CBS/Sony Classical has been accompanying superstar cellist Yo-Yo Ma for decades on his journey through the unsurpassed works written for his instrument by Johann Sebastian Bach. The label is now pleased to announce the release of important landmarks from that journey, Yo-Yo Ma Plays Bach, on a single CD. Ma's first recording of Bach's six Solo Suites, which went on to win the Grammy® for "Best Classical Instrumental Performance" and is represented here by the Sarabande from the Sixth Suite, took place in 1982. In the same year, Yo-Yo Ma recorded Bach's complete sonatas for viola da gamba with harpsichordist Kenneth Cooper which was hailed by Gramophone as "intelligent and expressive."
This release celebrates and commemorates Yo-Yo Ma's 30 year recording career with Sony Music. Created with the full participation of Yo-Yo Ma, 30 Years Outside the Box, is the definitive collection of this iconic artist. The box set contains every original album Yo-Yo Ma has recorded including 2 discs of rare and never before released material.
Many people have accused the Maisky interpretation of the Bach Unaccompanied Cello Suites as "romanticized." I have just two words for Maisky's critics: "So What?". What truly matters is that Mischa Maisky is the most energetic and most original devotee of Bach. His version of the Bach Cello Suites is not only the best in the market today, but more importantly, demonstrates that music should be played by an artist, not for the sake of accuracy, but for the purpose of art and its resulting empathy which infuses the audience.
In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
Sony Music is proud to announce the worldwide release of Yo-Yo Ma: 30 Years Outside the Box, a deluxe box set of Yo-Yo Ma's recorded legacy. This elaborate, numbered, limited-edition box will celebrate Yo-Yo Ma's 30th Anniversary with the label. Created with the full participation of Yo-Yo Ma, 30 Years Outside the Box, is the definitive collection of this iconic artist in a presentation as beautiful and timeless as the music itself.
Raaf Hekkema: Since I started teaching at the Royal Conservatory in The Hague, I have become more conscious of my self-chosen mission: to create a place for the saxophone within the classical music tradition. One way to do this is to forge a stronger bond between the players and the classical tradition, in the knowledge that the saxophone repertoire too is indebted to the great composers of the past. The most influential of them all is, without a doubt, Johann Sebastian Bach.
The first thing to strike the listener about these 2006 Avie recordings of Bach's Sonata for viola da gamba and harpsichord will be how loud they are. While neither instrument is noted for its power to project, the instruments are recorded so closely here as to be gargantuan in these recordings by Jonathan Manson and Trevor Pinnock. After adjusting the volume, the second thing to strike the listener will be how brilliantly played they are.