Bach Can

Raphael Pichon, Ensemble Pygmalion - J.S. Bach: Kothener Trauermusik BWV 244a (2014) [24-bit/96kHz] RE-UP

Raphaël Pichon Pichon, Ensemble Pygmalion - Bach: Köthener Trauermusik BWV 244a (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 73:58 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

When Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince’s service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. In his first recording for harmonia mundi, Raphaël Pichon invites us on an exciting musical treasure hunt.
Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CD
EAC | FLAC | Image (Cue&Log) ~ 528 Mb (incl 5%) | Mp3 (CBR320) ~ 303 Mb (incl 5%) | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)

The Modern Jazz Quartet – Blues On Bach (1973) (Atlantic)
1973 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 245Mb+13Mb

In the MJQ's early years, critics often found something incompatible between John Lewis's European classical leanings, particularly the baroque, and Milt Jackson's unfettered gifts improvising over bop-blues changes. This 1973 date is structured by that dichotomy, alternating between Lewis's compositions (based on some of Bach's best-known melodies) and a series of original blues, the first three by Lewis, the last by Jackson. Lewis emphasizes the contrast by playing harpsichord on the Bach tunes. His treatment of Bach can drift toward the merely pretty, as in his handling of "Sleepers Awake," but there's a genuine beauty in "Don't Stop This Train" and "Tears from the Children," based on Bach keyboard works. Jackson's fluent solos on the blues are a continuing delight, while Lewis demonstrates once again that he, too, is a musician imbued with the same roots, inserting a telling variation on "St. James Infirmary" into "Blues in A Minor."

Godel, Escher, Bach: An Eternal Golden Braid [Repost]  eBooks & eLearning

Posted by tanas.olesya at Jan. 16, 2017
Godel, Escher, Bach: An Eternal Golden Braid  [Repost]

Godel, Escher, Bach: An Eternal Golden Braid by Douglas R. Hofstadter
English | 15 Jan. 1999 | ISBN: 0465026567 | 824 Pages | PDF | 31 MB

Douglas Hofstadter's book is concerned directly with the nature of "maps" or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it.
Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion) (2016) [TR24][OF]

Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion)
Classical | FLAC (tracks) 24-bit/96 kHz | 106:12 min | 1.88 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 40 | Rls.date: 2016

Bach revised his 'Johannes-Passion' regularly: he returned to it over a period of 26 years, from 1724 until his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. However, the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless 'Passion'.

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 8, 2017
J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 2.82 GB + 5% Recovery
Label: Channel Classics | Release Year: 2010

For those who already appreciate Rachel Podger's unique brand of magic I'll just say that this return to recorded Bach is lovely and all that one could hope for. All that one looks for is here, and there is more. For those who are not familiar with Rachel Podger, she is a unique voice among violinists. She has absorbed the principles of late Baroque performance practice and made them a part of herself, so that the articulation and inflection of that rhetorical approach to music flows from her as a natural idiom of expression.

Nemanja Radulovic - Bach (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 4, 2017
Nemanja Radulovic - Bach (2016) [TR24][OF]

Nemanja Radulovic - Bach
Classical | FLAC (tracks) 24-bit/96 kHz | 63:04 min | 1.34 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 13 | Rls.date: 2016

For the follow-up to his debut Deutsche Grammophon album Journey East, a colourful collection of classical masterpieces and Balkan folk melodies, Serbian violinist Nemanja Radulović strikes out in a new direction, exploring the roots of Western classical music and dedicated to works by Johann Sebastian Bach and his son Johann Christian.
Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)

Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 01:25:34 | 431 MB
Genre: Classical | Label: ESS.A.Y. | Catalog: 1066

This two-CD set is actually part of an ambitious undertaking: ESS.A.Y Recordings recorded these sonatas in two different versions, this one featuring Ms. Tenenbaum on a modern violin and accompanied by a modern piano played by Richard Kapp; the other recording (reviewed below) features Ms. Tenenbaum playing an older violin and accompanied by a harpsichord played by Gerald Ranck.
Bach J.S. - Brandenburg Concertos Nos. 2 & 5; Wedding Cantata, BWV 1047, 1050, 202, 1067 (Levine, Faerber, Battle)

Bach J.S. - Brandenburg Concertos Nos. 2 & 5; Wedding Cantata, BWV 1047, 1050, 202, 1067 (James Levine, Jorg Faerber, Kathleen Battle & SCO, Wurttembergisches Kammerorchester Heilbronn; Jorg Faerber) - 2006
EAC Rip | FLAC, TRACKs+CUE, LOG | Covers | 1cd, 468.64 MB
Classical | Label: Sony and BMG Music | Catalog Number: 82876762222

In many ways this is a special recording. It features first-desks from the Chicago Sym. playing two of Bach's Brandenburg Concertos, and so far beyond the average Baroque ensemble are they that one yearns for the other four. Just to hear the amazing trumpet solos in Concerto no. 2 by the legendary Adolph Herseth repays the cost of the CD. But we also get James Levine doing double duty at the harpsichord in Concerto no. 5. One deficit from the rise of period performance is that non-specialists have been driven out. The days when an all-around musician like Levine or Leonard Bernstein performed Bach and Handel are more or less over, and their replacements, to be tactful, are not on such an exalted level of talent…. By Santa Fe Listener

Voces8 - Bach: Motets (2010)  Music

Posted by peotuvave at Dec. 19, 2016
Voces8 - Bach: Motets (2010)

Voces8 - Bach: Motets (2010)
EAC Rip | Flac (Image + cue + log) | 282 MB | 1 CD | Full Scans
Genre: Classical | Label: Signum U.k. | Catalog Number: 213

Voces8 return to disc with this new recording of J.S.Bach’s Motets, BWV 225-230. Joined by the Senesino players, this young group prove their versatility and skill in performing some of Bach’s most challenging and engaging compositions.