Berlioz Dvd9

Kiri Te Kanawa, Jessye Norman, Daniel Barenboim - Hector Berlioz: Les Nuits d'ete, Op. 7; La Mort de Cleopatre (1982)

Hector Berlioz: Les Nuits d'été, Op. 7; La Mort de Cléopâtre (1982)
Kiri Te Kanawa, soprano; Jessye Norman, soprano
Orchestre de Paris; Daniel Barenboim, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 184 Mb | Mp3 (CBR320) ~ 120 Mb | Scans ~ 58 Mb
Classical, Vocal | Label: Deutsche Grammophon | # 445 594-2 | Time: 00:52:19

Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.
Los Angeles Philharmonic, Gustavo Dudamel - Berlioz: Symphonie Fantastique (2014) [Official Digital Download 24/96]

Los Angeles Philharmonic, Gustavo Dudamel - Berlioz: Symphonie Fantastique (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 60:48 minutes | 958 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recorded live in Los Angeles at the Walt Disney Concert Hall in 2008, Gustavo Dudamel brings new life to Berlioz's eternal classic the Symphonie fantastique as he leads the Los Angeles Philharmonic on this highly-praised performance. Includes a brief pre-concert lecture by the conductor.
LSO, Valery Gergiev - Berlioz: Harold en Italie (2015) [Official Digital Download 24/96]

LSO, Valery Gergiev - Berlioz: Harold en Italie (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 63:07 minutes | 1.23 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violist Antoine Tamestit and mezzo-soprano, Karen Cargill, join forces with the London Symphony Orchestra and Valery Gergiev, in the latest instalment of their Berlioz exploration. Composed in 1834 at the suggestion of Paganini and completed in Montmartre, 'Harold en Italie' received its first performance at the Conservatoire de Paris later that year. Taking inspiration from Lord Byron s 'Childe Harold s Pilgrimage', 'Harold en Italie' is among the most poetic of Berlioz s oeuvre, its ingenious use of solo viola charting the dreamy Harold s wanderings throughout the Italian countryside and the characters encountered along the way.
Paul Paray, Detroit Symphony - Berlioz: Symphonie Fantastique, Marches. Overtures (2005) [SACD ISO+HiRes FLAC]

Paul Paray, Detroit Symphony - Berlioz: Symphonie Fantastique, Marches. Overtures (2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 3.0 >1-bit/2.8224 MHz | Full Scans 600dpi | 2.98GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Full Scans 600dpi | 1.27GB + 5% Recovery

Oh my God! Wow!!! Are you ready to be terrorized by a March that literally makes you feel as if you ARE the person being marched to the scaffold or a Witch’s Sabbath that makes you feel as if Witches are right there harassing you? For the longest time I merely listened to the Symphonie Fantastique as a disinterested onlooker of the proceedings depicted in the music. I never felt an involvement with the music because of the performers involved—UNTIL NOW!!
Hector Berlioz - Complete Orchestral Works (1997) (6CD Box Set) {Philips Classics}

Hector Berlioz - Complete Orchestral Works (1997) (6CD Box Set)
XLD Rip | FLAC (tracks+.cue, log) | Artwork | 1877 mb | MP3 CBR 320kbps | RAR | 1096 mb
Classical, Romantic | Label: Philips Classics - 456 143-2

Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius.

Berlioz - Les Troyens (Antonio Pappano) (2013) [Blu-Ray]  Music

Posted by Vilboa at Feb. 11, 2017
Berlioz - Les Troyens (Antonio Pappano) (2013) [Blu-Ray]

Berlioz - Les Troyens (Antonio Pappano) (2013) [Blu-Ray]
2xBluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 254 min | 33,0 Gb+31,1 Gb
Audio1: French / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit
Classical | Opus Arte | Sub: English, French, German, Spanish, Japanese, Korean

Les Troyens is a tour de force that ranges from fiery military marches to intense choruses, passionate soliloquies and the lyrical love duets of Dido and Aeneas. For Hector Berlioz, librettist and composer, the opera became the work of decades and the passion of a lifetime, the culmination of his literary love affair with Virgil's Aeneid and with two tragic heroines, Cassandra and Dido. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden. The sweeping theme of the rise and fall of empires runs throughout Les Troyens, along with moving meditations on love and honour.

Berlioz: Roméo et Juliette (Cambridge Music Handbooks)  eBooks & eLearning

Posted by lengen at Dec. 26, 2016
Berlioz: Roméo et Juliette (Cambridge Music Handbooks)

Berlioz: Roméo et Juliette (Cambridge Music Handbooks) by Julian Rushton
English | Aug. 26, 1994 | ISBN: 0521373972 | 129 Pages | PDF | 4 MB

Berlioz's "dramatic symphony" Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original.
Berlioz - Les Troyens (Sir Colin Davis, London Symphony Orchestra) [2002]

Berlioz - Les Troyens (Sir Colin Davis, London Symphony Orchestra) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 4cd, 1010 MB
Classical | Label: LSO Live | Catalog Number: LSO0010 | TT: 3:59;28

Colin Davis’s 1969 recording remains a landmark event, the first time this grand opera of Meyerbeerian length, spectacular éclat and Wagnerian artistic ambition had found its way complete onto LP. It effectively changed views about Berlioz the opera composer and orchestral genius and has for many remained the yardstick by which all later performances have been judged. Although studio recorded, it was based on the Covent Garden casting of the day – Jon Vickers’s heroic Aeneas and Josephine Veasey’s voluptuous Dido – with a couple of Frenchmen to boost the ranks of lesser Trojans and Carthaginians…
Le Balcon, Maxime Pascal feat. Tonton A Faim - Berlioz & Lavandier: Symphonie Fantastique (2016)

Le Balcon, Maxime Pascal feat. Tonton A Faim - Berlioz & Lavandier: Symphonie Fantastique (2016)
Classical | MP3 CBR 320 kbps | 01:43:50 | 252 MB
Label: Alpha

Puristes purs et durs, passez votre chemin ! Cette réécriture, cette « recréation » de la Symphonie fantastique de Berlioz signée Arthur Lavandier bousculera toutes les habitudes. Outre le fait que l’ensemble Le Balcon compte seulement une vingtaine de musiciens là où la partition originale en exige confortablement le quadruple, il y est fait usage de nombreux sons préenregistrés, le discours est de plus en plus modifié au fur et à mesure de l’évolution.

Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)  Music

Posted by Vilboa at Sept. 24, 2016
Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)

Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)
PAL 16:9 (720x576) VBR | Français (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 7.60 Gb (DVD9) | 146 min
Classical | Arthaus Musik | Sub: English, Deutsch, Nederlands

This imaginative staging of Berlioz's dramatic symphony for chorus, soloists and orchestra relies heavily on the moving of massed choirs across a large stage. It has vivid lighting effects–rather too many of them using strobes–and monolithic multi-purpose sets, in particular a revolving glass drum which functions both as cinema screen and rostrum for singers, so that the final ride to Hell, for example, is sung by Mephistopheles and Faust above a cavalcade of projected horses, like the inside of a zoetrope. The three main soloists have voices on a scale that can compete with these flashy production values–White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. (Roz Kaveney)