Dizzy Gillespie brings together tenor saxophonists Sonny Stitt and Sonny Rollins for four extended cuts, and in the process comes up with one of the most exciting "jam session" records in the jazz catalog. While the rhythm section of pianist Ray Bryant, bassist Tommy Bryant, and drummer Charlie Persip provides solid rhythmic support, Stitt and Rollins get down to business trading fours and reeling off solo fireworks. Apparently, Gillespie had stoked the competitive fires before the session with phone calls and some gossip, the fallout of which becomes palpable as the album progresses.
Top recording artist, educator, composer and monster jazz guitarist Sheryl Bailey dug wide and deep into the bebop soundscape to select the lines and approaches that comprise this essential vocabulary of bebop phrases. You’ll learn lines inspired by bebop giants such as Charlie Parker, Joe Viola, Joe Pass, John Coltrane, Pat Martino, Sonny Stitt, Cannonball Adderley, Mike Stern, Dizzy Gillespie, Peter Bernstein and so many more.
Dizzy Gillespie was one of the most influent jazz trumpeters because he was the header, along with Charlie Parker and Thelonious Monk, of the bebop's verve, which large changed the genre around the forties. Therefore, some critics asks themselves what's the impact in universal music if the Dizzy Gillespie and Trio Mocotó's album had had released in that faraway year of 1974.Only a few months ago the Biscoito Fino Records released this phonographic pearl. In fact, Dizzy recorded this work through joining between the Verve Records and the Brazilian Philips, and took the master tape as soon as it was recorded, in eight hours of rehearsals, to go to stores in 1975…
This unusual session consists of a complex six-movement suite by J.J. Johnson featuring Dizzy Gillespie's trumpet over a brass choir (six trumpets, two trombones, two bass trombones, four French horns and two tubas), bass, drums, percussion and two harps. Often reminiscent of classical music, Johnson's writing allows plenty of room for Gillespie to improvise. The result is a rather unique set of music that is well worth searching for.
This double CD collects all of the Dizzy Gillespie Big Band sides from 1946-1949 for the Bluebird and Musicraft labels, including seven previously unissued cuts. These bands were renowned for their hard-swinging styles that accented the toughness of bebop wailing R&B and Latin/Cuban grooves. Some of Diz's sidemen included Milt Jackson, Cecil Payne, Ray Brown, Willie Bobo, Yusef Lateef, Johnny Hartman, Leo Parker, John Lewis, Sonny Stitt, Kenny Dorham, James Moody, Ernie Henry, Al McKibbon, and dozens of others. Here are formidable versions of "Two Bass Hit," "Cubana Bop," "Jump Did-Le-Ba," "Oop-Pop-A-Da," and many others. In addition to the studio sides there is an entire Paris concert included from a radio transcription, making these sides indispensable. The only downside is the lack of liner notes – though full session notation is included.