"Just Another Way To Say I Love You" is the self-produced fourth album by American R&B singer Barry White, released in 1975 on the 20th Century label. The album topped the R&B albums chart, White's fourth in a row to do so, and peaked at #17 on the Billboard 200. It also reached #12 on the UK Albums Chart. The album was a success, yielding two Billboard R&B Top Ten singles, "What Am I Gonna Do with You", which peaked at #1, and "I'll Do for You Anything You Want Me To". Both were also successful on the Billboard Hot 100, peaking at #8 and #40 respectively. Both singles were also hits on the UK Singles Chart, peaking at #5 and #20 respectively. The album was digitally remastered and reissued on CD on May 3, 1996.
Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. He was at home appearing on Soul Train, guesting with a full band on The Today Show, and appearing in cartoon form in various episodes of The Simpsons. During the '70s, Dinah Shore devoted a full hour of her daily syndicated Dinah! show to White. While there was a period where Barry White wasn't releasing records or making the pop charts, he did stay active touring and appearing on other artists' records including Quincy Jones' "The Secret Garden (The Seduction Suite)," Regina Belle, and rap star Big Daddy Kane's "All of Me." It's surprising to find out that such an illustrious career almost didn't happen because White wasn't interested in being a recording artist.
For those of you that remember the music and song-craft of Barry White, you remember a performer that could touch the heart of an emotion, and make it stand out with a unique, often breathy, bass vocal. In the ’70s, almost everything Barry White released became an instant hit. In fact, there’s a collection of singles that achieved gold and platinum status. Of course, his albums did quite well. But most of us remember him primarily by his string of radio hits that still resonate because his voice and delivery was never replicated.
Time Life Music brings memories to music with producing and selling the highest-quality music collections from all different eras and genres. Whether its motown, classic soft rock, or classical, Time Life brings hundreds of tracks in each cd set to you, with liner notes, collector's boxes, and a nod to remembering what was the best years in music with all your favorite singers, songwriters, and bands.
Barry White has been to the top of the charts an admirable number of times, but only one of his hits was a ballad (a studio effort for the Quincy Jones album Back on the Block that included El DeBarge, James Ingram and Al B. Sure!). However, as a solo artist, White has never had a ballad usurp the number one spot on the Billboard charts. The Icon Is Love's featured release fills that void. "Practice What You Preach," which unites the maestro with producers Gerald LeVert and Edwin Nicholas, has a simmering arrangement, evocative lyric, and White's brawn delivery. The catchy melody and sensuous female backing vocals enhance this already stellar single. It stayed on the Billboard R&B charts for 30 weeks and had a consecutive three-week run at number one.
Barry White turned into such iconic figure that it’s odd to hear his beginnings on his 1973 debut I’ve Got So Much to Give. In a sense, his sound is fully formed – there’s no mistaking his velvet baritone or his lush, string-draped surrounding, particularly on the album’s closing “I’m Gonna Love You Just a Little More, Baby,” a song so seductive it set the pace for the rest of his career. Still, behind that creamy drapery it’s possible to hear a strong debt to Isaac Hayes throughout I’ve Got So Much to Give, particularly when the whole affair opens a slow, steady, eight-minute crawl through “Standing in the Shadows of Love” that strips all the bounciness out of the Supremes original, just like how all of Hayes reworkings of ‘60s pop hits turned the hit versions inside out on Hot Buttered Soul. Barry may be following in Isaac’s footsteps, but he winds up on his own path, one that isn’t quite as ambitious, one that is fairly hellbent on romance to the exclusion of everything else.