This 1973 Paris studio session first appeared on the European label America as The Giant, but there has been some confusion as various combinations of songs have appeared under the same album title with Dizzy Gillespie's name over the years. Although rather brief in length with just five tracks and clocking in at under 34 minutes, this lively date has some strengths. The trumpeter turns over the solo spotlight to the extraordinary bassist Niels Pedersen and pianist Kenny Drew, prior to featuring himself in brief spurts with drum breaks by Kenny Clarke. Pedersen's fine arco technique introduces the brief ballad "I Waited for You," in which Gillespie is clearly at the top of his game…
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
This collection of 78 rpm singles, all recorded on June 6, 1950, was originally issued in album format in 1956. Several things distinguish this from numerous other quintet recordings featuring these two bebop pioneers. It was recorded during the period that Parker was working under the aegis of producer Norman Granz, whose preference for large and unusual ensembles was notorious. The end result in this case is a date that sounds very much like those that Parker and Gillespie recorded for Savoy and Dial, except with top-of-the-line production quality. Even more interesting, though, is Parker's choice of Thelonious Monk as pianist.
This single CD reissues all of the music from two rare Dizzy Gillespie LPs. Dating from 1963-64, the set features the trumpeter's interpretation of the score of the obscure film The Cool World (although these are not the actual performances heard in the movie) plus 11 themes from other films. Gillespie, who is joined by James Moody (on tenor, alto and flute), pianist Kenny Barron, bassist Chris White and drummer Rudy Collins, was in peak form during that era and hopefully all of his other Philips recordings will also be reissued by Verve in the future. Although the liner notes deal only with The Cool World, the other set is actually of greater interest. Gillespie uplifts such tunes as the "Theme from Exodus," "Moon River," "Days of Wine and Roses," "Never on Sunday" and "Walk on the Wild Side," turning them into swinging jazz. The Cool World pieces (all composed by Mal Waldron) are also worth hearing although they are not as memorable overall. This set is a real historical curiosity and, although not essential, it is a release that should please Dizzy Gillespie fans while reminding others of how great a trumpeter he was before his long decline.