Beethoven No.9 Flac 1982

Philip Glass - Symphony No.9 (Perfomed Bruckner Orchester Linz, conducted by Dennis Russell Davies) (2012)

Philip Glass - Symphony No.9 (Perfomed Bruckner Orchester Linz, conducted by Dennis Russell Davies) (2012)
EAC | FLAC | Image (Cue&Log) ~ Mb (incl 5%) | Mp3 (CBR320) ~ 183 Mb (incl 5%) | Scans included
Genre: Classical, Postmodern, Minimalism | Label: Orange Mountain Music | # 0081 | Time: 00:49:54

Symphony No. 9 is Philip Glass' ninth symphony. It was written between 2010 and 2011. It is written in 3 movements. It was commissioned by the Bruckner Orchester Linz, Carnegie Hall, and the Los Angeles Philharmonic Association.
Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010) [SACD ISO+HiRes FLAC]

Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Covers | 3.01GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.16GB + 5% Recovery

Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.
Volker Hartung - Dvořák: Symphony No. 9 in E Minor, Op. 95 "From the New World" (2016) [Official Digital Download]

Volker Hartung - Dvořák: Symphony No. 9 in E Minor, Op. 95 "From the New World" (2016)
FLAC (tracks) 24-bit/48 kHz | Time - 40:50 minutes | 436 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

This album features Antonin Dvorak´s most famous work, his Symphony No.9 'From the New World' in a passionate and inspired performance by the Cologne New Philharmonic Orchestra under the direction of Maestro Volker Hartung.
Performed at Kölner Philharmonie in Germany, this recording will you give you a wealth of listening pleasure!
Sergiu Celibidache - Schubert: Symphony No. 8, "Unfinished" / Dvorák: Symphony No. 9, "From the New World" (2017) [24/96]

Sergiu Celibidache - Schubert: Symphony No. 8, "Unfinished" / Dvorák: Symphony No. 9, "From the New World" (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 72:52 minutes | 1.30 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

RELEASE MESSAGES The Munich Philharmonic and Sergiu Celibidache share an exceptional legacy. He started his work as principal conductor in 1979 and remained in this position for as long as 17 years. Sergiu Celibidache played an integral part in making the Munich Philharmonic what it is today: an orchestra of worldwide renown. Today the Munich Philharmonic is critically acclaimed internationally with hopelessly sold out concerts in Munich and the world.
Altomonte Orchester St. Florian, Remy Ballot - Bruckner: Symphony No. 9 (2016) [Official Digital Download 24/96]

Altomonte Orchester St. Florian, Remy Ballot - Bruckner: Symphony No. 9 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 77:00 minutes | 1.29 GB
Studio Master, Official Digital Download | Artwork: Front Cover

This incredible recording of Anton Bruckner’s Symphonie IX also includes a bonus disc with the Version for Two Pianos. Featuring the Altomonte Orchester St. Florian under the direction of Remy Ballot, this album is a live recording of the original version. Bruckner’s Ninth Symphony is, in the composer’s own words, “The loveliest thing that I [Bruckner] ever composed.” The work is dedicated to the “dear Lord” and is the composer’s personal confrontation with his journey into the afterlife. The transcription for two pianos was arranged by Klaus Laczika and Matthias Giesen using a transcription by Dr. Karl Grunsky (1911) and more closely aligning it to Bruckner’s original scoring in the way of dynamics and instrumentation.
Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 68:12 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Front Cover

There are those who would argue that the Berlin Philharmonic under Herbert von Karajan was a magnificent instrument for the later Romantics Brahms, Bruckner, Wagner, and Strauss. There are others, however, who would argue that Karajan and the BPO were too magnificent for the earlier Romantics Mendelssohn, Schumann, and especially Schubert. They would say that the lushly, plushly, voluptuously sensual sound of the BPO simply overwhelmed the lighter, brighter, and more lyrical early Romantics. And while a few might concede that the BPO may be acceptable in Mendelssohn’s Italian or Schumann’s Rhenish, even they would say that they were all wrong for Schubert.
London Philharmonic Orchestra & Adrian Boult - Vaughan Williams: Symphony No. 9 (1958/2013) [Official Digital Download 24/192]

London Philharmonic Orchestra & Adrian Boult - Vaughan Williams: Symphony No. 9 (1958/2013)
FLAC (tracks) 24-bit/192 kHz | Time - 34:59 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Giuseppe Verdi was 79 when he finished his final opera the glorious comedie humaine - Falstaff, and he was 85 at the time his Four Sacred Pieces came to publication. In our own day we have seen England’s great symphonist, Ralph Vaughan Williams (b. 1872-d. 1958) complete between his 79th and 85th years such varied scores as the Eighth and Ninth Symphony, a Romance for Harmonica and Orchestra, a Tuba Concerto and choral pieces.
Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012) [Official Digital Download 24/96]

Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 67:12 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Herbert von Karajan's 1976 rendition of Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," Op. 125, has had its advocates over the years, and many think this is his best version of the symphony. Even so, others more skeptical may find that this performance is too carefully contrived to show off the Berlin Philharmonic's exceptional chops; that the recording is too fastidiously engineered to pick up every last instrumental passage, important or not; and that the whole package is marketed too pointedly as a "great performance," which it is not.
Bernard Haitink & London Symphony Orchestra - Bruckner: Symphony No. 9 (2014) [Official Digital Download 24/96]

Bernard Haitink & London Symphony Orchestra - Bruckner: Symphony No. 9 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 67:09 minutes | 1.32 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Bernard Haitink, internationally renowned for his interpretations of Bruckner, returns at the helm of the LSO following his acclaimed recording for the label of the fourth Symphony. Bruckner s symphonies are often described as Gothic cathedrals in sound, an apt description considering the composer s devout faith and early vocation as an organist. He died before he could finish his 9th Symphony but within its three movements can be found some of his most complete music, imbued with a sense of deep solace and resolution.
Orchester Wiener Akademie, Martin Haselböck - Beethoven: Resound Vol. 5 - Symphony No. 9 (2017)

Orchester Wiener Akademie, Martin Haselböck - Beethoven: Resound Vol. 5 - Symphony No. 9
Classical | WEB FLAC (tracks) & d. booklet | 65:34 min | 290 MB
Label: Alpha | Tracks: 04 | Rls.date: 2017

The Orchester Wiener Akademie and its conductor Martin Haselböck continue their RESOUND Beethoven series. The aim of this project is to record the complete Beethoven symphonies on period instruments in the venues where they were first performed,scrupulously respecting the layout of the orchestra 200 years ago, and also that of the chorus, which at that time was positioned in front of the orchestra.