Bach Can

Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [24-bit/96kHz] RE-UP

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD
EAC | FLAC | Image (Cue&Log) ~ 528 Mb (incl 5%) | Mp3 (CBR320) ~ 303 Mb (incl 5%) | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 245Mb+13Mb

In the MJQ's early years, critics often found something incompatible between John Lewis's European classical leanings, particularly the baroque, and Milt Jackson's unfettered gifts improvising over bop-blues changes. This 1973 date is structured by that dichotomy, alternating between Lewis's compositions (based on some of Bach's best-known melodies) and a series of original blues, the first three by Lewis, the last by Jackson. Lewis emphasizes the contrast by playing harpsichord on the Bach tunes. His treatment of Bach can drift toward the merely pretty, as in his handling of "Sleepers Awake," but there's a genuine beauty in "Don't Stop This Train" and "Tears from the Children," based on Bach keyboard works. Jackson's fluent solos on the blues are a continuing delight, while Lewis demonstrates once again that he, too, is a musician imbued with the same roots, inserting a telling variation on "St. James Infirmary" into "Blues in A Minor."

From Bach's Goldberg to Beethoven's Diabelli: Influence and Independence  eBooks & eLearning

Posted by interes at March 24, 2017
From Bach's Goldberg to Beethoven's Diabelli: Influence and Independence

From Bach's Goldberg to Beethoven's Diabelli: Influence and Independence by Alfred Kanwischer
English | 2014 | ISBN: 1442230630 | 238 pages | PDF | 3 MB
Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010) [Official Digital Download 24/96]

Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010)
FLAC (tracks) 24-bit/96 kHz | Time - 68:48 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Isabelle Faust has gone back to the original manuscript sources to offer us her versions of these iconic masterpieces of the violin repertoire. In Bach s time, music for solo instruments was still little explored territory, and his Sonatas and Partitas immediately established themselves as a benchmark, technically challenging and brimming with creativity.
Mahan Esfahani - CPE Bach: Württemberg Sonatas (2014) [Official Digital Download 24/88.2]

Mahan Esfahani - CPE Bach: Württemberg Sonatas (2014)
FLAC (tracks) 24-bit/88.2 kHz | Time - 76:48 minutes | 1.44 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Hyperion is delighted to present the debut recording of the wonderful young harpsichordist Mahan Esfahani. He was the first harpsichordist to be named a BBC New Generation Artist or to be awarded a fellowship prize by the Borletti- Buitoni Trust. Here Mahan Esfahani has recorded CPE Bach's six 'Württemberg' sonatas, which were written in 17423 and published in 1744, and his thrillingly intense performances make the best possible case for this dramatic, beautifully written, endlessly imaginative but for some reason under-performed music.
Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Johann Sebastian Bach - Johannes-Passion (2016) 3CDs
Julian Prégardien (Evangelist), Tareq Nazmi (Jesus), Christina Landshamer (soprano)
Ulrike Malotta (alto), Tilman Lichdi (tenor), Krešimir Stražanac (bass)
Chor des Bayerischen Rundfunks, Concerto Köln, conducted by Peter Dijkstra

EAC | FLAC | Image (Cue&Log) ~ 787 Mb | Mp3 (CBR320) ~ 409 Mb | Scans included
Classical, Choral | Label: BR Klassik | # 900909 | Time: 02:57:16

The music of Bach's 'St. John Passion', which the composer wrote for Holy Week in 1724 immediately after his appointment as cantor of St Thomas's Church in Leipzig, still retains all its freshness and vitality nearly 300 years later, and is a true Baroque delight. The two main choruses Herr, unser Herrscher and Ruht wohl, ihr heiligen Gebeine form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version of March 7, 2015 in the Herkulessaal of the Munich Residenz so special? The fresh voices of the young and excellent vocal soloists, the regularly praised "astonishing three-dimensionality" and "crystalline clarity" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.
Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017) [Official Digital Download 24/192]

Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017)
FLAC (tracks) 24-bit/192 kHz | Time - 77:28 minutes | 2.52 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For her second Warner Classics release, young Italian pianist Beatrice Rana turns to a pinnacle of the solo keyboard repertoire and a composer she has described as “my first love”: Johann Sebastian Bach. Her interpretation of his epic Goldberg Variations bears out Le Monde’s judgement that “Beatrice Rana certainly has nothing left to prove when it comes to technique, but what makes an impression are her calm maturity and her sense of architecture,” and Gramophone’s that she is “a fully developed artist of a stature that belies her tender years.”
Piotr Anderszewski - Johann Sebastian Bach: English Suites Nos. 1, 3 & 5 (2014)

Piotr Anderszewski - Johann Sebastian Bach: English Suites Nos. 1, 3 & 5 (2014)
EAC | FLAC | Image (Cue&Log) ~ 217 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Genre: Classical | Label: Warner Classics | # 0825646219391 | Time: 01:06:46

This is a glorious disc. Simply glorious. Anderszewski and Bach have long been congenial bedfellows and the Pole’s playing here is compelling on many different levels. To start with, there’s the sense of sharing the sheer physical thrill of Bach’s keyboard-writing. This is particularly evident in faster movements such as the fierce and brilliant fugal Gigue that concludes the Third Suite, or, in the E minor Fifth Suite, the extended fugal Prelude and the outer sections of its Passepied I. Common to all is a sense of being fleet but never breathless, with time enough for textures to tell.
Amsterdam Bach Soloists - Johann Sebastian Bach: Die Kunst der Fuge (1989)

Amsterdam Bach Soloists - Johann Sebastian Bach: The Art of Fugue (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 178 Mb | Scans included
Genre: Classical | Label: Ottavo | # OTR C48503 | Time: 01:12:09

The Amsterdam Bach Soloists comprise an ensemble of ten or so musicians. They play modern instruments but base their musical approach on ''an undogmatic use of authentic interpreting practice, so that the rich potentialities of the modern instruments can be combined with the baroque way of performing, which is in keeping with the accomplishments of Nikolaus Harnoncourt with the Concertgebouw Orchestra''. Most of the players are, in fact, drawn from the Concertgebouw, though there are some from Frans Bruggen's Orchestra of the Eighteenth Century. Nowadays Bach's didactic but very beautiful The Art of Fugue, is widely regarded as a work for solo harpsichord. Bach himself left no precise indication concerning instrumentation but the music was engraved in open score which places each individual voice or strand of the texture on a separate stave. This practice was not uncommon in contrapuntal keyboard works and is one of several features pointing towards the solo harpsichord as being Bach's most likely intention. Nevertheless, since 1924, when the Swiss musician Wolfgang Graeser set the canons and fugues for various combinations of instruments, the practice of performing The Art of Fugue with a mixed ensemble has remained popular.