At the end of March 2011, Bill Nelson and the Gentlemen Rocketeers, along with one hundred plus guests, populated Studio A at Metropolis, West London, for a dynamite concert reminiscent of the Marquee club in its heyday. A blistering fourteen song set from the band, which covers much of Bill’s career to date, was the result. We’re delighted to present that set here on both CD and DVD, together with an interview with Bill and a sublime four track solo set as DVD extras.
SLY & ROBBIE recruited the American rock guitarist Daryl Thompson († 2014) whom they knew from their time with PETER TOSH. They engaged the keyboardist Franklyn 'Bubbler' Waul who was however not allowed to play the reggae typical shuffle organ but to steadily thrash the offbeat onto the piano. Those two musicians who were being replaced at several shows with Keith Sterling and Mikey Chung formed the core of BLACK UHURU which together with a second guitarist and a percussionist also dominated the stage in Essen.
This recording presents–almost–Berlioz's original thoughts on this very complicated opera (which went through more than a dozen versions, with additions and subtractions, in the composer's lifetime), although conductor John Nelson also adds an aria or two Berlioz later added, making it somewhat different from the version recorded by Philips under Sir Colin Davis a little over 30 years ago.
Béatrice et Bénédict, Berlioz's last completed work, is based on Shakespeare's Much Ado About Nothing, but the libretto, by the composer, dispenses with most of the intrigue of the original and reduces the plot to a single premise: Béatrice et Bénédict mask their affection for each other by squabbling, and then finally come to their senses and get married. Although designated an opera, it is closer in effect to an opéra comique because of its very extensive use of spoken dialogue.
In March 2005 Eleni Karaindrou presented what she called “a scenic cantata” at the Megaron in Athens, a tour through her music for film and theatre, with musical themes newly combined and contrasted. A live audio recording, “Elegy of the Uprooting”, was issued in 2006: “The two-CD set interweaves excerpts of her music from 13 different scores spanning more than two decades, although the irresistible congruence of the music is such that newcomers to Karaindrou’s oeuvre would be forgiven for thinking this is newly composed. The music seduces by its profound beauty, tenderness and candour.”. – International Record Review. Here is the video and audio document of the event.
Japanese pianist Keiko Matsui is a gentle person, she grows as an artist to a radiant personality, when she performs live. Tokyo born Keiko Matsui devotes her life to her favorite instrument, the piano. Since her fifth birthday she loves and performs this piece of equipment. Classified as New Age or Smooth Jazz musician, she always expands her work to other genres. Blending Eastern and Western influences she has found her own style presented in numerous solo albums.