"The Rooftop Concert" was the first live gig since the band stopped touring in 1965 (tired of constantly screaming girls and frustrated by not being able to reproduce the more complex arrangements of their studio albums) and was to be their last.
This unique, baroque take on The Beatles contains arrangements of the songs in the styles of Handel, Vivaldi, Bach, and Corelli. Breiner very successfully finds baroque elements in pop/rock music. (E.g., taking the main theme of "Michelle", Peter Breiner's orchestra creates a perfect FOUR-PART COUNTERPOINT!)…
June thru July 1966! The most complete documentary of their Far East Tour of Japan and the Phillipines! After months and research - it's here! More than you would believe! In color and black and white - since much is silent, a musical soundtrack accompanies the film.
The film captures not only the concert, the attendance of which was 55,600, the largest Beatles concert up to that time, but also the events leading up to the concert, including the Beatles' helicopter ride from Manhattan to Flushing Meadows, their preparation in the dressing room (i.e., the visiting baseball team's locker) at Shea Stadium, and clips from the show's other acts, including Motown singer Brenda Holloway ("I Can't Help Myself"), King Curtis ("Soul Twist"), Sounds Incorporated ("Fingertips"), and The Discothèque Dancers, managed by Jerry Weintraub.
1967–1970 (widely known as The Blue Album) is a compilation of many of The Beatles' most popular tracks from 1967 to 1970. It was released with 1962–1966 (The Red Album), which covered their earlier period. 1967–1970 made #1 on the U.S. Billboard chart and #2 on the U.K. Album Chart. This album was re-released in September 1993 charting at #4 in the UK.
The cover art shows the band once again looking down the stairwell of EMI's Manchester Square headquarters in London; the same pose, camera angle, setting and photographer (Angus McBean) as used for the cover on the Please Please Me and 1962–1966 albums, which used different photos from the same photo session. The image was originally shot for the Get Back album, which later became Let It Be, but in the end the photograph was not used for that project.