Bach Soprano Aria

Bach Collegium Japan & Masaaki Suzuki - Bach: Celebratory Cantatas (2017)

Bach Collegium Japan & Masaaki Suzuki - Bach: Celebratory Cantatas
Classical, Cantata, Baroque | WEB FLAC (tracks) & d. booklet | 70:16 min | 346 MB
Label: BIS | Tracks: 20 | Rls.date: 2017

Besides the fact that they both celebrate Augustus III, Elector of Saxony and King of Poland, there is a close connection between the two works included on the eighth volume of Bach’s secular cantatas. On 2nd October 1734, the King and his family made a surprise visit to Leipzig, and in all haste a festive event was planned for three days later, in celebration of the anniversary of Augustus’s ascension to the Polish throne. Bach was asked to provide the musical entertainment, and consequently had to put aside the work he was busy composing… namely BWV 206 Schleicht, spielende Wellen, intended for a celebration of the King’s birthday on 7th October!

Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]  Music

Posted by Aregak at Jan. 22, 2017
Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]

Bach - Johannes Passion, BWV 245 (Ainsley, Richardson, Bott, Chance, Agnew, Varcoe;
King's College Choir Cambridge, The Brandenburg Consort, Stephen Cleobury) [1996]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 612 MB
Classical | Label: Brilliant Classics | Catalog Number: A911 | TT: CD1: 72’36, CD2: 64’18

Most of us come to the Saint John Passion knowing the Saint Matthew Passion first. The bigger and more elaborate Saint Matthew, which came along three, or possibly five years later (there is controversy about the date), has tended to cast a shadow in which the earlier work is swallowed up, and this has been so ever since Mendelssohn's Saint Matthew performance in 1829 marked the beginning of the public rediscovery of J.S. Bach. (The professionals had never forgotten.) But if the Saint John is smaller in scale than the Saint Matthew, it is hardly the lesser work in quality, though it would of course be silly to claim that the master of the Saint Matthew Passion had not learned from the experience of setting Saint John. But the most interesting differences between these two towering attestations of faith are differences in intention. Read Matthew 26-27, Mark 14-15, Luke 22-23, and John 18-19, and you get four tellings of the last days in the life of Jesus that differ in tone, emphasis, and detail…
Aksel Rykkvin - Aksel! - Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}

Aksel Rykkvin - Aksel! Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (wimpmusic.com) -> 276 Mb | MP3 @320 -> 140 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Signum Records | SIGCD435
Classical / Baroque / Cantata / Boy Soprano / Aria / Vocal

At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [24-bit/96kHz]

Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 74:35 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.

Bach - St. Matthew Passion (David Willcocks) (1994)  Music

Posted by Ebisu at May 28, 2014
Bach - St. Matthew Passion (David Willcocks) (1994)

Bach - St. Matthew Passion (David Willcocks) (1994)
Classical | Eac. Flac, Img+Cue, Log | Covers | 780 MB
Label: ASV | Catalog N.: QSS 324 | TT: 188:38

This performance of Bach's St. Matthew Passion is sung in English and played on modern instrument. If that bothers you, don't bother checking out this recording. If it doesn't bother you, and you like the idea of a heartrending, awe-inspiring, and profoundly moving performance of Bach's sacred dramatic masterpiece, by all means, try this recording. David Willcocks, the dean of English choral conductors, leads the combined forces of the Bach Choir, the Boys' Choir of St. Paul's Cathedral, and the Thames Chamber Orchestra along with six A-list British soloists in a deeply human, intensely spiritual, and amazingly dramatic performance of the work. But if you worry that modern flutes and updated English horns, or a round-toned chorus and warm-toned chorus, or a language you can readily comprehend might diminish your edification and enjoyment, don't bother with this recording..
Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]

Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 814.37 MB
Classical | Harmonia Mundi | HML 5908360.62

There is no doubt that the forces Herrweghe has employed here are some of the best in the 'Passion' business. Aside from this, however, one cannot eliminate the fact that there are several other notable recordings of this work that stand on their own merit, which for the most part are as 'good' or as 'bad' as this one. The three that I own which includes this one(all reviewed by me on Customer reviews) are: Gardiner's 1988 recording with the outstanding Monteverdi Choir that sparkles and shines as only they can; the 1994 Cleobury King's College Choir recording, whose soloists are superb etc. etc. etc. So it all really amounts to what YOU hear and what turns YOU on!
JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)

JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)
XLD Rip | FLAC, CUE, LOG | Covers | 1 CD | 341 MB
Classical | BIS | Catalog Number: SACD-1861 | 2010

JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)

There is certainly nothing mechanical about the present performances, of three works which in emotional content range from the joyful vitality of the Advent cantata BWV36 to the meditations upon death and the leave-taking of this world which permeate BWV27. As always the opening choruses are of particular interest, for instance that of Cantata BWV47, a striking example of Bach’s skills in illustrating a text in music but also a highly complex composition in which the interplay between choir and orchestra is beautifully balanced. The soloists also have their share of fine moments on this instalment. Hana Blažíková, dubbed ‘an ideal Bach soprano’ in International Record Review on account of her performance on the previous Cantata volume, performs the charming and playful aria ‘Auch mit gedämpften, schwachen Stimmen’ with solo violin, while Robin Blaze and Peter Kooij – both veterans of this series – each have received a true display piece in the form of the two arias of BWV27.
Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017) [24/96]

Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 64:09 minutes | 1.09 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Handel wrote little for his native tongue, but what he did demonstrates a particular level of contemplative piety while still employing the familiar techniques of Italian opera. Praise for the beauty of nature and eternal life are the subjects of the sacred poems by his contemporary Barthold Heinrich Brockes which Handel set to music in his 'Nine German Arias'. Each aria celebrates an aspect of nature, from the beauty of a flaming rose to the sweetness of silence, with extraordinary tenderness and sincerity.
Ruth Ziesak, Reinhold Friedrich - Jauchzet Gott in allen Landen: Cantatas for Soprano & Trumpet (2008)

Ruth Ziesak, Reinhold Friedrich - Jauchzet Gott in allen Landen: Cantatas for Soprano & Trumpet (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 61:01 | xxx MB
Genre: Classical | Label: Phoenix Edition | Catalog: 102

What sounds, except the dinner bell, could be as exhilarating as a baroque cantata for soprano and trumpet? Bach's solo Cantata #51, Jauchzet Gott in allen Landen, is deservedly one of his most popular and oft-performed, not only because its rousing strains could wake a congregation of beefy Bürghers any Sunday of the year but also because it's brilliantly constructed, a composition so refined that every phrase is crucial. The performance of it on this CD is as polished as any I've ever heard, and that would be enough to justify five-times-five stars, but the other soprano/trumpet pieces.
Michael Schneider, La Stagione - Telemann: Hamburgische Kapitansmusik 1755 [1994]

Telemann - Hamburgische Kapitänsmusik 1755 (Michael Schneider) [1994]
Classical | CPO 999-211-2 | TT: 54.53+59.22 | EAC (flac, cue, log) | Covers | 512 Mb

From the Middle Ages Hamburg was an economically important city, especially since it joined the Hanseatic League. Its economic position resulted in many political conflicts, in particular with Denmark with which it was in almost constant rivalry. It also had led to Hamburg being declared an imperial city in 1510. Because of this the city couldn't count on the protection provided by the imperial army and had to organise its own defence. The city founded a civic guard for defence from attacks from outside as well as for deployment in the fighting of natural catastrophes. From 1619 it was a permanent institution.