One Man and His Cow (original title: La Vache - The Cow) is a 2016 French comedy film directed by Mohamed Hamidi.
The Lebanese, Paris based trumpeter Ibrahim Maalouf is a versatile musician who creates with charm and musical power wonderful solo albums like ‘Ullusions‘, ‘Wind‘ (music for the silent film ‘La Proie du Vent‘ 1926 by René Clair) and his three CD box ‘Dia‘. The use of electronics, solid jazz and trumpet section with four trumpets on ‘Illusions‘ makes him a pioneer who put the trumpet in a broader perspective.
In 2002, Seth Godin asked a simple question that turned the business world upside down: What do Starbucks and JetBlue and Apple and Dutch Boy and Hard Candy have that other companies don't? How did they confound critics and achieve spectacular growth, leaving behind formerly tried-and-true brands?
A team-up with Slapp Happy may seem an obvious meeting of minds in 2000, but not at the time (1975) when all they really shared was a Marxist outlook and a record label (Virgin). The two bands had already recorded Desperate Straights, which focused more on songs and Dagmar Krause's vocals…
In 1942, a French prisonner of war in Germany decide to escape to France using a cow hold by a lunge as a decoy. He cross all Germany in this way.
British progressive pioneers Henry Cow was the leading group of the Rock In Opposition (R.I.O. for short) movement, initiated by their drummer Chris Cutler. All members of Henry Cow have been involved in collaborations with Canterbury groups and artists at one point or another, and most of them still are. Their music aged amazingly well over the last 20 years due to diverse influences: some of its roots in the Canterbury school, most notably early Soft Machine, other influences (Frank Zappa, Bela Bartok, Kurt Weil). The group functioned more or less as a collective, with a true group identity that changed from album to album as members came and went…
Bill struggles to put together his shattered psyche, in this new feature film version of Don Hertzfeldt's animated short film trilogy.
More than most rock bands, Henry Cow was in many ways a fundamentally live entity, mixing through-composed avant-rock with collective free improv in a way that even today — more than three decades after this album's release — is a rarity and a curiosity. Not surprisingly, then, Concerts is one of their finest releases, and contains some of their most compelling improvisations on record.