Bob Schneider is one talented guy. There's nothing he's done that isn't fantastic. But Underneath The Onion Trees is even better than much of his other work. It's a mellow, acoustic side of Bob that we've seen glimpses of on other albums. Mitch Watkins is the guitarist here, and he's amazing. His playing is stunningly beautiful, and Bob has provided some lovely songs to go with Mitch's playing.
Winter Morning Walks is the first partnership between Schneider and Upshaw, bringing together two preeminent figures in jazz and classical music. Schneider has been commissioned to compose for jazz orchestras and artists all over the world, has won two GRAMMY Awards and has been nominated for several more. Writing for TIME Magazine, Terry Teachout said, "To call Schneider the most important woman in jazz is missing the point two ways. She's a major composer-period." Upshaw was also deemed "one of the most consequential performers of our time" by the LA TIMES, is a multiple GRAMMY winner and MacArthur Fellow, and has performed at the Metropolitan Opera over 300 times. In 2004 Schneider pioneered the fan-funding model by becoming the first artist to sign with ArtistShare® to release 'Concert In The Garden,' the first web-exclusive recording to win a GRAMMY.
Abel published quite a few chamber works with flute, meeting the demand for new music by the many gentleman flutists in England. The flute concertos contained here, despite their opus number, were never published, but are found in a manuscript held in Leipzig which can be dated prior to 1759. Stylistically these works have left the Baroque far behind, with regular phrases, simple basses , broad harmonic movement. The melodies make ample use of lombardic rhythms and syncopations and the florid passaggi sparkles with triplets and scalar passages in sixteenths. Though there are occasional harmonic complications which recall Abel's background, the overall tone here is that of the Enlightenment. Who can Abel have written these works for?
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.