Bach Can

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CDs [Re-Up]

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011)
EAC | FLAC | Image (Cue&Log) ~ 502 Mb | Mp3 (CBR320) ~ 288 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [24-bit/96kHz] RE-UP

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 245Mb+13Mb

In the MJQ's early years, critics often found something incompatible between John Lewis's European classical leanings, particularly the baroque, and Milt Jackson's unfettered gifts improvising over bop-blues changes. This 1973 date is structured by that dichotomy, alternating between Lewis's compositions (based on some of Bach's best-known melodies) and a series of original blues, the first three by Lewis, the last by Jackson. Lewis emphasizes the contrast by playing harpsichord on the Bach tunes. His treatment of Bach can drift toward the merely pretty, as in his handling of "Sleepers Awake," but there's a genuine beauty in "Don't Stop This Train" and "Tears from the Children," based on Bach keyboard works. Jackson's fluent solos on the blues are a continuing delight, while Lewis demonstrates once again that he, too, is a musician imbued with the same roots, inserting a telling variation on "St. James Infirmary" into "Blues in A Minor."
Hilary Hahn - J.S.Bach: Violin Concertos (2003) [Official Digital Download 24/88]

Hilary Hahn - J.S.Bach: Violin Concertos (2003)
FLAC (tracks) 24-bit/88.2 kHz | Time - 54:34 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Hilary Hahn is certainly one of the best young violinists before the public. Now 23 years old, she has abundantly fulfilled her early promise as a radiantly talented as well as singularly earnest prodigy, and grown into a brilliant violinist and a communicative, arresting performer. On this recording, which features Bach's Violin Concertos in A minor, BWV 1041 and E major, BWV 1042, as well as the Concerto for two violins in D minor, BWV 1043 and the Concerto for violin and oboe in C minor, BWV 1060, her flawless technique and strikingly beautiful, intensely focussed tone are on full display.
Trumpets, Horns, and Bach «Abschriften» at the time of Christian Friedrich Penzel: Probing the Pedigree of «BWV» 143

Trumpets, Horns, and Bach «Abschriften» at the time of Christian Friedrich Penzel: Probing the Pedigree of «BWV» 143 by Don Smithers
English | 2015 | ISBN: 3631663226, 9783631663226 | 144 Pages | PDF | 1.24 MB
Pavlo Beznosiuk - J.S.Bach: Sonatas & Partitas for Solo Violin (2011) [Official Digital Download 24/88]

Pavlo Beznosiuk - J.S.Bach: Sonatas & Partitas for Solo Violin (2011)
FLAC (tracks) 24-bit/88.2 kHz | Time - 157:16 minutes | 2.75 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

On this double album, Pavlo Beznosiuk gives a splendid performance of Bach's renowned Sonatas and Partitas for solo violin. Beznosiuk handles these demanding virtuosic compositions with surprising ease and agility. This seemingly effortless performance can possibly be attributed to how attuned Beznosiuk is with Bach through the music, an enchanting connection that is captured by this recording. The performances are full of passion and vigor. Beznosiuk's interpretation and development of the musical lines of these compositions is extremely compelling and bring out the compositional strength of one of the greatest composers to ever live.
Jordi Savall - Les Voix Humaines - Abel, Bach, Marais, Sainte-Colombe (1998) {Alia Vox AV9803}

Jordi Savall - Les Voix Humaines - Abel, Bach, Marais, Sainte-Colombe (1998) {Alia Vox AV9803}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1998 Alia Vox | AV9803
Classical / Baroque / Chamber Music / Viola da gamba

If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label.
Sebastian Knauer, Zürcher Kammerorchester & Daniel Hope - Bach & Sons 2 (2017)

Sebastian Knauer, Zürcher Kammerorchester & Daniel Hope - Bach & Sons 2
Classical, Orchestral | WEB FLAC (tracks) & d. booklet | 69:41 min | 301 MB
Label: Berlin Classics | Tracks: 13 | Rls.date: 2017

Sebastian Knauer’s new album is a reminder of the great Bach musical family. The Bach & Sons 2 project traces the family tree via works by father Johann Sebastian Bach and his sons Carl Philipp Emanuel and Johann Christian. The pianist is constantly on the lookout for unusual repertoire. “I am constantly on the look-out for repertoire that is still little known. And so I wanted to take the much-recorded original Bach and add something that is not so common, and at the same time is worth listening to.”
Rachel Podger, Brecon Baroque - J.S. Bach: The Art of Fugue (2016)

Rachel Podger, Brecon Baroque - J.S. Bach: The Art of Fugue (2016)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:10:59 | 373 MB
Genre: Classical | Label: Channel Classics | Catalog: CCSSA 38316

A new recording from violinist Rachel Podger is always worth attention. And before you even get to appreciating the first-class performances - faithful realizations of Bach’s Art of Fugue skillfully arranged for strings - you notice the immediate, vibrant presence of the instruments. The sound is stunning, reminiscent of the early days of digital recording, when listeners used to marvel at how realistic the sound was. Channel Classics has been doing this forever; we just may have forgotten how special it is when it’s done right.
Glenn Gould - Bach: Keyboard Concertos Vol. I: Nos. 3, 5 & 7 (1967/2015) [Official Digital Download 24/44]

Glenn Gould - Bach: Keyboard Concertos Vol. I: Nos. 3, 5 & 7 (1967/2015)
FLAC (tracks) 24-bit/44.1 kHz | Time - 40:23 minutes | 403 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Ten years after the release of the D-minor Concerto under Leonard Bernstein (see No. 3), Gould now issued Volume 1 of the Bach concertos under Vladimir Golschmann. “I want to tell you how much I enjoyed the recording. Please keep in mind always that if no other conductor will go into the studio with you, I will go!”