”The bass clarinet is featured in all its extraordinary tonal variety as a chamber, concerto, and solo instrument on this recording marking the remarkable debut of a young virtuoso. This is an interesting recital, nicely performed, which certainly helps to fill a void in concert music for winds.” (Fanfare)
'When it comes to recordings of British string quartets there've been few more impressive achievements than Hyperion's Robert Simpson cycle' (BBC Record Review)
'All of Robert Simpson's quartets are worth hearing. Don't ask for a recommendation of where to start! But do start, somewhere' (Fanfare)
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.
This 1999 live set features the great drummer Elvin Jones leading an all-star group. The repertoire, comprised of three jazz standards (including John Coltrane's lesser-known "Wise One"), three originals and an adaptation of a folk song, generally featuring one or two soloists on each cut. The straight-ahead and basic "E.J.'s Blues" has spots for trumpeter Darren Barrett (who sounds a bit like Freddie Hubbard) and Jones, while "Straight No Chaser" puts the spotlight on trombonist Robin Eubanks (in a J.J. Johnson mood), pianist Carlos McKinney and the drummer.
In the hands of Richard Galliano, the mechanical intricacies of the accordion become agents of a compelling musical power, grace, and expression. A virtuoso of the instrument, Galliano exploits the complete orchestral potential of the keys, buttons, and air beneath his fingers. On Laurita, his musicianship is put in the service of utterly swinging jazz that is informed by the romantic and impressionistic influences of Galliano's French-Italian heritage. Call it the soundtrack for the boulevardier who likes to chase his espresso with a shot of bop. The core group on this 1995 session is Galliano, drummer Joey Baron, and bassist Palle Danielsson — a formidable trio in which Baron's muscular, musical touch and Danielsson's rich tone and technique have unfettered space to interact with Galliano's multiphonics.