Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era.
Famously conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, Ravel's Daphnis et Chloé, and Debussy's Jeux. Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York.
Following his landmark recordings, "Beethoven - The Late Piano Sonatas" and "Bach - Partitas", both of which has won him international acclaim, Igor Levit is now tackling another three major works: Bach's Goldberg Variations, Beethoven's Diabelli Variations, and Frederic Rzewski's Variations on "The People United Will Never Be Defeated".
It is testament to Igor Levit's invention and the command of his repertoire that in one release he is able to combine arguably two of history’s greatest sets of variations for the keyboard, complete alongside a classic of late 20th century piano music by contemporary composer Frederic Rzewski.
A 50-CD set of legendary recordings celebrating the world-renowned Decca Sound. Classic-status pioneering stereo recordings from the past 60 years and starring a galaxy of internationally-acclaimed artistic talent.
In memoriam Maestro Maazel, Sony Classical re-releases the ‘Maazel Great Recordings’ 30-CD Box to honour his great work.
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.