Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Beatles fans love to explain that the key to the successful partnership of John Lennon and Paul McCartney was their contrasting songwriting personalities – Lennon was the tongue in cheek sardonic wit, McCartney the earnest balladeer. On John Pizzarelli Meets the Beatles, a sharply conceived tribute which sets the duo's classics in a jazz trio with big-band arrangements, the singer/guitarist hits the mark more often when he's taking on the Lennon persona. He approaches "Cant' Buy Me Love," "When I'm 64," and "Get Back" with a playful wink, jumping off his speedy melody lines and the rising brass sections for extended improvisational tradeoffs with pianist Ray Kennedy, and adding colorful touches like scatting and even ad libbing his own lyrical verses based on the originals. Likewise, he attacks the all-instrumental "Eleanor Rigby" with a jumpy, swinging aggression. Pizzarelli, however, becomes overly schmaltzy in presenting ballads like "You've Got to Hide Your Love Away" and "Long and Winding Road" too seriously, with maudlin, straightforward arrangements that grind the party to a halt. The one exception is the more percussive "Oh Darling," where his intense vocal helps the tune rise above the hotel lounge mentality.
It was 50 years ago when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally acclaimed album. The album is newly mixed by Giles Martin and engineer Sam Okell in stereo, sourced directly from the four-track masters at Abbey Road Studios in London, and guided by the original, Beatles-preferred mono mix produced by his father, George Martin. This expanded 2CD package features the new stereo album mix on the first CD and adds a second CD of 18 tracks, including previously unreleased alternate takes of each of the album's 13 songs, newly mixed in stereo and sequenced in the same order as the album. The second CD also includes a new stereo mix and a previously unreleased instrumental take of 'Penny Lane,' and the 2015 stereo mix and two previously unreleased alternate takes of 'Strawberry Fields Forever.'
Violinist Viktoria Mullova made two great decisions before she made this record. First, she decided to record not only Bach's canonical six sonatas for violin and harpsichord, but also his Sonata in G major for violin and continuo and his Trio Sonata in C major for violin and continuo…
These Foolish Things is a 1973 album by Bryan Ferry, containing cover versions of standard songs. It was his first solo effort, as he was still Roxy Music's lead singer.
Collection includes: Roman Candle (1994); Elliott Smith (1995); Either/Or (1997); XO (1998); Figure 8 (2000); From A Basement On The Hill (2004); New Moon (2007).