Bach Soprano Aria

Pygmalion, Raphaël Pichon - J.S. Bach: Köthener Trauermusik, BWV 244a (2014)

Pygmalion, Raphaël Pichon - J.S. Bach: Köthener Trauermusik, BWV 244a (2014)
EAC | FLAC (image+.cue, log) | Covers Included | 73:58 | 383 MB
Genre: Classical, Sacred | Label: Harmonia Mundi | Catalog: HMC 902211

The Ensemble Pygmalion directed by Raphaël Pichon commences its collaboration with Harmonia Mundi with this new recording of J.S. Bach’s lost music to the Köthener Trauermusik (Cöthen funeral music), BWV 244a. Founded in 2006 at the European Bach Festival, Ensemble Pygmalion is a combination of choir and orchestra - all young performers with experience of authentic instruments and period-informed performance. Its repertoire concentrates primarily on Johann Sebastian Bach and Jean-Philippe Rameau.
The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010) (Repost)

The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010)
XLD Rip | FLAC (tracks+.cue, log) ~ 325.50 Mb (CD1) + 303.59 Mb (CD2) + 7.58 Mb (Scans) | 01:47:16
Crossover Jazz, Classical, Vocal, Big Band | Country: UK/Germany | Label: Signum Classics - SIGCD215

When Lucas Schmid, producer of the WDR Big Band, first mentioned his interest in a program of music from the Christmas Oratorio of J.S. Bach, arranged to feature this ensemble in combination with the King’s Singers, I was immediately interested and excited. Having collaborated several times with this group of uniquely gifted vocalists, including the WDR Big Band’s Bach 2000 project, I knew there was an opportunity to create something very special indeed. Bach composed the work between 1734 and 1735. Since each of the six cantatas that make up the Christmas Oratorio was originally intended for a particular Sunday in the liturgical year, the sheer quantity of music is far too much for a single performance. The first major part of my work, then, would be the musical selection.
The Bach Choir, Thames Chamber Orchestra, David Willcocks - J.S. Bach: St. Matthew Passion (1994) (Repost)

The Bach Choir, Thames Chamber Orchestra, David Willcocks - J.S. Bach: St. Matthew Passion (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 03:08:38 | 826 MB
Genre: Classical, Choral | Label: ASV | Catalog: QSS 324

This performance of Bach's St. Matthew Passion is sung in English and played on modern instrument. If that bothers you, don't bother checking out this recording. If it doesn't bother you, and you like the idea of a heartrending, awe-inspiring, and profoundly moving performance of Bach's sacred dramatic masterpiece, by all means, try this recording. David Willcocks, the dean of English choral conductors, leads the combined forces of the Bach Choir, the Boys' Choir of St. Paul's Cathedral, and the Thames Chamber Orchestra along with six A-list British soloists in a deeply human, intensely spiritual, and amazingly dramatic performance of the work.
Bach Collegium Japan & Masaaki Suzuki - Bach: Celebratory Cantatas (2017)

Bach Collegium Japan & Masaaki Suzuki - Bach: Celebratory Cantatas
Classical, Cantata, Baroque | WEB FLAC (tracks) & d. booklet | 70:16 min | 346 MB
Label: BIS | Tracks: 20 | Rls.date: 2017

Besides the fact that they both celebrate Augustus III, Elector of Saxony and King of Poland, there is a close connection between the two works included on the eighth volume of Bach’s secular cantatas. On 2nd October 1734, the King and his family made a surprise visit to Leipzig, and in all haste a festive event was planned for three days later, in celebration of the anniversary of Augustus’s ascension to the Polish throne. Bach was asked to provide the musical entertainment, and consequently had to put aside the work he was busy composing… namely BWV 206 Schleicht, spielende Wellen, intended for a celebration of the King’s birthday on 7th October!
Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996] *Re-Up*

Bach - Johannes Passion, BWV 245 (Ainsley, Richardson, Bott, Chance, Agnew, Varcoe;
King's College Choir Cambridge, The Brandenburg Consort, Stephen Cleobury) [1996]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 612 MB
Classical | Label: Brilliant Classics | Catalog Number: A911 | TT: CD1: 72’36, CD2: 64’18

Most of us come to the Saint John Passion knowing the Saint Matthew Passion first. The bigger and more elaborate Saint Matthew, which came along three, or possibly five years later (there is controversy about the date), has tended to cast a shadow in which the earlier work is swallowed up, and this has been so ever since Mendelssohn's Saint Matthew performance in 1829 marked the beginning of the public rediscovery of J.S. Bach. (The professionals had never forgotten.) But if the Saint John is smaller in scale than the Saint Matthew, it is hardly the lesser work in quality, though it would of course be silly to claim that the master of the Saint Matthew Passion had not learned from the experience of setting Saint John. But the most interesting differences between these two towering attestations of faith are differences in intention. Read Matthew 26-27, Mark 14-15, Luke 22-23, and John 18-19, and you get four tellings of the last days in the life of Jesus that differ in tone, emphasis, and detail…
Aksel Rykkvin - Aksel! - Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}

Aksel Rykkvin - Aksel! Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (wimpmusic.com) -> 276 Mb | MP3 @320 -> 140 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Signum Records | SIGCD435
Classical / Baroque / Cantata / Boy Soprano / Aria / Vocal

At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [24-bit/96kHz]

Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 74:35 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.

Bach - St. Matthew Passion (David Willcocks) (1994)  Music

Posted by Ebisu at May 28, 2014
Bach - St. Matthew Passion (David Willcocks) (1994)

Bach - St. Matthew Passion (David Willcocks) (1994)
Classical | Eac. Flac, Img+Cue, Log | Covers | 780 MB
Label: ASV | Catalog N.: QSS 324 | TT: 188:38

This performance of Bach's St. Matthew Passion is sung in English and played on modern instrument. If that bothers you, don't bother checking out this recording. If it doesn't bother you, and you like the idea of a heartrending, awe-inspiring, and profoundly moving performance of Bach's sacred dramatic masterpiece, by all means, try this recording. David Willcocks, the dean of English choral conductors, leads the combined forces of the Bach Choir, the Boys' Choir of St. Paul's Cathedral, and the Thames Chamber Orchestra along with six A-list British soloists in a deeply human, intensely spiritual, and amazingly dramatic performance of the work. But if you worry that modern flutes and updated English horns, or a round-toned chorus and warm-toned chorus, or a language you can readily comprehend might diminish your edification and enjoyment, don't bother with this recording..
Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]

Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 814.37 MB
Classical | Harmonia Mundi | HML 5908360.62

There is no doubt that the forces Herrweghe has employed here are some of the best in the 'Passion' business. Aside from this, however, one cannot eliminate the fact that there are several other notable recordings of this work that stand on their own merit, which for the most part are as 'good' or as 'bad' as this one. The three that I own which includes this one(all reviewed by me on Customer reviews) are: Gardiner's 1988 recording with the outstanding Monteverdi Choir that sparkles and shines as only they can; the 1994 Cleobury King's College Choir recording, whose soloists are superb etc. etc. etc. So it all really amounts to what YOU hear and what turns YOU on!
Christophe Coin, Ensemble Baroque de Limoges, Choeur de Chambre Accentus - Bach: Cantates BWV 41, 6, 68 (1996)

Christophe Coin, Ensemble Baroque de Limoges, Choeur de Chambre Accentus - Bach: Cantates BWV 41, 6, 68 (1996)
EAC | FLAC | Image (Cue & Log) ~ 271 Mb | Total time: 62:20 | Scans included
Classical | Label: Astrée | # E 8555 | Recorded: 1995

On Astrée E 8855 there are three sacred cantatas. The first is Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41. Bach wrote the six movement score in 1725 to celebrate New Year's Day (Circumcision of Christ, Feast of the Holy Name of Jesus). The composer wrote parts for all four soloists and a four-part chorus. There is a rich and varied instrumentation: a piccolo cello in a concerted part, three trumpets, three oboes, strings, basso continuo with the addition of timpani. Of the two chorales the uplifting and sparkling first chorus with its trumpet fanfare lasts over eight minutes.