Bach Sacd Bis

Stockholm Baroque Orchestra - Dancing Bach (2006) [2.0 & 4.0] PS3 ISO + Hi-Res FLAC

Stockholm Baroque Orchestra - Dancing Bach (2006)
PS3 Rip | SACD ISO | DST64 2.0 & 4.0 > 1-bit/2.8224 MHz | 69:29 minutes | Scans included | 3,14 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,4 GB
Features Stereo and Multichannel Surround Sound | Label: Proprus Music # PRSACD 2036

The Stockholm Baroque Orchestra is a group of experienced musicians who have a special interest in the music of the Baroque and Classical periods. The orchestra has toured throughout Sweden and performed in England, Germany, Switzerland, Italy, Lebanon, Finland and Norway. This Surround Sound 4.0 SACD features the dance music of well-known composer Johann Sebastian Bach, and contains "Suite No. 2 In B Minor", "Suite No. 1 in C", "Sonata In G", "Invention No. 8 In F" and many others.
Herbert von Karajan, Berlin Philharmonic Orchestra - Bach: Orchestra Suites Nos. 2 & 3 (1964) [Japan 2014] PS3 ISO + FLAC

Herbert von Karajan, Berliner Philharmoniker - Bach: Orchestra Suites Nos. 2 & 3 (1964) [Japan 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 45:42 minutes | Scans NOT included | 1,27 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 974 MB
Japanese original SHM-SACD release / Based on Deutsche Grammophon analog tape - New DSD Remaster

Cardboard sleeve reissue from Herbert von Karajan features SHM-SACD format for the first time. Japanese original release. Recorded in August 1964 in St. Moritz.
Bach Collegium Japan, Soloists, Masaaki Suzuki - W.A. Mozart: Great Mass in C minor; Exsultate, jubilate (2016)

Wolfgang Amadeus Mozart: Great Mass in C minor; Exsultate, jubilate (2016)
Christian Immler, Makoto Sakurada, Carolyn Sampson, Olivia Vermeulen
Bach Collegium Japan; Masaaki Suzuki, conductor

EAC | FLAC | Image (Cue&Log) ~ 382 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Vocal | Label: BIS | # BIS-SACD-2171 | Time: 01:11:17

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
Daniel Chorzempa – Bach-Liszt: Organ Works (1970/2005) [SACD ISO+HiRes FLAC]

Daniel Chorzempa – Bach-Liszt: Organ Works (1970/2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 2.71GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 1.03MB + 5% Recovery

This SACD from PentaTone was recorded originally in 1970, not long after he’d made his official debut as an organist. (His organ recitals are notable for being played from memory.) The performances were taken down in the then-new quadraphonic system & released on Philips LPs. But of course quadraphonic LPs were a less than ideal carrier for the 4ch sound on the tapes. Fortunately PentaTone, a company founded by ex-Philips personnel, has been reissuing quad recordings on SACDs remastered from those tapes & they sound spectacularly lifelike. They are, of course, in 4ch sound, not the 6ch that the modern SACD system is capable of.
Christopher Wrench – Bach: Organ Sonatas, BWV 525-530 (2009) [SACD ISO+HiRes FLAC]

Christopher Wrench – Bach: Organ Sonatas, BWV 525-530 (2009)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Front Cover | 4.14GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 1.32MB + 5% Recovery

Christopher Wrench commands a broad solo repertoire including the complete organ works of Bach, whilst also working as a liturgical musician, pedagogue & chamber player. He teaches organ at the Queensland Conservatorium Griffith University & directs the music programme at St Mary’s Anglican Church, Kangaroo Point in Brisbane. In 2008 he was awarded the Lord Mayor’s Australia Day Cultural Award for his outstanding contribution to the musical life of Brisbane.
Dejan Lazic – Liaison Vol.3: Bach, Britten (2011) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaison Vol.3: Bach, Britten (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.42GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 980MB + 5% Recovery

The word liaison can be translated in many ways: affair, affinity, connection, link, relationship, union. The CDs in the Liaisons series each feature 2 particular composers, enabling us to explore their musical worlds, sources of inspiration & degree of influence. At the same time, the recordings reveal their most conspicuous differences & their common denominators.
Budapest Festival Orchestra - Budapest Live (200_) {Hybrid-SACD // ISO & FLAC}

Budapest Festival Orchestra - Budapest Live
Ivan Fischer presents his BFO and friends in an festive concert from Budapest
SACD ISO (2.0/MCH): 3,35 GB | 24B/88,2kHz Stereo FLAC: 1,00 GB | Artwork
Label/Cat#: Philips - (Promo) | Country/Year: Europe 200_ | 5% Recovery Info
Genre: Classical | Style: Orchestra, Romantic

Ales Barta - Organ Surround Illusion: Toccata And Fugue (2001) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 15, 2017
Ales Barta - Organ Surround Illusion: Toccata And Fugue (2001) [SACD-R][OF]

Ales Barta - Organ Surround Illusion: Toccata And Fugue (2001) [SACD-R][OF]
Classical | SACD ISO: DST64 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 3.25 GB
Label: Octavia Records | Release Year: 2001

High Quality Non-Compressed Japanese Import SACD! Superior Sound!
Organist Ales Barta performs compositional works by J.S. Bach, Brahms, Liszt, Franck, Boellmann, and Messiaen.
This Exton Laboratory Gold Line Hybrid Stereo disc is a high quality non-compressed Japanese Import SACD. Recorded on a custom Sony DSD recorder, this audiophile SACD is packaged in an XRCD-like luxury digipak. This disc includes a booklet with detailed microphone and equipment diagram and placement used for each individual recording! Superior quality Japanese Import SACD, manufactured in Yokohama, Japan. Only the best recordings - technically and artistically!

Rachel Podger - Bach Double & Triple Concertos (2013) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 10, 2017
Rachel Podger - Bach Double & Triple Concertos (2013) [SACD-R][OF]

Rachel Podger - Bach Double & Triple Concertos (2013) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 3.71 GB + 5% Recovery
Label: Channel Classics | Release Year: 2013

The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival.The international line-up consists of some of the leading lights in the period-instrument world,such as cellist Alison McGillivray,flautist Katy Bircher,oboist Alexandra Bellamy and violist Jane Rogers,as well as some of Rachel's former students who now occupy leading positions in many of Europe's finest ensembles:violinists Bojan Cicic and Johannes Pramsohler.

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 8, 2017
J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 2.82 GB + 5% Recovery
Label: Channel Classics | Release Year: 2010

For those who already appreciate Rachel Podger's unique brand of magic I'll just say that this return to recorded Bach is lovely and all that one could hope for. All that one looks for is here, and there is more. For those who are not familiar with Rachel Podger, she is a unique voice among violinists. She has absorbed the principles of late Baroque performance practice and made them a part of herself, so that the articulation and inflection of that rhetorical approach to music flows from her as a natural idiom of expression.