Benjamin Britten Complete

Benjamin Britten - Complete String Quartets (Britten Quartet)  Music

Posted by tapaz9 at June 18, 2013
Benjamin Britten - Complete String Quartets (Britten Quartet)

Benjamin Britten - Complete String Quartets (Britten Quartet)
Classical | EAC: FLAC+Cue+Log | 2 Cd, Covers + Booklet | 623 Mb
Date: 1990

‘brilliantly incisive and excellently balanced. In particular, the great first movement sounds much more radical than usual, simply because the players pay scrupulous attention to Britten's expression marks and relish the remarkable contrasts of tempo and texture.’
Gramophone, reviewing the 1st quartet , May 1991

Benjamin Britten - Complete Scottish Songs  Music

Posted by tapaz9 at Dec. 13, 2011
Benjamin Britten - Complete Scottish Songs

Benjamin Britten - Complete Scottish Songs
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers (Front + Back) | 258 Mb
Label: Naxos - Date: 2011
Peter Pears, Claire Watson, ROH, Benjamin Britten - Britten: Peter Grimes (1959/2016) [TR24][OF]

Peter Pears, Claire Watson, ROH, Benjamin Britten - Britten: Peter Grimes
Classical | FLAC (tracks) 24-bit/96 kHz | 141:57 min | 2.70 GB | Digital booklet
Label: Decca | Tracks: 45 | Rls.date: 1959/2016

Tenor Sir Peter Pears leads the cast on this famous and highly-lauded presentation of Benjamin Britten's Peter Grimes, conducted by the composer himself and recorded live in London in December 1958. The album has been included on the list of the 100 greatest recordings by Gramophone, which said this version "has never been superseded in its refinement or insight." BBC Music Magazine named this album the greatest Britten recording of all time.

(Arte) Benjamin Britten War Requiem (2016)  Music

Posted by Morocco at Oct. 15, 2016
(Arte) Benjamin Britten War Requiem (2016)

(Arte) Benjamin Britten War Requiem (2016)
Webrip | Subtitles : French | 1h41min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2725 Kbps | AAC @ 125 Kbps | 2,03 GB
Genre : Classical music

Le War Requiem op. 66 compte parmi les œuvres majeures de Benjamin Britten. Ode à la mémoire des morts de toutes les guerres, elle exprime tour à tour l'affliction et la réconciliation. Dans ce cri de révolte lancé contre la guerre, le compositeur britannique entremêle le texte traditionnel de la messe de requiem en latin et les vers déchirants de Wilfred Owen, «poète de guerre» tombé au champ d'honneur à l'âge de 25 ans, quelques jours avant l'armistice de 1918.

Mozart - Idomeneo (Benjamin Britten) (2008/1969)  Music

Posted by Vilboa at Sept. 6, 2016
Mozart - Idomeneo (Benjamin Britten) (2008/1969)

Mozart - Idomeneo (Benjamin Britten) (2008/1969)
NTSC 4:3 (720x480) VBR | English (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 6.78 Gb+4.03 Gb (DVD9+DVD5) | 163 min
Classical | DECCA | Sub: English, Francais, Deutsch, Espanol, Chinese

This DVD of the recently issued Britten/Pears mini series recorded by the BBC for television way back in the 1960's and the 70's is for all intents and purposes another resounding success. All four priceless documents were thought lost, but this Idomeneo seems to have had a charmed life more than others. Indeed, three days before the Aldeburgh première, the hall was left in cinders and it is something of a miracle that the television production could actually go ahead. First broadcast in May 1970, critics and viewers alike were unanimous in their praise. Sung in English to a version prepared by Maisie and Evelyn Radford, Mozart's first operatic masterpiece is even more telling. A lot of credit should go to Britten himself, who not only conducted with committed ardour, but also prepared a musical edition all of his own. The staging has a classical dignity and avoids austerity altogether and both Pears and Harper give impressive performances. (Gerald Fenech)
Halle Orchestra, Kent Nagano - Benjamin Britten: The Rescue of Penelope; Phaedra (1996)

Benjamin Britten - The Rescue of Penelope; Phaedra (1996)
Dame Janet Baker, narrator; Alison Hagley, soprano; Catherine Wyn-Rogers, mezzo-soprano
John Mark Ainsley, tenor; William Dazeley, bass; Lorraine Hunt, soprano
Hallé Orchestra, conducted by Kent Nagano

EAC | FLAC | Tracks (Cue&Log) ~ 200 Mb (incl 5%) | Mp3 (CBR320) ~ 123 Mb (incl 5%) | Scans ~ 94 Mb
Genre: Classical | Label: Erato | # 0630 12713-2 | Time: 00:51:10

Soon after his return from America, at the height of the war in 1943, Britten wrote incidental music for a radio play by Edward Sackville-West on the Homeric subject of Odysseus’s return to Penelope. Drawn from the complete score with barely any amendment of the original, and compressed into a 36-minute cantata, with Chris de Souza tailoring the text and Colin Matthews, Britten’s last amanuensis, most tactfully editing the music, the result is extraordinarily powerful. The most important role is that of the narrator, here masterfully taken by Dame Janet Baker who brings the story vividly to life despite the stylized classical language (e.g. “Odysseus, Lord of sea-girt Ithaca” or “His fair wife, white-armed Penelope”). Rather confusingly Athene also appears as a soprano, with the radiant Alison Hagley sounding totally unlike Dame Janet. She is one of a godly quartet of singers who contribute Greek-style commentaries – vocal passages which regularly add to the atmospheric beauty of the piece.
VA: A Garland for the Queen / Benjamin Britten: A.M.D.G / Sacred And Profane (1991, Gamut Classics # GAMCD 529)

VA: A Garland for the Queen / Benjamin Britten: A.M.D.G / Sacred And Profane
Cambridge University Chamber Choir / Timothy Brown
EAC+LOG+CUE | FLAC: 232 MB | Full Artwork: 53 MB | 5% Recovery Info
Label/Cat#: Gamut Classics # GAMCD 529 | Country/Year: UK 1991
Genre: Classical | Style: Vocal, Sacred, Secular, Early 20th Century, Contemporary

Cambridge University Chamber Choir performs three twentieth-century English song cycles for mixed choir, including the rarely-recorded A Garland for the Queen. A Garland was composed to commemorate the Queen’s coronation in 1953 by a selection of the finest English composers including Finzi, Bliss, Bax, Tippett, Vaughan Williams, Howells and Ireland. The two works by Benjamin Britten, AMDG and Sacred and Profane, are virtuoso show pieces for mixed choir.
Benjamin Britten - London Symphony Orchestra / Richard Hickox - War Requiem (1991, Chandos # CHSA 5007/2) [RE-UP]

Benjamin Britten - War Requiem / Sinfonia da Requiem / Ballad of Heroes
Heather Harper, Philip Langridge, Martyn Hill, John Shirley-Quirk; London Symphony Orchestra, Richard Hickox
2xCD | EAC+LOG+CUE | FLAC: 567 MB | Artwork | 5% Recovery Info
Label/Cat#: Chandos # CHSA 5007(2) | Country/Year: UK 1991
Genre: Classical | Style: Contemporary, Sacred, Vocal, Oratorio

"…Hickox's set has achieved the status of a classic for Britten recordings." ~sa-cd.net

Benjamin Britten on Camera (2013)  Video

Posted by vivid23 at June 5, 2015
Benjamin Britten on Camera (2013)

Benjamin Britten on Camera (2013)
PDTV | 832x468 | MKV/x264 @ 1500 Kbps | 59mn | Audio: English AAC 128 kbps, 2 channels | Subs: English | 632 MB
Genre: Documentary

Documentary exploring the dynamic relationship that developed between British composer Benjamin Britten and the BBC as they worked together to broadcast modern classical music further and wider. Through this collaboration, Britten's music reached television audiences, from elaborately staged studio operas, intimate duets featuring his partner Peter Pears, to the massive Proms performance of his War Requiem. The programme features interviews with Britten's collaborators and singers as well as those working behind the scenes including Michael Crawford, David Attenborough, Humphrey Burton and soprano April Cantelo. James Naughtie narrates.

The Operas of Benjamin Britten: Expression and Evasion  eBooks & eLearning

Posted by MoneyRich at Feb. 21, 2015
The Operas of Benjamin Britten: Expression and Evasion

The Operas of Benjamin Britten: Expression and Evasion (Aldeburgh Studies in Music) by Claire Seymour
English | Sep 15, 2004 | ISBN: 085115865X | 368 Pages | PDF | 3 MB

The delicate balance between private and public communication, and the tension between art as self-expression and art as moral resolution were key concerns in Britten's music. Seymour examines ways in which Britten's operas explored and articulated the inherent ambiguity and latent sexuality of music, particularly song, and suggests that Britten's operas may illustrate his search for a public 'voice' which would embody, communicate, and perhaps resolve his private beliefs and anxieties.