This was Kyung-Wha Chung's first recording, made when she was 22, just after her sensational London debut in the Tchaikovsky Concerto with the same orchestra and conductor. It is splendid. Only a young, radiantly talented player could make these two tired warhorses sound so fresh and vital; only a consummately masterful one could sail through their daunting technical difficulties with such easy virtuosity and perfection. Her tone is flawlessly beautiful, varied in color and inflection; she puts her technical resources entirely at the service of the music, giving every note meaning and honestly felt expression without exaggeration or sentimentality. The Tchaikovsky has charm, humor, sparkle; the slow movement is dreamy, wistful, and unmuted but subdued and inward. The Sibelius is dark and bleak but full-blooded, passionate, and intense. The orchestra sounds and plays better in the Sibelius.
HISTORICAL RECORDINGS · MONO · RECORDED IN *1930 & 1934 NEW REMASTERING FROM ORIGINAL MASTERS IN 24-BIT / 96KHZ BY STUDIO ART ET SON, PARIS. “You simply have to hear Huberman’s recording,” wrote Gramophone of this incandescent 1934 interpretation of Beethoven’s Violin Concerto. At the age of 14 Huberman, born in Poland in 1882, had dazzled Brahms with his playing. The prodigy went on to become both a towering violinist and a committed humanitarian activist, rescuing musicians from Nazi Germany to form the future Israel Philharmonic Orchestra. Completing this newly remastered Beethoven disc, Huberman is partnered in the Kreutzer Sonata by another legendary Polish-born musician, Ignaz Friedman.
Mutter's Beethoven Concerto was recorded live at the final subscription concerts of Karl Masur's long tenure as the New York Philharmonic's music director, and the beautifully played orchestral part is a tribute to his leadership. Mutter plays with a silken tone and astonishing technical command of her instrument–absolute ease in the stratospheric tessitura of the solo part, and an amazing array of microdynamic adjustments that display the infinite variety of pianissimos at her command.