Bach ja

Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)  Music

Posted by Pisulik at Dec. 1, 2017
Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)

Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)
WEB FLAC (Tracks) - 271 MB | Digital Booklet | MP3 CBR 320 kbps - 159 MB | 01:09:17
Classical | Label: Resonanzraum Records

The Ensemble Resonanz presents a heart project on CD: Bach's Christmas Oratorio stages as house music among friends. In a small cast, the internationally sought-after string orchestra has recorded 30 choruses, arias, recitatives and chorales from Bach's masterpiece in their own arrangement. This is the sound of house music in the 21st century! Judith Haeberlin, Concertmaster of the ensemble, explains the basic idea behind the production: »Chamber occupation, electric guitar and vintage keyboards.»
Gaechinger Cantorey & Hans-Christoph Rademann - Bach: Weihnachtsoratorium, BWV 248 (2017)

Gaechinger Cantorey & Hans-Christoph Rademann - Bach: Weihnachtsoratorium, BWV 248
Classical, Choral | WEB FLAC (tracks) & d. booklet | 151:11 min | 685 MB
Label: Carus | Tracks: 66 | Rls.date: 2017

Originally written for the three days of Christmastide 1734 and the beginning of 1735, Johann Sebastian Bach’s Christmas Oratorio has since gone on to become an established part of Advent and Christmas – just like turkey and Christmas pudding. With soloists Regula Muhlemann, Anna Lucia Richter, Wiebke Lehmkuhl, Sebastian Kohlhepp, and Michael Nagy, the newly-formed enembles of the Gaechinger Cantorey conducted by Hans-Christoph Rademann celebrate their first Christmas Oratorio together with this recording of all six cantatas!
Karl Richter - Bach: Sacred Masterpieces (2006) (10 CD Box Set)

Karl Richter - Bach: Sacred Masterpieces (2006) (10 CD Box Set)
EAC Rip | FLAC (Image+.cue, log) | 10 CDs, 10:44:15 min | 2,91 Gb | Scans -> 103 mb
Genre: Classical, Baroque / Label: Archiv Produktion

This box set gathers together Karl Richter's stereo recordings of Bach's choral works that were recorded between 1959-1969. Missing is his final, digital St Matt, the 1961 Mass in B Minor (the 1969 "from Japan" recording is included) and an earlier mono Christmas Oratorio (available on Teldec CDs).

Semino Rossi - Einmal Ja - Immer Ja (2007)  Music

Posted by Fizzpop at Dec. 11, 2017
Semino Rossi - Einmal Ja - Immer Ja (2007)

Semino Rossi - Einmal Ja - Immer Ja (2007)
MP3 CBR 320 kbps | 01:03:18 | 147 MB
Folk, Pop | Label: Koch Universal Music

Innerhalb weniger Jahre ist es Semino Rossi gelungen, sich an der Spitze der deutschen Schlagerszene zu etablieren. Er hat in dieser Zeit nicht nur viele neue Verkaufsrekorde aufgestellt sondern auch eine treue Fangemeinde erspielt, die jedem neuen Album gespannt entgegenfiebert.
Ensemble Resonanz - J.S. Bach: Weihnachtsoratorium (2017) [Official Digital Download 24/96]

Ensemble Resonanz - J.S. Bach: Weihnachtsoratorium (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 69:17 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

When the high-tuned baroque trumpets loom, the timpani make the floor tremble, and the great choir voices its cheers and exultation, anyone with a musical vein gets shiny eyes and goose bumps. Whether in front of the (good) stereo system, in the city church (or even better) or with the St. Thomas in the Thomaskirche in Leipzig (highest luck): A lofty solemnity captures everyone who engages in Johann Sebastian Bach's Christmas Oratorio.
Wolfgang Gonnenwein, Consortium musicum, Suddeutscher Madrigalchor - Bach: Matthaus-Passion (1989)

Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Matthäus-Passion (1989)
EAC | FLAC | Image (Cue & Log) ~ 912 Mb | Total time: 74:10+73:47+48:36 | Scans included
Classical | Label: EMI | # CZS 7 62588 2 | Recorded: 1968

Among traditional modern-instrument versions of Bach’s St. Matthew Passion, Wolfgang Gönnenwein’s 1968 recording has a lot to offer. Not least is the excellent choral singing from top to bottom. The texts are always clear, and the pacing for the chorales is governed by the story’s dramatic unfolding. You can’t help but be hooked by Evangelist Theo Altmeyer’s warm tone and vivid portrayal, complemented by Franz Crass’ sonorous, touching Jesus. What a joy it is to hear Teresa Zylis-Gara, Julia Hamari, and Hermann Prey at the peak of their respective powers. Tenor Nicolai Gedda is heard to better advantage with Gönnenwein than in Otto Klemperer’s recording, where he struggled with that conductor’s craggy tempos. The orchestra plays beautifully, and the engineering does full justice to Bach’s antiphonal interplay. All the recitatives are accompanied by rather dutiful chordal backing from the organ and cello (Bach adds a “halo” of strings, of course, whenever Jesus opens his mouth). A harpsichordist with a bent for improvisation would have spruced up the texture. Lovers of great Bach singing, however, will treasure this release.
(Jed Distler)

Bach J.S. - Matthäus Passion BWV 244 (Gustav Leonhardt)  Music

Posted by ArlegZ at March 4, 2011
Bach J.S. - Matthäus Passion BWV 244 (Gustav Leonhardt)

Bach J.S. - Matthaus-Passion (Gustav Leonhardt)
Classical | EAC | Flac(Image)+Cue, Logs, Scans | 713.95 MB
CD1:74’40; CD2:51’10; CD3:46’32 | January 2, 1990 | Harmonia Mundi

"With this work a new world opened up to us", wrote the actor singer Eduard Devrient, recalling the momentous revival of the St. Matthew Passion some forty years earlier in 1829, when he was joined by Mendelssohn, then barely out of his teens yet fully able and willing to shoulder the burden of a stupendous musical challenge. Bach's masterpiece was already one hundred years old but could look back on little more than one or two unsatisfactory performances, scant recognition, and not a note in print.
Paavo Järvi & Frankfurt Radio Symphony - Brahms, Schoenberg, Bach, Webern (2017)

Paavo Järvi & Frankfurt Radio Symphony - Brahms, Schoenberg, Bach, Webern (2017)
Classical | MP3 CBR 320 kbps | 00:57:38 | 133 MB
Label: naïve classique

Like his father, Neeme Järvi, Paavo Järvi is an internationally renowned classical music conductor of Estonian heritage with a deep catalog of recordings. Born on December 30, 1962, in Tallinn, Estonia, he and his family moved to the United States in 1980. His education includes studies at the Tallinn School of Music, the Curtis Institute of Music, and the Los Angeles Philharmonic Institute. For a decade he served as music director of the Cincinnati Symphony Orchestra prior to being named music director of the Orchestre de Paris. He also worked with the Frankfurt Radio Symphony Orchestra, the Deutsche Kammerphilharmonie Bremen, and the Estonian National Symphony Orchestra. His recordings are numerous and include releases on the labels Sony BMG, Telarc, Virgin Classics, PentaTone Classics, and BIS Records.
Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)

Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)
MP3 (CBR 320 kbps) | Covers Included | 01:11:34 | 189 MB
Genre: Classical | Label: Raumklang

Für den kaiserlichen Gesandten in Dresden, Hermann Graf Keyserlingk, sollen die Goldberg-Variationen entstanden sein. Der Graf habe, wie Bach-Biograph Nikolaus Forkel schreibt, die Musik bei Bach bestellt in der Hoffnung, „daß er dadurch in seinen schlaflosen Nächten ein wenig aufgeheitert werden könnte.“ Diese Bearbeitung der Goldberg-Variationen für zwei Gamben setzt die Reihe der schon bestehenden Transkriptionen fort.
Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)

Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)
Classical | WEB FLAC (tracks) & d. booklet | 341 MB
Label: BIS | Tracks: 24 | Time: 78:19 min

Carl Philipp Emanuel Bach had begun his series für Kenner und Liebhaber – ‘for Connaisseurs and Amateurs’ – with the traditional formula of a set of six sonatas, but became more unconventional in the second and third collection in which he alternated three sonatas with three rondos. With the fourth instalment, published in 1783, he went further still as he increased the number of pieces to seven and added ‘free fantasias’ to the sonatas and rondos.