Benjamin Britten

The Britten Quartet - Benjamin Britten: Complete String Quartets (2010)

The Britten Quartet - Benjamin Britten: Complete String Quartets (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 02:09:43 | 565 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 9168

Benjamin Britten (1913-76) was one of the most precocious of all composers who have the term child prodigy attached to them. Britten showed a keen interest in music from a very early age – both as a pianist and composer. He would become a formidable pianist, but as remarkable as his early compositions are (he had composed 6 string quartets by the age of 12!), very few people, including Frank Bridge could predict that he would become the 20th centuries greatest opera composers.
Bach Choir, London Symphony Chorus, London Symphony Orchestra & Benjamin Britten - Britten: War Requiem (1963/2013) [24/96]

Bach Choir, London Symphony Chorus, London Symphony Orchestra & Benjamin Britten - Britten: War Requiem (1963/2013)
FLAC (tracks) 24-bit/96 kHz | Time - 81:12 minutes | 1.63 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

“DECCA has used the most recent digital and Cedar technology to improve the original sound, under the overall supervision of veteran technician James Lock. This is one of the great performances of recording history.” Over half a century has passed since this classic DECCA recording was made in Kingsway Hall, London in January 1963. While the performance remains a benchmark, time has left the original analogue master tapes more fragile than ever.
Orchestra of the Royal Opera House, Covent Garden & Benjamin Britten - Britten Peter Grimes (2015)

Orchestra of the Royal Opera House, Covent Garden & Benjamin Britten - Britten Peter Grimes (2015)
Classical, Opera | WEB FLAC (tracks) & front cover | 626 MB
Label: Decca | Tracks: 45 | Time: 142:00 min

Britten's first great opera, written in 1945, remains a touchstone not only for postwar opera, but also anticipates the direction that postmodern music would take later in the century. Written at a time when high modernism was in full swing, Britten bucked the trends by taking a personal, political and musically eclectic approach. It's a small story with great ramifications: A sadistic fisherman and his violent actions turn him into the bane of his community, resulting in his suicide.
Ellen Nisbeth, Bengt Forsberg - Let Beauty Awake: Ralph Vaughan Williams, Rebecca Clarke, Benjamin Britten (2017)

Let Beauty Awake: Ralph Vaughan Williams, Rebecca Clarke, Benjamin Britten (2017)
Ellen Nisbeth, viola; Bengt Forsberg, piano

EAC | FLAC | Image (Cue&Log) ~316 Mb | Mp3 (CBR320) ~ 186 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-SACD-2182 | Time: 01:20:19

Despite her youth, Ellen Nisbeth has received acclaim both in her native Sweden and abroad and is one of the Rising Stars selected by the European Concert Hall Organisation (ECHO) for the 2017/2018 season. A former student of London's Royal College of Music, she hails from a family of Scottish origin and feels a particular affinity for the landscapes of Scotland, and for the Scottish author Robert Louis Stevenson. For her first recital disc Ellen Nisbeth has devised an all-British programme which includes her own transcriptions of selected songs from Songs of Travel – Ralph Vaughan Williams's settings of poems by Stevenson. The songs intersperse the remainder of the programme, and one of them – Let Beauty Awake – has also lent its title to the entire disc. Together with the eminent pianist and chamber musician Bengt Forsberg, Nisbeth goes on to perform the impassioned Viola Sonata composed in 1919 by Rebecca Clarke – a well-known piece among viola-players, but deserving of a wider audience.
Concertegbouw Orchestra, Sir John Barbirolli - Barbirolli conducts Erik Satie, Benjamin Britten, Antonin Dvorak (2003)

Erik Satie: Gymnopédies Nos. 1 & 3; Benjamin Britten: Sinfonia da Requiem
Antonín Dvořák: Symphony #7 in D minor, Op. 70 (2003)
Concertegbouw Orchestra, Amsterdam; conducted by Sir John Barbirolli

EAC | FLAC | Image (Cue&Log) ~ 352 Mb | Mp3 (CBR320) ~ 168 Mb | Scans included
Genre: Classical | Label: Testament | # SBT1252 | Time: 01:07:28

This is a fine Testament release taken from the archives of Netherlands Radio and enshrines some magnificent Barbirolli performances in somewhat opaque sound. The Satie Gymnopedie's have a delicate and loving sound that reveal Sir John's deep and intrinsic love for the miniaturistic charm of these enchanting pieces. Britten's 'Sinfonia da Requiem' was another Barbirolli speciality and this is one of many recordings available. However it is intriguing to observe the special attention and alertness that the Concertgebouw players impart to the music that takes on an added grandeur. However it is the Dvořák Seventh that is the real highlight of the disc as it is a version to die for! Sir John handles the music with real imagery and heart-on-sleeve emotion that almost rivals Kertész and Sejna, my other preferred versions in this landmark work.

The Cambridge Companion to Benjamin Britten  eBooks & eLearning

Posted by ksveta6 at Nov. 18, 2017
The Cambridge Companion to Benjamin Britten

The Cambridge Companion to Benjamin Britten (Cambridge Companions to Music) by Mervyn Cooke
1999 | ISBN: 0521574765, 052157384X | English | 372 pages | EPUB | 3 MB
English String Orchestra, Benjamin Britten, William Boughton, Roger Best - Works for String Orchestra (1985)

English String Orchestra, Benjamin Britten, William Boughton, Roger Best - Works for String Orchestra (1985)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (600dpi, png) | 415 mb | MP3 CBR 320kbps | RAR | 321 mb
Classical, Modern | Label: Nimbus Records - NI 5025

Here is the 1985 Nimbus release 'Benjamin Britten: Works for String Orchestra' performed by English String Orchestra conducted by William Boughton with Roger Best on viola. This particular Nimbus release has been out of print for some time now, but all of these works by Britten has been included on various later and more recent Nimbus releases.
Li-Wei Qin, London PO, Zhang Yi - Edward Elgar; Benjamin Britten; William Walton: Cello Concertos (2014)

Edward Elgar: Cello Concerto; Benjamin Britten: Four Sea Interludes
William Walton: Concerto for Violoncello and Orchestra (2014)
Li-Wei Qin, cello; London Philharmonic Orchestra; Zhang Yi, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 173 Mb | Scans ~ 92 Mb
Genre: Classical | Label: Decca | # 8896661 | Time: 01:15:26

An offering of two iconic British cello concertos, recorded with the London Philharmonic Orchestra and distinguished cellist Li-Wei Qin, separated by an atmospheric and musically detailed recording of Britten’s Four Sea Interludes conducted by Zhang Yi.

V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)  Music

Posted by Discograf_man at April 17, 2017
V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)

V.A. - Benjamin Britten: The Collector's Edition (37CDs, 2008)
Classical, 20th century | MP3 CBR 320 kbps | 5,68 Gb
Label: EMI Classics

This Collector's Edition presents a challenge to reviewers. There's so much of it. I could never do it any sort of justice if I approached this as if reviewing a smaller set. This, after all, comprises 37 CDs. As it is all I have been able to do is to sample, reminisce about known recordings and write around the subject. With this caveat stated, let's make a start.
There are three principal strands of Britten recordings. These are broadly tied into and defined by record companies, artists and eras. First we have Britten recording Britten for Decca.
Ida Haendel, Bournemouth SO, Paavo Berglund - Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992

Benjamin Britten & William Walton: Violin Concertos (1978) Reissue 1992
Ida Haendel (violin); Bournemouth Symphony Orchestra, conducted by Paavo Berglund

EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Genre: Classical | Label: EMI Classics | # CDM 7 64202 2 | Time: 01:02:27

Ida Haendel’s sinewy and athletic reading of the often under-rated Britten combines toughness with a cumulative dramatic impetus which is hard to resist. Berglund and the Bournemouth players respond with a terse and argumentative vigour, suitably balanced between resignation and defiant rhetoric, especially in the closing Passacaglia. The Walton Concerto, also dating from 1938-9, is played with an apposite blend of inscrutable panache, as in the irrepressibly brilliant central movement, and elsewhere, a sensuous, if occasionally over-indulgent languor. Rare lapses in the finale can be safely overlooked, in a performance of eloquence and undisputed stature.