Bach Can

Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [24-bit/96kHz] RE-UP

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD
EAC | FLAC | Image (Cue&Log) ~ 528 Mb (incl 5%) | Mp3 (CBR320) ~ 303 Mb (incl 5%) | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 245Mb+13Mb

In the MJQ's early years, critics often found something incompatible between John Lewis's European classical leanings, particularly the baroque, and Milt Jackson's unfettered gifts improvising over bop-blues changes. This 1973 date is structured by that dichotomy, alternating between Lewis's compositions (based on some of Bach's best-known melodies) and a series of original blues, the first three by Lewis, the last by Jackson. Lewis emphasizes the contrast by playing harpsichord on the Bach tunes. His treatment of Bach can drift toward the merely pretty, as in his handling of "Sleepers Awake," but there's a genuine beauty in "Don't Stop This Train" and "Tears from the Children," based on Bach keyboard works. Jackson's fluent solos on the blues are a continuing delight, while Lewis demonstrates once again that he, too, is a musician imbued with the same roots, inserting a telling variation on "St. James Infirmary" into "Blues in A Minor."

Play Leyenda, Canarios, and Bach on Classical Guitar  eBooks & eLearning

Posted by naag at Feb. 19, 2017
Play Leyenda, Canarios, and Bach on Classical Guitar

Play Leyenda, Canarios, and Bach on Classical Guitar
MP4 | Video: 1280x720 | 68 kbps | 48 KHz | Duration: 8 Hours | 7.95 GB
Genre: eLearning | Language: English

Learn how to make sense of scale practice, develop relaxed and efficient technique, and perform with confidence.
Dejan Lazic – Liaison Vol.3: Bach, Britten (2011) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaison Vol.3: Bach, Britten (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.42GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 980MB + 5% Recovery

The word liaison can be translated in many ways: affair, affinity, connection, link, relationship, union. The CDs in the Liaisons series each feature 2 particular composers, enabling us to explore their musical worlds, sources of inspiration & degree of influence. At the same time, the recordings reveal their most conspicuous differences & their common denominators.

From Bacteria to Bach and Back: The Evolution of Minds [Audiobook]  eBooks & eLearning

Posted by IrGens at Feb. 7, 2017
From Bacteria to Bach and Back: The Evolution of Minds [Audiobook]

From Bacteria to Bach and Back: The Evolution of Minds [Audiobook] by Daniel C. Dennett
English | February 7, 2017 | ASIN: B01N25FKSU, ISBN: 168168439X | MP3@64 kbps | 15 hrs 44 mins | 433 MB
Narrator: Tom Perkins

From Bacteria to Bach and Back: The Evolution of Minds  eBooks & eLearning

Posted by IrGens at Feb. 7, 2017
From Bacteria to Bach and Back: The Evolution of Minds

From Bacteria to Bach and Back: The Evolution of Minds by Daniel C. Dennett
English | February 7, 2017 | ISBN: 0393242072 | EPUB | 496 pages | 7.6 MB
English Bach Festival, Leonard Bernstein, Soloists - Igor Stravinsky: Les Noces; Mass (1977) Reissue 1988

Igor Stravinsky - Les Noces; Mass (1977) Reissue 1988
English Bach Festival Choir & Orchestra, Trinity Boys Choir, conducted by Leonard Bernstein
Patricia Parker (Mezzo Soprano), John Mitchinson (Tenor), Paul Hudson (Bass), Anne Mory (Soprano)
Pianos: Martha Argerich, Krystian Zimerman, Cyprien Katsaris, Homero Francesch

EAC | FLAC | Image (Cue&Log) ~ 192 Mb (incl 5%) | Mp3 (CBR320) ~ 109 Mb (incl 5%) | Scans included
Classical, Ballet, Choral, Sacred | Label: Deutsche Grammophon | # 423 251-2 | Time: 00:44:29

Les Noces is a screaming, shrieking, flat-out masterpiece. Leonard Bernstein himself has referred to it as Stravinsky's greatest work, and listening to this incendiary performance, it's awfully hard to disagree. Scored for voices, four pianos, and percussion, the work provided the inspiration for the entire career of Orff (of Carmina Burana fame), but it's so much better as sheer music than anything Orff wrote. And what a cast! The pianists for this performance include Martha Argerich, Krystian Zimerman, Cyprien Katsaris, and Homero Francesch, four certified virtuoso performers, while the singers of the English Bach Festival Chorus really cover themselves with glory in both works. A stunner.
Bach - Sonates & Partitas Pour Violon Seul,Le Petit Livre D'anna-Magdalena Bach,Suites Pour Violoncelle Seul (1996) (5CD)

Bach - Sonates & Partitas Pour Violon Seul, Le Petit Livre D'anna-Magdalena Bach, Suites Pour Violoncelle Seul (1996) (5CD Box set)
XLD Rip | FLAC (tracks+.cue, log) | Artwork | 1402 mb | MP3 CBR 320kbps | RAR | 783 mb
Classical, Cello, Violin | Label: EMI Classical - 7243 4 89179 2 8

This set includes two of the rarest and hardest to find of all recordings: the 1958-59 version of the Bach Cello Suites by Janos Starker – the one everyone says his later recordings cannot match – and the extremely beautiful performance of Bach's unaccompanied violin sonatas and partitas – the one that Japanese collectors pay 3-digit dollar prices for – in outstanding EMI Digital Re-Masterings.
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.