul Rodgers…
The Very Best of Frank Sinatra is a simple double-disc collection of 40 Sinatra classics from his Reprise Recordings. For casual fans wanting something more than the single-disc The Very Good Years but don't want the four-disc The Reprise Collection, The Very Best of Frank Sinatra is ideal, since it contains all of the true essentials he recorded during the '60s and '70s, including "Summer Wind," "Strangers in the Night," "My Way," "It Was a Very Good Year," and "Theme From New York, New York."
With record sales of over 250 million, he was a giant star of the pre-rock ‘n’ roll era. Though his influence proved less durable than his record sales, Frankie Laine was one of the most popular vocalists of the 1950s, swinging jazz standards as well as half a dozen Western movie themes of the time with his manly baritone. Laine's enduring popularity was illustrated in June 2011, when a TV-advertised compilation called Hits reached No. 16 on the British chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death.
Tom Jones became one of the most popular vocalists to emerge from the British Invasion. Since the mid-'60s, Jones has sung nearly every form of popular music – pop, rock, show tunes, country, dance, and techno, he's sung it all. His actual style – a full-throated, robust baritone that had little regard for nuance and subtlety – never changed, he just sang over different backing tracks. On-stage, Jones played up his sexual appeal; it didn't matter whether he was in an unbuttoned shirt or a tuxedo, he always radiated a raw sexuality that earned him a large following of devoted female fans who frequently threw underwear on-stage. Jones' following never diminished over the decades; he was able to exploit trends, earning new fans while retaining his core following.
This single-CD compilation doesn't do too much more than scratch the surface of the band's sound at its most popular points, but it does do one thing that no prior Moody Blues compilation ever did – it includes "Go Now," which, as the notes point out, is still the group's top-charting single in England. What it doesn't do is get "Go Now" in really good sound (no one seems to have a proper master source) or include their even better follow-up single, "From the Bottom of My Heart." Still, this body of work is pleasing and, thanks to its extension back to the original lineup, even a little bit informative, and it was the first Moody Blues compilation to be mastered in 20-bit audio. The dominant personality is Justin Hayward, who has provided the band with most of its hits, followed somewhat distantly by John Lodge, whose songs began to shine as the '70s dawned – a pair of Hayward/Lodge songs and one solo Hayward release fill out the 17 tracks, which showcase the soulful, the mystical, and the psychedelic aspects of their music in equal parts. It's a good intro to their history, and anyone who wants more can jump to the Time Traveller box.