Bach Can

Antje Weithaas - Antje Weithaas: Bach & Ysaÿe, Vol. III (2017) [Official Digital Download]

Antje Weithaas - Antje Weithaas: Bach & Ysaÿe, Vol. III (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 71:34 minutes | 819 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Eugène Ysaÿe sketched out his six sonatas for solo violin in just 24 hours, after hearing a concert by the violinist Joseph Szigeti in which the latter played the G Minor Sonata BMV 1001 by Johann Sebastian Bach. The 65-year-old Ysaÿe dedicated each of his op. 27 sonatas to a different violinist – he portrayed their characters in the sonatas, but also showed whom he ideally wanted as interpreter for each work. Except for Manuel Quiroga, whose health was very poor, all of the other five virtuosos played the sonata dedicated to them.
Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CDs [Re-Up]

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011)
EAC | FLAC | Image (Cue&Log) ~ 502 Mb | Mp3 (CBR320) ~ 288 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [24-bit/96kHz] RE-UP

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)  Music

Posted by janwal46 at Sept. 1, 2009
The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 245Mb+13Mb

In the MJQ's early years, critics often found something incompatible between John Lewis's European classical leanings, particularly the baroque, and Milt Jackson's unfettered gifts improvising over bop-blues changes. This 1973 date is structured by that dichotomy, alternating between Lewis's compositions (based on some of Bach's best-known melodies) and a series of original blues, the first three by Lewis, the last by Jackson. Lewis emphasizes the contrast by playing harpsichord on the Bach tunes. His treatment of Bach can drift toward the merely pretty, as in his handling of "Sleepers Awake," but there's a genuine beauty in "Don't Stop This Train" and "Tears from the Children," based on Bach keyboard works. Jackson's fluent solos on the blues are a continuing delight, while Lewis demonstrates once again that he, too, is a musician imbued with the same roots, inserting a telling variation on "St. James Infirmary" into "Blues in A Minor."
Grigory Sokolov - Johann Sebastian Bach: Goldberg Variations; Partita No.2; English Suite No.2 (2014) 2CDs

Grigory Sokolov - J.S. Bach: Goldberg Variations; Partita No.2; English Suite No.2 (2014) 2CDs
Early Recordings from 1975, 1982 and 1989
EAC | FLAC | Image (Cue&Log) ~ 549 Mb | Mp3 (CBR320) ~ 301 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02049 | Time: 02:07:54

Firma Melodiya presents concert recordings of J.S. Bach's compositions performed by Grigory Sokolov, arguably the most intellectual of all modern Russian pianists. At the age of 16, he became a winner of the 3rd International Tchaikovsky Competition and has been an active concert performer for more than forty years. There are just few musicians now who are described as "He lives for the sake of music. Only music". Sokolov's biography is not rich in external events as he is not a public figure. However, those who have heard him in concert or on records will never be able to forget his play. Sokolov prefers deeply considered "music of mind" to virtuosic lustre. He is mostly known as an interpreter of Bach's works, late Beethoven and Brahms. "He is often compared with Gould. But Sokolov has a Bach of his own. He is more of a philosopher", a critic wrote about his performance in the Literaturnaya Gazeta. But unlike the Canadian intellectual genius of pianism, Sokolov has preferred concerts to recordings. "The biggest gap is the one between the microphone and a man", the musician believes. The Goldberg Variations, Bach's most complicated cycle from the performing point of view, was recorded by Grigory Sokolov in concert in 1982. The album also includes Partita in C minor and English Suite in A minor recorded in various years.

Brad Mehldau - After Bach (2018)  Music

Posted by Designol at March 31, 2018
Brad Mehldau - After Bach (2018)

Brad Mehldau - After Bach (2018)
EAC | FLAC | Image (Cue&Log) ~ 269 Mb | Scans included
Label: Nonesuch Records | # 7559-79318-0 | Time: 01:09:22
Contemporary Jazz, Modern Creative, Classical Crossover

No composer looms over modern jazz quite like Johann Sebastian Bach, whose harmonic rigour seems to have provided the basis for bebop and all that followed. Listen to the endlessly mutating semiquavers tumbling from Charlie Parker’s saxophone and it could be the top line of a Bach fantasia; the jolting cycle of chords in John Coltrane’s Giant Steps could come straight from a Bach fugue and Bach’s contrapuntal techniques crop up in countless jazz pianists, from Bill Evans to Nina Simone. Bach certainly casts a long shadow over US pianist Brad Mehldau: even when he’s gently mutilating pieces by Radiohead, Nick Drake or the Beatles, he sounds like Glenn Gould ripping into the Goldberg Variations. Which is why it comes as no surprise to see Mehldau recording an entire album inspired by Bach. However, this is not a jazz album. Instead of riffing on Bach themes, as the likes of Jacques Loussier or the Modern Jazz Quartet have done in the past, After Bach sees Mehldau using Bach’s methodology. Mehldau plays five of Bach’s canonic 48 Preludes and Fugues, each followed by his own modern 21st-century response.
Thomas Hengelbrock, Freiburger Barockorchester, Balthasar-Neumann-Chor - Bach: Messe H-Moll/Mass B minor BWV 232 (1997)

Thomas Hengelbrock, Freiburger Barockorchester, Balthasar-Neumann-Chor - Bach: Messe H-Moll/Mass B minor BWV 232 (1997)
EAC | FLAC | Image (Cue & Log) ~ 493 Mb | Total time: 56:20+52:55 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 05472 77380 2 | Recorded: 1996

Two things distinguished Thomas Hengelbrock's 1996 recording of Bach's B minor Mass from the many other historically informed performances of the work released in the early digital era. Where many other conductors used small mixed choirs, Hengelbrock not only used the 26-voice Bathasar-Neumann-Chor, he drew his soloists from it. And where most other conductors tended exclusively toward quick tempos, Hengelbrock mixed things up, favoring fast tempos in joyful movements and slow tempos for painful movements.
Claudio Abbado, Orchestra Mozart, Giuliano Carmignola - Bach: Brandenburg Concertos 1-6 (2008)

Claudio Abbado, Orchestra Mozart, Giuliano Carmignola - Bach: Brandenburg Concertos 1-6 (2008)
EAC | FLAC | Image (Cue & Log) ~ 493 Mb | Total time: 47:26+44:00 | Scans included
Classical | Label: Deutsche Grammophon | # 00289 477 8908 | Recorded: 2007

Claudio Abbado isn't a name one associates with early music, in light of his impressive career conducting the masterworks of the Romantic and modern eras. Indeed, he didn't conduct any music by J.S. Bach with the Berlin Philharmonic until as late as 1994. Yet when he's leading the talented Orchestra Mozart of Bologna in Bach's Brandenburg Concertos, his ease with the music and his players is obvious, and the performances have almost as much Baroque style as many versions by period ensembles of greater longevity. Abbado led this ensemble in all six Brandenburgs in 2007 at the Teatro Municipale Romolo Valli in Reggio Emilio, and the live performances were recorded by Deutsche Grammophon with close attention to details, as befits chamber music.
Jonathan Rees, Scottish Ensemble - Bach: Brandenburg Concertos, Violin Concertos (1998)

Jonathan Rees, Scottish Ensemble - Bach: Brandenburg Concertos, Violin Concertos (1998)
EAC | FLAC | Image (Cue & Log) ~ 749 Mb | Total time: 76:54+69:21 | Scans included
Classical | Label: Virgin Classics | # 5 61403 2 | Recorded: 1990-1992

This is a perfectly reasonable recording of Bach's works for violin and orchestra and anyone who has not heard the works before will no doubt find them more than adequate. Violinist and leader Jonathan Rees is a fine player with a sweet tone and a warm style and he takes the strings of the Scottish Ensemble through thoroughly professional performances of the works. When joined by spry violinist Jane Murdoch in the Concerto for two violins and plangent oboist Nicholas Daniel in the Concerto for violin and oboe, Rees proves himself a graceful and considerate partner. Virgin's early-'90s sound is a bit thin on top but still clean and clear.
(James Leonard)
Bach Choir, London Symphony Chorus, London Symphony Orchestra & Benjamin Britten - Britten: War Requiem (1963/2013) [24/96]

Bach Choir, London Symphony Chorus, London Symphony Orchestra & Benjamin Britten - Britten: War Requiem (1963/2013)
FLAC (tracks) 24-bit/96 kHz | Time - 81:12 minutes | 1.63 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

“DECCA has used the most recent digital and Cedar technology to improve the original sound, under the overall supervision of veteran technician James Lock. This is one of the great performances of recording history.” Over half a century has passed since this classic DECCA recording was made in Kingsway Hall, London in January 1963. While the performance remains a benchmark, time has left the original analogue master tapes more fragile than ever.