Barenboim Mozart Pianos

Staatskapelle Berlin, Daniel Barenboim : Mozart et Bruckner - 05 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim : Mozart et Bruckner - 05 janvier 2017 (2017)
Webrip | 1h32min | 720 x 406 | 25.000 fps | MKV | AVC Main@L3.1 @ 1100 Kbps | AAC @ 192 Kbps | 852 MB
Genre : Classical music

Ce qui relie Mozart à Bruckner, c’est le talent et la force d’interprétation de Daniel Barenboim, très tôt repérée dans le répertoire mozartien et qui atteint un degré inégalé de maturité musicale dans la compréhension de l’œuvre de Bruckner. Avec la Staatskapelle Berlin, Barenboim peut compter sur un orchestre qui maîtrise les moindres recoins de cette œuvre exigeante.
Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers) [1991]

Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers)
Classical | Erato 2292-45501-2 | 1991 | TT: 174 | EAC (FLAC, cue, log) | Covers | 711 MB

"Barenboim continues to favour a forceful, big-scale reading with often deliberate speeds for the slower numbers, a musically accomplished, thought-through account of the crucial finales to Acts 2 and 4, lively treatment of the recitative, finely-honed playing of the wind, alert rhythms and an avoidance for the most part of appoggiaturas…John Tomlinson is much better suited by Figaro than he was by Alfonso, but still wants in tonal focus…but he does at all times create a lively personality, a force to be reckoned with…" (Gramophone)
Mozart - Cosi fan tutte (Daniel Barenboim, Lella Cuberli, Cecilia Bartoli) [1990]

Mozart - Così fan tutte (Daniel Barenboim, Lella Cuberli, Cecilia Bartoli)
Classical | Erato 2292-45475-2 | 1990 | TT: 177 | EAC (FLAC, cue, log) | Covers | 665 MB

In the early 1990s Daniel Barenboim recorded the three Da Ponte operas with the Berlin Philharmonic. The BPO had played "Figaro" and "Don Giovanni" many times, but this was the first time that the group had ever tackled "Cosi fan tutte." Perhaps that is why they sound so fresh and energized under the thoughtful baton of Barenboim. Mozart's operas are usually performed with a small chamber or opera house orchestra, but this time the score of "Cosi" (which has so many beautiful, subtle touches, and is almost a celebration of beauty itself) is given the full treatment of perhaps the greatest orchestra in the world. While the resulting sound is somewhat "bigger" and more "lush" than is usual, Barenboim does manage to keep things appropriately light and "classical," just as he has so successfully done in the piano concertos which he is recording with the BPO.
Staatskapelle Berlin, Daniel Barenboim : Symphonie n°3 de Bruckner - 7 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim : Symphonie n°3 de Bruckner - 7 janvier 2017 (2017)
Webrip | 1h36min | 720 x 406 | 25.000 fps | MKV | AVC Baseline@L3 @790 Kbps | AAC @ 192 Kbps | 680 MB
Genre : Classical music

Dédiée "très respectueusement" à Richard Wagner, la Troisième Symphonie d'Anton Bruckner fut terminée en 1873, avant d'être reprise en 1877 puis en 1888. La création, dirigée par le compositeur, se solda par un échec retentissant. Défendue à la fois par Wagner et par Gustav Mahler, la Troisième, qui se caractérise par l'ampleur de ses mouvements extrêmes, sera néanmoins redonnée à Vienne treize ans plus tard avec le plus grand succès.
Staatskapelle Berlin, Daniel Barenboim _ symphonie n°2 de Bruckner - 6 janvier 2017 (2017)

Staatskapelle Berlin, Daniel Barenboim _ symphonie n°2 de Bruckner - 6 janvier 2017 (2017)
Webrip | 1h23min | 720 x 406 | 25.000 fps | MKV | AVC Baseline@L3 |@788 Kbps | AAC @ 192 Kbps | 586 MB
Genre : Classical music

Premier des concertos de Mozart à être écrit dans le mode mineur, le Vingtième frappe par son dramatisme et par le caractère intimiste du soliloque pianistique. Le divertissement aristocratique s'efface ici au profit d'une confession existentielle qui préfigure le ton de Don Giovanni et la couleur du Requiem. Esquissée en octobre 1871, la Deuxième Symphonie d'Anton Bruckner est contemporaine de sa Messe en fa mineur et en cite plusieurs passages. Elle connaîtra de nombreuses retouches. Introduite par des bruissements irréels, elle fait montre dans certaines sections d'une vigueur, voire d'un déchaînement orchestral qui seront l'apanage des grandes fresques de la maturité.

Daniel Barenboim - On My New Piano (2016)  Vinyl & HR

Posted by SERTiL at Nov. 13, 2016
Daniel Barenboim - On My New Piano (2016)

Daniel Barenboim - On My New Piano
Classical | FLAC (tracks) 24-bit/96 kHz | 68:13 min | 1.00 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 08 | Rls.date: 2016

Daniel Barenboims first solo recording on the remarkable new concert grand Barenboim-Maene which he developed in collaboration with instrument maker Chris Maene.
Marie & Veronica Kuijken - W. A. Mozart: Sonatas for four hands (2011)

Marie & Veronica Kuijken - W. A. Mozart: Sonatas for four hands
Classical | FLAC (tracks) 24-bit/96 kHz | 76:45 min | 1.12 GB | Digital booklet
Label: Challenge Classics (CC 72363) | Tracks: 09 | Rls.date: 2011

Mozart wrote five duet piano sonatas and several separate works for four-hands. Of the latter, two of his sonatas - the one in F, KV 497 and the one in C, KV521 - are included on this disc. The other work is the great D Major Sonata for Two Pianos, KV448. The performers are the Kuijken sisters, Marie and Veronica.
Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)

Mozart - Last 8 Piano Concertos (Daniel Barenboim) (2012/1986-89)
BluRay | BDMV | MPEG-2 Video / 19973 kbps / 1080i / 24 fps | 255 min | 43,7 Gb
Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit

BluRay-rip | AVC | MKV 1920x1080 / 4977 kbps / 24 fps | 255 min | 11,6 Gb
Audio: PCM / 2ch / 48.0 KHz / 16 bits
Classical | EuroArt

The Grammy award-winning pianist Daniel Barenboim, long known for his Mozart interpretations, turns his attention to Mozart's last 8 piano concertos. The music of Mozart has quite literally been an essential driving force of Daniel Barenboim’s entire life. It remains central to his performing career both as a pianist and as a conductor. These illuminating performances of Mozart’s last eight great piano concertos admirably demonstrate Barenboim’s dictum that even when a true musician has already performed a familiar work hundreds of times, he or she ‘never accepts that the next note will be played the same way as it was played before.’
(Arte) Martha Argerich & Daniel Barenboim - Deux stars au piano (2016)

(Arte) Martha Argerich & Daniel Barenboim - Deux stars au piano (2016)
Webrip | 45min | 1280 x 720 | 25.000 fps | MKV | AVC Main@L3.1 @ 2409 Kbps | AAC @ 125 Kbps | 814 MB
Genre : Classical music

Anciens enfants prodiges à la longue et brillante carrière, tous deux originaires de Buenos Aires, les pianistes virtuoses Martha Argerich et Daniel Barenboim partagent également un goût prononcé pour la musique de chambre. Dans le prestigieux cadre de la Philharmonie de Berlin, ils interprètent la Sonate pour deux pianos en ré majeur de Mozart ainsi que les Variations pour piano à quatre mains D 813 de Schubert.
Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)

Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)
Concertgebouw Orchestra, conducted by Nikolaus Harnoncourt; Chick Corea & Friedrich Gulda, piano

EAC | FLAC | Image (Cue&Log) ~ 195 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec | # 2292-42988-2 | Time: 00:47:09

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.