Yves Nat's performance of the Beethoven sonatas is a remarkable feat–His interpretations are "natural" as though the music is being composed as he plays. Therefore, the performances offer an inner satisfaction to the listener. Nat is also a great pianist with a beautiful tone and solid technique welded to his conceptions. A sleeper set that stands comparison to more famous versions.
Beethoven's String Quartets are well known for their inventiveness. The mold of the string quartet form, established by Haydn, was shattered by Beethoven's profound expression and expansion of the "rules." Between 1999 and 2003, the renowned Pražák Quartet recorded all of the Beethoven string quartets, and this match of program and performers is one made in heaven.
Among the many genres Beethoven used to build on his reputation upon his arrival in Vienna, the violin sonatas allowed him not only to demonstrate his own prowess on the keyboard, but also played to the increasing popularity of chamber works that might be attempted by sophisticated amateurs. Following Mozart's trend of liberating the violin from a mere secondary role, Beethoven continued to bring about the equality of both instruments in all of his duo sonatas. Performing these 10 sonatas is the splendid duo of violinist Renaud Capuçon and pianist Frank Braley. The recordings take place in la Chaux de Fonds concert hall in Switzerland, a venue that offers listeners an exceptionally wonderful, intimate sound quality even on a CD.
The Orford String Quartet was a Canadian string quartet active from 1965 through 1991. They came to be the leading string quartet in Canada, and one of the finest in the world. For 26 years, the Orford String Quartet was the best of its breed in Canada.
…Until I heard Brautigam on this SACD. This is for me his greatest achievement over the 7 Beethoven discs. A breathtaking feeling for everything on the right place. His tempo, speed, accents, volume, absolutely everything is combined to 1 unique reading. Yes, this is a Beethoven sonata! I experienced how Beethoven’s genius, Brautigams insight & virtuosity & the sound of the instrument blended to one grasping, divine moment of beautiful music.Then for artist & listener a demanding fugue is heavenly presented, the complex structure comes out crystal clear. Add the marvelous sound of the SACD medium & one can consider this SACD as a new reference in recording history. I hope we don’t have to wait another year for the Last Sonatas…" ~sa-cd.net
Fans of either cellist Mstislav Rostropovich or pianist Sviatoslav Richter will have to hear the performances on this two-disc Doremi set. It contains the four pieces they performed in Moscow on March 1, 1950 Brahms' Sonata No. 1 and Beethoven's sonatas No. 3 and No. 4, plus the world premiere of Prokofiev's sonata and two of the pieces they played at the Aldeburgh Festival on June 20, 1964 Grieg's sonata as well as another Brahms' Sonata No. 1.
This important set contains the sixteen Beethoven sonatas that Wilhelm Kempff recorded for Grammophon in Germany between 1940 and 1943. Several are reissued here for the first time since their original release on 78rpm discs and none are currently available elsewhere. The sound is excellent for the period and all reveal the young Kempff at his best, in performances that compliment his later thoughts. The release is the companion of two previous APR releases of early Kempff Beethoven recordings the late sonatas (APR6018) and piano concertos 1, 3, 4 & 5 (APR6019), both of which received excellent reviews and were amongst APRs best sellers.