In late February 1653, just after the Fronde rebellion, the most influential spectacle of the early reign of Louis XIV was presented at the Louvre: the Ballet Royal de la Nuit. Grandiose, and carefully elaborated at the highest levels of the state, the libretto by Benserade called upon the finest artists of the time. Banishing the troubles of night, Louis XIV danced in the Sun King costume that would henceforth be forever associated with him. This unmissable world premiere recording presents a reconstruction of the work created by Sebastien Dauce that includes music by Jean de Cambefort, Antoine Boesset, Louis Constantin, Michel Lambert, Francesco Cavalli and Luigi Rossi.
Released in March of 1982, 'Diamond' now remastered, comes complete on CD1 with bonus remixes of their singles 'Chant No. 1' (UK #3), 'Instinction' (UK #10), 'Paint Me Down' (UK #30) and 'She Loved Like Diamond' (UK #49) – all of which are appearing for the first time in CD format. Whilst CD2 collects together the b-sides from these singles, extra 12'' remixes and a previously unreleased live BBC show from April 1982.
Beequeen is a duo from Nijmegen, Netherlands, formed by Frans de Waard and Freek Kinkelaar. They have been making music together since 1988. This is a reissue of an album that was originally released in a limited run on the now-defunct Isomorphic Records in 1996. For this edition, a previously unreleased 13-minute bonus track from the original sessions has been appended to the album. Music For the Head Ballet is possibly Beequeen's most ambient work to date: a series of quietly abstract, lengthy organ drones that amass slowly over time, gradually revealing their denseness and complexity.
Le Concert Spirituel was essentially a Parisian concert series held at the Tuileries Palace, begun in 1725 as an opportunity for musical performances during Lent and other Holy Days when secular musical activities like opera were forbidden. The concerts continued until 1790, just after the beginning of the French Revolution. The music of French composers filled most of the programs, but German and Italian music was occasionally heard, and this CD includes five pieces by Corelli, Telemann, and Rameau that were known to have been played at the concerts. Jordi Savall and Le Concert des Nations, one of the many stellar ensembles he is responsible for founding, play these works with such surging vibrancy that anyone who thinks of the Baroque as a period of stiff formality would be disabused of that notion on hearing these performances.
There are quite a few French Baroque ballet and opera samplers on the market, perhaps because theses repertories, with their arcane textual and musical conventions and their unfamiliar genres, are thought to be rather inaccessible for general listeners in complete works or large chunks of them. The reconstructions of William Christie and others, including this disc's conductor, Sigiswald Kuijken, have shown that equal parts of imagination and musicality can go a long way toward making the operas of the French Baroque come alive, and the repertoires of virtuoso singers are beginning to reflect this.
Get ready for a jaw-dropping, eye-popping experience as you watch Gold-Silver-Bronze Medalist Joseph Michael Gatti perform the variations from Black Swan and Le Corsaire and then show "How It's Done" with Finis Jhung. Here is a thrilling display of the male bravura technique - all the virtuoso steps that stop the show and make audiences stand and cheer. Joe's ability to turn is uncanny - he finishes most all his turns, including 9 pirouettes - on demi-pointe.