Beethoven Violin Concerto in D Major, op 61

Ludwig van Beethoven - Violin Concerto in D major, Op. 61 (Vinyl rip in 24bit/96kHz)

Ludwig van Beethoven - Violin Concerto in D major, Op. 61 (Vinyl rip in 24bit/96kHz)
Vinyl-rip in 24/96 | Wavpack(Tracks) | stereo | 765 MB | Artwork | Classical | no declick | Rapidshare
Label: ETERNA

Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806.
The work was premiered on December 23, 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven’s friend Stephan von Breuning. wikipedia
David Oïstrakh - Beethoven - Violin Concerto in D major - Sibelius - Violin Concerto in D minor (2008)

David Oïstrakh - Beethoven - Violin Concerto in D major - Sibelius - Violin Concerto in D minor
Classical | MP3 320 Kbps |170 MB
EMI Records Ltd 2008
Emilio Percan - Brahms: Violin Concerto in D Major, Op. 77 & Symphony No. 3 in F Major, Op. 90 (2017)

Emilio Percan - Brahms: Violin Concerto in D Major, Op. 77 & Symphony No. 3 in F Major, Op. 90 (2017)
Classical | MP3 CBR 320 kbps | 01:09:26 | 159 MB
Label: Pan Classics | Release Year: 2017

With his Violin Concerto Brahms was often accused of having embedded the solo violin too deeply within the orchestra. When looking at his two piano concertos, his intention seems to have been rather to write symphonic concerts as virtuoso solo pieces with orchestral accompaniment. “Because of the dialogues in the orchestra between violins and wind instruments and the accompanying figures of the solo violins, the concert seems to me rather like a piece of chamber music”, tells us Emilio Percan and decided to record the Violin Concerto without a conductor. The matter of instrumentation is crucial in this context.
Vadim Gluzman - Brahms: Violin Concerto in D Major, Op. 77 & Violin Sonata No. 1 in G Major, Op. 78 "Regen" (2017)

Vadim Gluzman - Brahms: Violin Concerto in D Major, Op. 77 & Violin Sonata No. 1 in G Major, Op. 78 "Regen" (2017)
Classical | MP3 CBR 320 kbps | 01:12:48 | 167 MB
Label: BIS | Release Year: 2017

One of Johannes Brahms's sunniest works, the Violin Concerto in D major was conceived during the summer of 1878, which Brahms spent by the idyllic Wörthersee in Kärnte, Austria. By the end of the summer he was able to send the violin part of the first movement, and the beginning of the Finale to his friend Joseph Joachim. Brahms asked Joachim for advice regarding the writing for violin, and also told him that he was planning a work in four movements.
Tchaikovsky - Violin Concerto in D major, Op.35; Sibelius - Voilin Concerto in D minor, Op.47 (1970) [Kyung-Wha Chung, Previn]

Tchaikovsky - Violin Concerto in D major, Op.35; Sibelius - Voilin Concerto in D minor, Op.47 (1970) Reissue 2001
Kyung-Wha Chung, violin; London Symphony Orchestra; Andre Previn, conductor

EAC | FLAC | Image (Cue&Log) ~ 304 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Decca | # UCCD-7007, 468 707-2 | Time: 01:06:25

This was Kyung-Wha Chung's first recording, made when she was 22, just after her sensational London debut in the Tchaikovsky Concerto with the same orchestra and conductor. It is splendid. Only a young, radiantly talented player could make these two tired warhorses sound so fresh and vital; only a consummately masterful one could sail through their daunting technical difficulties with such easy virtuosity and perfection. Her tone is flawlessly beautiful, varied in color and inflection; she puts her technical resources entirely at the service of the music, giving every note meaning and honestly felt expression without exaggeration or sentimentality. The Tchaikovsky has charm, humor, sparkle; the slow movement is dreamy, wistful, and unmuted but subdued and inward. The Sibelius is dark and bleak but full-blooded, passionate, and intense. The orchestra sounds and plays better in the Sibelius.

Beethoven - Violin Concerto, Romances, Stephanie Chase  Music

Posted by Howards_End at Oct. 11, 2008
Beethoven - Violin Concerto, Romances, Stephanie Chase

Beethoven - Violin Concerto, Romances, Stephanie Chase
Classical | FLAC + logs | 1 CD | Covers + Notes | 241Mb | Cala | Rapidshare
James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance (2017) [24/96]

James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 71:17 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Beethoven’s Violin Concerto represents the supreme challenge for violinists. Far from being a virtuoso display piece, this is chamber music on a large scale, the last and greatest ‘classical’ violin concerto, giving the soloist no place to hide with a solo part that is often very exposed against sparse orchestral accompaniment. A lukewarm reception at the concerto’s premiere in 1806 led to it being forgotten until Joseph Joachim resurrected it in the 1850s and restored to its rightful position as one of the greatest and most popular concertos for the instrument. This is James Ehnes’ first recording of this concerto, and he is supported sensitively by the award winning RLPO and fellow violinist-turned-conductor, Andrew Manze. The combination of soloist, orchestra and conductor on this recording is a dream team. …
James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance (2017)

James Ehnes, Royal Liverpool Philharmonic Orchestra - Beethoven: Violin Concerto, Romance - Schubert: Romance
Classical | WEB FLAC (tracks) & d. booklet | 71:17 min | 320 MB
Label: PM Classics / Onyx | Tracks: 06 | Rls.date: 2017

Beethoven’s Violin Concerto represents the supreme challenge for violinists. Far from being a virtuoso display piece, this is chamber music on a large scale, the last and greatest ‘classical’ violin concerto, giving the soloist no place to hide with a solo part that is often very exposed against sparse orchestral accompaniment. A lukewarm reception at the concerto’s premiere in 1806 led to it being forgotten until Joseph Joachim resurrected it in the 1850s and restored to its rightful position as one of the greatest and most popular concertos for the instrument.
Ludwig van Beethoven - Violin Concerto, Kreutzer Sonata - Bronislaw Huberman (2017) {Warner Classics-Parlophone rec 1936}

Ludwig van Beethoven - Violin Concerto, Kreutzer Sonata - Bronislaw Huberman (2017) {Warner Classics-Parlophone rec 1936}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 317 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (png) -> 60 Mb | 5% repair rar
© 1936, 2017 Warner Classics / Parlophone | 0190295895167
Classical / Viennese School / Violin / Piano

HISTORICAL RECORDINGS · MONO · RECORDED IN *1930 & 1934 NEW REMASTERING FROM ORIGINAL MASTERS IN 24-BIT / 96KHZ BY STUDIO ART ET SON, PARIS. “You simply have to hear Huberman’s recording,” wrote Gramophone of this incandescent 1934 interpretation of Beethoven’s Violin Concerto. At the age of 14 Huberman, born in Poland in 1882, had dazzled Brahms with his playing. The prodigy went on to become both a towering violinist and a committed humanitarian activist, rescuing musicians from Nazi Germany to form the future Israel Philharmonic Orchestra. Completing this newly remastered Beethoven disc, Huberman is partnered in the Kreutzer Sonata by another legendary Polish-born musician, Ignaz Friedman.

Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 8, 2017
Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]

Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 4.19 GB + 5% Recovery
Label: Deutsche Grammophon | Release Year: 2003

Mutter's Beethoven Concerto was recorded live at the final subscription concerts of Karl Masur's long tenure as the New York Philharmonic's music director, and the beautifully played orchestral part is a tribute to his leadership. Mutter plays with a silken tone and astonishing technical command of her instrument–absolute ease in the stratospheric tessitura of the solo part, and an amazing array of microdynamic adjustments that display the infinite variety of pianissimos at her command.