Bach Soprano Aria

Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]  Music

Posted by Aregak at Jan. 22, 2017
Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]

Bach - Johannes Passion, BWV 245 (Ainsley, Richardson, Bott, Chance, Agnew, Varcoe;
King's College Choir Cambridge, The Brandenburg Consort, Stephen Cleobury) [1996]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 612 MB
Classical | Label: Brilliant Classics | Catalog Number: A911 | TT: CD1: 72’36, CD2: 64’18

Most of us come to the Saint John Passion knowing the Saint Matthew Passion first. The bigger and more elaborate Saint Matthew, which came along three, or possibly five years later (there is controversy about the date), has tended to cast a shadow in which the earlier work is swallowed up, and this has been so ever since Mendelssohn's Saint Matthew performance in 1829 marked the beginning of the public rediscovery of J.S. Bach. (The professionals had never forgotten.) But if the Saint John is smaller in scale than the Saint Matthew, it is hardly the lesser work in quality, though it would of course be silly to claim that the master of the Saint Matthew Passion had not learned from the experience of setting Saint John. But the most interesting differences between these two towering attestations of faith are differences in intention. Read Matthew 26-27, Mark 14-15, Luke 22-23, and John 18-19, and you get four tellings of the last days in the life of Jesus that differ in tone, emphasis, and detail…
Aksel Rykkvin - Aksel! - Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}

Aksel Rykkvin - Aksel! Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (wimpmusic.com) -> 276 Mb | MP3 @320 -> 140 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Signum Records | SIGCD435
Classical / Baroque / Cantata / Boy Soprano / Aria / Vocal

At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [24-bit/96kHz]

Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 74:35 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.
Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]

Bach - Magnificat BWV 243 & 243a, Kantaten BWV 8, 63, 80, 125, 138 (Philippe Herreweghe, Collegium Vocale Gent) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 814.37 MB
Classical | Harmonia Mundi | HML 5908360.62

There is no doubt that the forces Herrweghe has employed here are some of the best in the 'Passion' business. Aside from this, however, one cannot eliminate the fact that there are several other notable recordings of this work that stand on their own merit, which for the most part are as 'good' or as 'bad' as this one. The three that I own which includes this one(all reviewed by me on Customer reviews) are: Gardiner's 1988 recording with the outstanding Monteverdi Choir that sparkles and shines as only they can; the 1994 Cleobury King's College Choir recording, whose soloists are superb etc. etc. etc. So it all really amounts to what YOU hear and what turns YOU on!
JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)

JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)
XLD Rip | FLAC, CUE, LOG | Covers | 1 CD | 341 MB
Classical | BIS | Catalog Number: SACD-1861 | 2010

JS Bach: Cantatas BWV 27, 36 & 47 - Bach Collegium Japan, Suzuki (Vol. 47) (SACD)

There is certainly nothing mechanical about the present performances, of three works which in emotional content range from the joyful vitality of the Advent cantata BWV36 to the meditations upon death and the leave-taking of this world which permeate BWV27. As always the opening choruses are of particular interest, for instance that of Cantata BWV47, a striking example of Bach’s skills in illustrating a text in music but also a highly complex composition in which the interplay between choir and orchestra is beautifully balanced. The soloists also have their share of fine moments on this instalment. Hana Blažíková, dubbed ‘an ideal Bach soprano’ in International Record Review on account of her performance on the previous Cantata volume, performs the charming and playful aria ‘Auch mit gedämpften, schwachen Stimmen’ with solo violin, while Robin Blaze and Peter Kooij – both veterans of this series – each have received a true display piece in the form of the two arias of BWV27.
Gillian Keith, Armonico Consort & Christopher Monks - J. S. Bach: The Complete Solo Soprano Cantatas, Vol. 1 (2017)

Gillian Keith, Armonico Consort & Christopher Monks - J. S. Bach: The Complete Solo Soprano Cantatas, Vol. 1
Classical, Baroque, Cantata, Sacred | WEB FLAC (tracks) & d. booklet | 71:10 min | 330 MB
Label: Signum Records | Tracks: 24 | Rls.date: 2017

Soprano Gillian Keith joins the acclaimed Baroque ensemble Armonico Consort under Christopher Monks for the first release in a three disc series featuring the solo cantatas of Johann Sebastian Bach. Bach s cantatas hold a special place amongst performers and devotees of his music. Whether sacred or secular, these works provide incredible variety for listeners and players alike.

Jean Rondeau - Dynastie: Bach Family Concertos (2017)  Music

Posted by Designol at May 27, 2017
Jean Rondeau - Dynastie: Bach Family Concertos (2017)

Jean Rondeau - Dynastie: Bach Family Concertos (2017)
Johann Sebastian - Carl Philipp Emanuel - Wilhelm Friedemann - Johann Christian

EAC | FLAC | Image (Cue&Log) ~ 404 Mb | Artwork included | Time: 01:16:18
Genre: Classical | Label: Erato | # 0190295888466

With his 2017 release on Erato, Jean Rondeau illustrates the beginnings of the harpsichord concerto, which can be traced from the Baroque masterpieces of Johann Sebastian Bach through the early Classical period, represented here by works of his sons, Carl Philipp Emanuel Bach, Wilhelm Friedemann Bach, and Johann Christian Bach. While this celebrated musical dynasty contributed to many forms in the 18th century, the keyboard concerto was given a special, innovative treatment by the Bachs, who effectively put the genre on the map.
Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)

Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)
EAC | FLAC | Image (Cue&Log) ~ 429 Mb | Mp3 (CBR320) ~ 254 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02397 | Time: 01:46:55

Equally adept with both the cello and organ, Alexander Knyazev, a graduate of the Moscow Conservatory specializing in cello and Nizhny Novgorod Conservatory specializing in organ has long focused on the organ and cello repertory of J.S. Bach. Lauded for his innate musicality and interpretative skills, Knyazevs first public acclaim came as a cellist. This collection presents the rarely performed chorale preludes composed by Bach during his stay in Leipzig in the last decade of his life and not published until after his death. Recorded in 2012 in the Riga Cathedral in Latvia renowned for its historic pipe organ.
Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009) 2CDs

Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009)
EAC | FLAC | Image (Cue&Log) ~ 380 Mb | Mp3 (CBR320) ~ 260 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 0289 477 8078 GH2 | Time: 01:50:24

There's nothing at all wrong with Maurizio Pollini's 2009 performance of Bach's Well-Tempered Clavier, Book 1. The Italian pianist's intellectual lucidity, interpretive clarity, and technical virtuosity are apparent in every prelude and fugue, and his probing insights and penetrating analysis inform every note. However, there is almost nothing right with the sound quality of the recording. The piano sounds too distant, making it hard to hear precisely what Pollini is doing, but oddly, the ambient sound is too present, making every extraneous noise too loud. One should not hear the pedals being pressed and lifted, much less the clatter of the hammers and the twanging of the strings above the sound of the music. Worse yet, one can hear what sounds like every breath Pollini takes nearly as loudly as every note he plays. These are all grievous flaws that should have been eliminated, and their presence fatally undermines the brilliance of Pollini's performances. A reengineered version of these performances would be most welcome, but the present recording is so flawed that it virtually destroys Pollini's playing.
Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ich elender Mensch & Leipzig Cantatas (2014) [Official Digital Download]

Collegium Vocale Gent, Philippe Herreweghe - J.S.Bach: Ich elender Mensch & Leipzig Cantatas (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 68:15 minutes | 1.17 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For the second time on the Phi label, Philippe Herreweghe presents four Bach cantatas written during the first year the composer spent in Leipzig. In relation to the repertoire composed in Weimar, the instrumentarium is enlarged to adapt to the size of the churches of Saint Thomas and Saint Nicholas. But, above all, the instrumental virtuosity is much greater, as are the vocal demands confronting the choirs and solo singers, trained at the time by Bach himself.