Kenny Wheeler's beautiful sound on trumpet and his wide range are well-displayed on his four compositions, three of which are given performances over ten minutes long. With the assistance of ECM regulars Jan Garbarek (on tenor and soprano), guitarist John Abercrombie, bassist Dave Holland, drummer Jack DeJohnette and (on one song) guitarist Ralph Towner, Wheeler emphasizes lyricism and romantic moods on this fine set of original music.
The veteran Chicago harpist's long-overdue debut album is quite credible, but you can't help but think he's got a far more satisfying set within him yet. Dreary backing by the overly cautious Ice Cream Men is the prime reason the set only occasionally soars – with a less derivative combo, Wheeler could come up with something special before he's through.
This two-disc set is a dazzling look at Kenny Wheeler's work as a composer. His breadth is stunning, from moody Oliver Nelson and Gil Evans-like expansiveness to compactly propulsive post-bop excursions. The first disc is taken up entirely with the eight-part "Sweet Time Suite." Wheeler's scoring is bracing and emotive. Singer Norma Winstone is on hand for portions of it, offering a gloriously soaring counterpoint to the massed horn section. Wheeler's diverse background serves him well, as he's quite comfortable with both the traditional and the avant-garde (he worked in one of Anthony Braxton's important combos in the mid-'70s). For anyone unfamiliar with this stellar musician's work, this is is an excellent starting point, as is his first album as a leader, the remarkable GNU HIGH.
Elmer Wheeler – Man to Man (Salesmanship and Psychology Instruction for Gun Dealers) This is an interesting training video from 1947 (24:13 min) which features Elmer Wheeler and Rivers Peretson with Instruction in salesmanship, presented from the standpoint of the man's experience.
Kenny Wheeler is among the most lyrically commanding yet daring of modern trumpeters. There's a palpable ease of execution, and a poignant human quality, to his distinctive timbre, as on the title tune where his fluttering descents into the lower register, the cracked yet powerful vocal inflections, and the sudden emission of high harmonics suggest a whistling column of air slowly leaking from a balloon. And from the moody Spanish tinge of "Present Past" to the raga-ish Nordic gravity of "Unti," alto player Lee Konitz matches Wheeler's lyric ease with a singing sound and rhythmic buoyancy all his own.