To be a woman singing your own blues and soul songs in 1960s Texas was a rare thing. To do so while brandishing a left-handed Stratocaster and bashing out hard-edged licks was even rarer. Yet that’s just what Barbara Lynn did, inspired by Guitar Slim, Jimmy Reed, Elvis Presley and Brenda Lee. And it was a hit: her 1962 debut single, “You’ll Lose A Good Thing,” recorded with session musicians including Dr. John, gave her an R&B chart Number One and a Billboard chart Top 10 hit.
Two arias include obbtigato instruments. The violin version of the better known setting of the same text with piano obbligato k505. It is the soprano version of the long aria sung by an mezzo or tenor Idamante in Idomeneo. While not quite as phenomenally beautiful as k505, it is both lively and demanding, requiring virtuoso contributions from conductor, orchestra, violinist and soprano. For k505, best that I have heard is Ameling/Dalton Baldwin/Edo de Waart (see my review). Hendricks/Tate/Jose Luis Garcia and the ECO are equally good in the violin setting.
There was never any disputing the strong country influence Eilen Jewell brought to her retro-pop-folk, so it's no surprise that she detours into this short but extremely sweet tribute to one of her obvious influences, Loretta Lynn. It's a natural side road, especially since Jewell's sumptuous voice is similar to Lynn's, as is her delivery. Jewell already recorded Lynn's "The Darkest Day" on her previous album, but the dozen selections here are not the coal miner's daughter's best-known tunes, despite the obvious resemblance of the cover art to 1968's iconic Loretta Lynn's Greatest Hits. Rather, the tracks are carefully chosen to reflect only Lynn's original compositions that highlight her often defiant, genre-expanding lyrics and diverse topics, which range from offbeat gospel ("Who Says God Is Dead") to brazen infidelity ("Another Man Loved Me Last Night.").
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.