Bach Word

Netherlands Chamber Orchestra, David Zinman - J.C. Bach: Complete Symphonies Opp. 6, 9, 18 (2011) (Repost)

Netherlands Chamber Orchestra, David Zinman - J.C. Bach: Complete Symphonies Opp. 6, 9, 18 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 145:39 | 768 MB
Genre: Classical | Label: Newton Classics | Catalog: 8802065

Youngest son of J.S. Bach, Johann Christian Bach rose to prominence in England during the early Classical period much the same as his father dominated the German Baroque. His writing was influenced by his father, of course, but also by the fashions being explored by Haydn. J.C. Bach also served as a bridge to Mozart, whose work and early writings were also influenced by the junior Bach. A total of 15, three-movement symphonies were published under Opp. 6, 9, and 18.
Dunedin Consort, John Butt - J.S. Bach: Magnificat, Christmas Cantata (2015)

Dunedin Consort, John Butt - J.S. Bach: Magnificat, Christmas Cantata (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 78:19 | 435 MB
Genre: Classical, Sacred | Label: Linn Records | Catalog: CKD 469

Given the considerable number of recordings that have tried to place Renaissance compositions within the context for which they were written, it is odd that the same has so rarely been done for Bach. After all, most of Bach's output consists of Gebrauchsmusik, music written for daily use. This release by Scotland's historical-instrument Dunedin Consort and its leader John Butt shows the possibilities of this approach.

The Faber Pocket Guide to Bach  eBooks & eLearning

Posted by ksveta6 at Aug. 15, 2017
The Faber Pocket Guide to Bach

The Faber Pocket Guide to Bach (Pocket Guide: Music) by Nicholas Kenyon
2011 | ISBN: 0571233279 | English | 512 pages | EPUB | 0.5 MB
Hopkinson Smith - Johann Sebastian Bach: L'Oeuvre De Luth (Works for Lute) (1987) 2CDs

Hopkinson Smith - Johann Sebastian Bach: L'Œuvre De Luth (1987) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 526 Mb | Mp3 (CBR320) ~ 252 Mb | Scans included
Genre: Classical | Label: Astrée | # E 7721 | Time: 01:41:18

The American lutenist, Hopkinson Smith, began as a teenager he began to study the classical guitar and in his early 20's, he became acquainted with the lute which he started to learn by himself. He majored in musicology at Harvard and graduated with honors in 1972. In 1973, Hopkinson Smith came to Europe to devote himself to the lute in earnest. He worked in Catalonia with Emilio Pujol, a profound pedagogue in the 19th century tradition who instilled in him a sense for higher artistic values, and in Switzerland with Eugen Dombois whose sense of happy organic unity between performer, instrument and historic period has had a lasting effect on him. From the mid 1970's, he was involved in various ensemble projects including the founding of the ensemble Hespèrion XX and a ten-year collaboration with Jordi Savall. This collaboration led to important experiences in chamber music which were a creative complement to his work as a soloist.
Alessandra Artifoni - Bach: The English Suites, BWV 806-811 (2017)

Alessandra Artifoni - Bach: The English Suites, BWV 806-811 (2017)
Classical | MP3 CBR 320 kbps | 01:14:31 | 318 MB
Label: Dynamic

The English Suites is the title traditionally given to J.S. Bach’s splendid collection of dances, assembled by tonality and preceded by a Prelude, probably dating from the second decade of the 18th century, perhaps before 1717. The German musicologist Johann Nikolaus Forkel states that the suites were composed for an English nobleman, but adds nothing more. Recently, scholars have made various suggestions, with some thinking that the word English would refer not so much to their style as to the notation technique used by the composer, which he had defined as Préludes avec les suites. The English Suites BWV 806-811 have always been considered a worthy counterpart to the French Suites BWV 812-817. Alessandra Artifoni, who recorded the latter for Dynamic two years ago (CDS 757) now presents these counterparts on an instrument built by Tony Chinnery after Mietke (Berlin, 1702), and using Neidhardt temperament.
Timo Korhonen - J.S. Bach: Sonatas for Solo Violin (2009) (Repost)

Timo Korhonen - J.S. Bach: Sonatas for Solo Violin (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 56:06 | 265 MB
Genre: Classical | Label: Ondine | Catalog: ODE 1128-2

J.S. Bach's sonatas for solo violin, part of a long tradition of virtuoso works for the instrument, seem unsuited to transcription. But a guitar comes closer than perhaps any other instrument: it embodies a tension – not the same tension as with a solo violin but a tension nonetheless – between melodic material and polyphony. In the hands of Finnish guitarist Timo Korhonen they produce an unusual effect.
Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017) [Official Digital Download 24/96]

Ensemble Alia Mens & Olivier Spilmont - J. S. Bach: Weimar Cantatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 54:51 minutes | 1.00 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The group of Weimar cantatas is exciting on many levels. The purpose Bach expressed in his Mühlhausen resignation letter – which became a master beam of the musical edice he built throughout his life – is expressed with an even more seminal vigour, due to the restrictions it suffered previously. Besides the beauty of the surviving works, which renders the loss of the missing ones all the more bitter, it is moving to see the musician engage, with each new piece, in experiments with form, ideas, and the language for expressing the word of God through the most sensitive possible texts. The choice of developing themes dear to him enabled him to afirm and deepen his faith.

Christoph Spering - Bach: Ein feste Burg ist unser Gott (2015)  Music

Posted by SERTiL at March 26, 2017
Christoph Spering - Bach: Ein feste Burg ist unser Gott (2015)

Christoph Spering - Bach: Ein feste Burg ist unser Gott
Classical | WEB FLAC (tracks) & d. booklet | 62:08 min | 309 MB
Label: Deutsche Harmonia Mundi | Tracks: 20 | 2015

This revealing project deals exclusively with Bach's well-known cantata BWV 80, 'Ein feste Burg ist unser Gott', in its various versions and revisions, both by JSB and by his son Wilhelm Friedemann. Bach originally wrote his earliest version (BWV 80a) of a Reformation celebration cantata, based on Luther's famous chorale, in 1715, and subsequently reworked this around 1724 (BWV 80b); nothing has survived of the first version, and only a couple of fragments of the second, which are recorded here. Then, between 1728 and 1731, Bach rewrote and extended the work to produce the cantata which we know today as BWV 80 and which, of course, is included in this recording.
Dejan Lazic – Liaison Vol.3: Bach, Britten (2011) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaison Vol.3: Bach, Britten (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.42GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 980MB + 5% Recovery

The word liaison can be translated in many ways: affair, affinity, connection, link, relationship, union. The CDs in the Liaisons series each feature 2 particular composers, enabling us to explore their musical worlds, sources of inspiration & degree of influence. At the same time, the recordings reveal their most conspicuous differences & their common denominators.
Sinikka Langeland, Lars Anders Tomter, Kare Nordstoga - Maria's Song: Folk Songs and music of J.S. Bach (2009)

Sinikka Langeland - Maria's Song: Folk Songs and music of Johann Sebastian Bach (2009)
with Lars Anders Tomter & Kåre Nordstoga

EAC | FLAC | Tracks (Cue&Log) ~ 414 Mb (incl 5%) | Mp3 (CBR320) ~ 218 Mb (incl 5%) | Scans included
Classical, Baroque, Nordic Folk | Label: ECM | # ECM 2127, 271 7097 | Time: 01:12:11

Norwegian folk musician Sinikka Langeland, singer and player of the kantele (the Finnish table harp) is a distinctly non-traditional traditionalist, redefining "folk" in successive projects. 'Maria's Song' finds her in the company of two distinguished classical musicians - organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter - and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of J S Bach. Langeland made a lot of friends with her sparkling ECM debut Starflowers: "There are jewels everywhere on this arresting example of ego-free music-making. One of the albums of this or any other year" raved the Irish Times. Where Starflowers brought Langeland into the orbit of jazz improvisers, Maria's Song is a meeting and cross referencing of folk and 'classical' energies, and also a righting of historical 'injustice': Religious folk songs are amongst the most distinctive elements of the Norwegian folk tradition, yet the Virgin Mary rarely appears in them. Once a much-worshipped figure in the Far North she was, as Sinikka puts it, "reformed" away in 1537, so this album brings Maria back into the music. It was recorded in the beautiful Nidaros Cathedral of Trondheim, famous for its Baroque organ heard here.