Bach Cello Suites Maria

Bach - Cello Suites (Jean-Guihen Queyras) (2007)  Music

Posted by shamanicus at Sept. 18, 2017
Bach - Cello Suites (Jean-Guihen Queyras) (2007)

Bach - Cello Suites (Jean-Guihen Queyras) (2007)
EAC Rip | FLAC (tracks+.cue, log) | Artwork., d.booklet | 573 mb | MP3 CBR 320kbps | RAR | 299 mb
Classical, Cello | Label: Harmonia Mundi / HMC901970.71

In a promotional DVD accompanying this release Jean-Guihen Queyras cites the abundance of excellent Bach Cello Suites cycles on the market as one reason he waited until 2007 to commit his interpretations to disc. Queyras needn't have worried, for his playing is never less than beautiful, eloquent, and thoroughly world-class. It fuses the most apparent characteristics distinguishing certain memorable editions: Schiff's shapely melodic parsing, Pergamenschikov's infectious feeling for the dance, Bylsma's period-performance innovations, and Tortelier's purity of tone.
Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Ophélie Gaillard - Johann Sebastian Bach: Cello Suites (2011) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 319 Mb | Artwork included
Genre: Classical | Label: Aparté | # AP017 | Time: 02:16:57

Over the years, the Bach Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest did not record these works until they reached their years of maturity (Casals was over 60, Rostropovich was 63), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard’s first recording of the Suites, released on Ambrosie in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of Aparte and indeed Ambroisie, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece.
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.

Colin Carr - Bach: Cello Suites (2013)  Music

Posted by peotuvave at Feb. 21, 2016
Colin Carr - Bach: Cello Suites (2013)

Colin Carr - Bach: Cello Suites (2013)
EAC Rip | Flac (Image + cue + log) | 548 MB | MP3 320Kbps CBR | 346 MB | 2 CDs | Full Scans
Genre: Classical | Label: Wigmore Hall Live | Catalog Number: 60

Performing regularly throughout the world as a soloist, chamber musician, recording artist and teacher, British cellist Colin Carr is a frequent guest at the world’s leading concert halls and festivals. He counts Maurice Gendron and William Pleeth amongst his teachers. In May 2012 he retruned to Wigmore Hall to record Bach’s cello suites, true masterworks regarded as the pinnacle of the repertoire for the instrument. Demonstrating his great technical prowess and mastery, Carr searched deep beneath the richly detailed surface of the six suites and explored their inner workings with great style. His meditative performance and profoundly personal communion with the works of Bach are captured within this recording.
Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs
EAC | FLAC | Tracks (Cue&Log) ~ 600 Mb (incl 5%) | Mp3 (CBR320) ~ 350 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 7243 5 86534 2 7 | Time: 02:04:56

In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
Isang Enders - Bach - Cello Suites (2014) {2CDs Berlin Classics - 0300552BC}

Isang Enders - Bach - Cello Suites (2014) {2CDs Berlin Classics - 0300552BC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 615 Mb | MP3 @320 -> 340 Mb
Full Artwork @ 300 dpi (png) -> 198 Mb | 5% repair rar
© 2014 Berlin Classics / Edel Germany | 0300552BC
Classical / Chamber Music / Baroque / Cello

"Bach is immortal," writes Isang Enders in the foreword to his new CD of the six Suites for solo cello. "They say that Bach is the beginning and the end of all things, immortal, incomprehensible and even holy." Given this enormous challenge, no musician can be blamed for being plagued by doubts when approaching works of such calibre. And yet: "Bach's music is so human and thus always contemporary and pure. The suites should speak, they should sing and dance, hunt and contemplate – altogether subjectively and characteristically, now that I have overcome my doubts. The subjective aspect of this recording is the result of my firm conviction." These are the words of a young cellist, a high‐flyer, who led the cello section at the Dresden Staatskapelle when he was only twenty, then gave it up for a solo career. That is really all we need say; it is what marks out the Bach playing of Isang Enders from all the competing interpretations. Youthful vigour, consummate technique and a deep understanding of the works make for a perfect combination of head, heart and soul.
Mstislav Rostropovich - Bach: Cello Suites BWV 1007-1012 (2004/1991)

Mstislav Rostropovich - Bach: Cello Suites BWV 1007-1012 (2004/1991)
PAL 4:3 (720x576) VBR | (LinearPCM, 2 ch) | (DTS, 5 ch) | (Dolby AC3, 5 ch) | 7.15 Gb+7.15 Gb (2xDVD9) | 231 min
Classical | EMI | Sub: English, Francais, Deutsch, Espanol

“Rostropovich's performances are masterly and all-involving, drawing distinctions between each work in his spoken introductions, although one can choose to hear the music without the commentaries. Unsurpassed and unsurpassable.” (The Penguin Guide)

Richard Tunnicliffe - Bach: Cello Suites (2012)  Music

Posted by peotuvave at Oct. 28, 2014
Richard Tunnicliffe - Bach: Cello Suites (2012)

Richard Tunnicliffe - Bach: Cello Suites (2012)
EAC Rip | Flac (Image + cue + log) | 2 CDs | Full Scans | 679 MB
Genre: Classical | Label: Linn Records | Catalog Number: 396

Experience, virtuosity and individuality are all required when tackling J.S. Bach’s popular cello suites; Richard Tunnicliffe brings a lifetime of insight to his debut solo recording. Richard has made a special study of Bach's cello suites and his performances of all six have been acclaimed in Europe and Australia as well as at numerous venues in Great Britain, including Wigmore Hall and the Purcell Room in London.
Ophelie Gaillard - J.S. Bach: Cello Suites pour violoncelle seul BWV 1007-1012 (2011) [Official Digital Download 24bit/96kHz]

Ophélie Gaillard - Bach: Cello Suites pour violoncelle seul BWV 1007-1012 (2011)
FLAC (tracks) 24 bit/96 kHz | Time - 136:57 minutes | 1,05 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Bach Cello Suites are an iconic monument of the literature with which any serious cellist must grapple. Performances can vary from the metronomically precise just-play-the-notes approach to the other extreme in which a player's idiosyncratic interpretations are so pronounced that they become the center of attention rather than Bach's sublime music. This 2010 version is French cellist Ophélie Gaillard's second recording of the suites, the first made a decade earlier when she was in her mid-twenties.
Johann Sebastian Bach - Cello Suites - Pierre Fournier (2007) [2CDs] {Deutsche Grammophon}

Johann Sebastian Bach - Cello Suites - Pierre Fournier (2007) [2CDs] {Deutsche Grammophon}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 685MB + 5% Recovery
Genre: Classical, Baroque

Above all, Fournier's Bach playing is crowned with an eloquence, a lyricism and a grasp both of the formal and stylistic content of the music which will not easily be matched. Curiously, perhaps, it is the baroque cellist, Anner Bylsma on RCA who often provides close parallels with Fournier. Bylsma's tempos tend to be faster than those of Fournier—that, after all has been a trend in baroque music over the past 20 years or so—but his conception of the music shares ground with that of Fournier. All things considered, it is hardly surprising that these readings seem as fresh and as valid today as they did 25 or more years ago.