The Beijing-born guitarist Xuefei Yang has recorded her first album of baroque music, an all-Bach programme anchored by three concertos newly arranged for guitar and string quartet. Bach Concertos is an exciting, innovative album in which she has transcribed for the guitar some of Bach’s familiar violin concertos and other works, hoping to establish these new arrangements as noteworthy repertoire for the guitar and to expand the concerto repertoire for that instrument. Xuefei complements the concertante repertoire with solo guitar arrangements of the Violin Sonata No. 1 BWV 1001, the Prelude in C Major from the Well-Tempered Clavier BWV 846 and the Air on a G string from the Orchestral Suite in D major BWV 1068.
Chopin said there is nothing more beautiful than the sound of a guitar, save perhaps two, and this wonderful collection includes perennial favorites for one, two and even four guitars. Two CDs include favorites for solo guitar and guitar duet; another two feature concertos with orchestra, including Rodrigos Concierto de Aranjuez; the fifth disc is devoted to the music of Bach; and finally a disc of popular music arranged for the guitar. With a running time of over 7 hours of music this box set provides excellent value for money. Features some of the greatest guitarists in the Decca catalogue, including Pepe Romero, Eduardo Fernández, Alexandre Lagoya, and "The Royal Family of the Guitar", Los Romeros Celedonio, and his sons, Angel, Celín & Pepe.
The fluidity of his playing on this album is amazing. Each note falls in place at exactly the right moment. Besides the well-known J.S. Bach, he also introduces us to several other less-known Baroque composers: Gaspar Sanz, Fernando Sor, S.L. Weiss, & Robert de Visee. Too often, Baroque music is presented as just an exercise in counterpoint. In this album, the rhythm is matched to human emotions in such a way that it's not just an academic exercise. The music is both exhilarating and soothing.
…The first thing that struck me was how comfortable Lams appeared to be with the material. One gets the impression that he has lived with this music for many years, absorbing it deeply into his unconscious so that it reemerges in his playing with minimal intellectual intervention. Of course, this all-important spiritual dimension must be combined with exceptional technical ability and seasoned performance skills to create lovely music and I'm happy to report that's the case. A novel take on Bach's timeless reperto ire.
Finnish guitarist Timo Korhonen has already released his own arrangements of Bach’s solo violin sonatas. Now he turns his attention to the partitas and gives fascinating interpretations of these bottomless works. Any guitarist transcribing Bach has to contend with the spirit of Segovia but Korhonen manages convincingly to carve his own path in this music, even if he doesn’t quite shake off the shade of the Spanish master.
J.S. Bach's sonatas for solo violin, part of a long tradition of virtuoso works for the instrument, seem unsuited to transcription. But a guitar comes closer than perhaps any other instrument: it embodies a tension – not the same tension as with a solo violin but a tension nonetheless – between melodic material and polyphony. In the hands of Finnish guitarist Timo Korhonen they produce an unusual effect.
25 disc box set featuring music for the classical guitar from the 16th century up to the present day. Some of the works performed include 'Chaconnes' by Bach and Telemann, '12 Sonatas' by Scarlatti, 'Guitar Concertos' by Vivaldi, Rodrigo's 'Concierto de Aranjuez' and Brouwer's 'Music for Solo Guitar'.