[…] This live CD documents a pair of concerts with guitarist Ulf Wakenius (who also worked with Peterson) and drummer Jonas Johansen, the first five tracks from 1999 and the last six from Pedersen's final recorded concert in March 2005, just a few weeks before his sudden death from a heart attack. […] Both concerts are intimately recorded and this is easily one of Niels Pedersen's best CDs as a leader. ~Ken Dryden, All Music Guide
Although conductors invariably include the six great motets of Bach (BWV225-230) in recordings of these works, they seldom if ever seem to agree which if any other of Bach's motets to perform with them. John Eliot Gardiner very sensibly goes for the lot, adding Sei Lob und Preis mit Ehren (BWV231) and the little-known Der Gerechte kommt um which does not even have the benefit of a Schmieder number. As well as these, Gardiner also includes two short pieces which belong, at least nominally, to the cantata category, BWV50 and BWV118. In the case of the latter there is much justification for doing so for it's a single movement choral piece in motet style written for a funeral in about 1736 and revised for a performance around 1740. Here we have what sounds to me like a compromise; in other words the horns, cornetto and sackbuts of the first version (possibly intended for an open air occasion), with the strings and woodwind of the second. This may be explained in the texts, none of which has been included with my review copy…
If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label.
2CD set "The Art of Fugue" is the long-anticipated 4th volume in Richard Troeger's ground breaking, world premiere series of Bach performed on the clavichord, exclusively from the Lyrichord Early Music Series. This edition features the complete Art of the Fugue, along with stunning violin transcriptions, and fantasias, including the thrilling "Chromatic Fantasia" and "Fugue." The first three volumes garnered raves reviews both here and abroad.
…Gardiner's account of the Vienna Orfeo ed Euridice is peerless. One soon loses all sense of its being a period-instrument performance at all, so profound, at times overwhelming is its impact - so utterly right. In detail after detail - hauntingly poetic offstage instrumental complement, perfectly positioned in the drama (and perfectly captured by the excellent Philips recording); superbly stirring brass playing, which makes every entry a dramatic event; choral singing extraordinarily light in weight yet rich in emotional substance; exquisitely refined dance movements - and in sustainment of a delicately tenebrous, uniquely Gluckian atmosphere throughout, Gardiner's command of an opera championed since his first London concert performance, 21 years ago, is revealed as simply larger and fuller than almost anyone else's. The set was studio-made after many concerthall performances by exactly the same forces, and in recording terms it achieves the best of all worlds -the vitality of a live event married to the precision of a recording. – Gramophone 
Violinist Viktoria Mullova made two great decisions before she made this record. First, she decided to record not only Bach's canonical six sonatas for violin and harpsichord, but also his Sonata in G major for violin and continuo and his Trio Sonata in C major for violin and continuo…
The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.