Originally released between 1975 to 1991 on the now-defunct Calliope label, Andre Isoir's recordings of the complete organ works of Bach have been unanimously acclaimed by both the press and the public. La Dolce Volta now offers these landmark recordings (unavailable since 2008), completely remastered, in a deluxe, specially priced boxed set. The set includes a 152 page, full color booklet rich with photos and information about the music and the recordings.
With his 2017 release on Erato, Jean Rondeau illustrates the beginnings of the harpsichord concerto, which can be traced from the Baroque masterpieces of Johann Sebastian Bach through the early Classical period, represented here by works of his sons, Carl Philipp Emanuel Bach, Wilhelm Friedemann Bach, and Johann Christian Bach. While this celebrated musical dynasty contributed to many forms in the 18th century, the keyboard concerto was given a special, innovative treatment by the Bachs, who effectively put the genre on the map.
Since 1727, JS Bach's "Great Passion" has gripped the hearts and uplifted the minds of audiences all over the globe. Nearly three centuries after its premiere, the work has lost none of its power to evoke feelings of compassion for all those who suffer. Its mix of urgent story-telling, meditative arias and mighty choruses sets St Matthew's account of Christ's betrayal, trial and execution eloquently and emotionally.
This collection of music for Vespers by J S Bach’s youngest son includes Domine ad adjuvandum, Confitbor tibi Domine, Beatus vir, Laudate pueri Dominum and his setting of the Magnificat. Domine ad adjuvandum is a world premiere recording.
The new recording from Magdalena Kožená features deeply-felt interpretations of sacred songs from the Baroque to the 20th Century. In a rare recording collaboration, she is joined by virtuoso Christian Schmitt, in music for voice and organ from the sacred traditions of Germany, Austria, France and England, as well as her native Czechoslovakia. Of course, the album includes music by J.S. Bach – a composer with whom Magdalena Kožená has long been associated - with sacred aspects of German song represented by Hugo Wolf and Schubert.
This release by Russian-Finnish pianist Anastasia Injushina and the Hamburger Camerata under Ralf Gothóni doesn't fit into any of the usual pigeonholes, and it thus has a fresh, bracing quality. Injushina plays a modern piano, but she neither gives it a consistent, harpsichord-like sound nor plays the music with the full capabilities of the modern piano in mind. Gothóni likewise his small group of Hamburgers in accompaniments that are neither Baroque nor modern. What this enables the musicians to do is depict with uncommon accuracy the musical commonalities and differences among J.S. Bach and his sons.
The 11th son of Johann Sebastian Bach and the youngest to live to maturity, Johann Christian received his early musical training from his father, than whom music has spawned no greater genius. When Christian was fourteen his father died. Thereupon he studied with his brother Carl Philipp Emanuel. Four years later he left for Italy, where he continued his studies and won a patron. Eventually he became organist at the cathedral of Milan and began to compose operas, economically the most rewarding of compositional forms in those days. In 1762 he emigrated to London, his home until his death 20 years later. The "London" Bach achieved immediate renown in England, and within two years was appointed music master to the Queen. Until his health failed, he was the co-organizer (with Carl Abel) of an acclaimed series of London concerts that took place over two decades.~ Douglas Purl