The Gemini Series features an impressive roster of singers, conductors, soloists, and ensembles of international renown, all from the incomparable EMI Classics stable. EMI's rich legacy of recording expertise comes to the fore in performances from the 1960s to the 1990s. Gemini titles are predominantly collections of single composers and fantastic value with well over an hour of music on each CD, making them the ideal place to start or develop a collection of classical music. Each 2-CD set contains over two hours of music for a fantastically low price. Attractively designed and packaged in space-saving brilliant boxes, each set includes three-language booklets with detailed notes on the music.
Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.
Yehudi Menuhin was the twentieth century's greatest violinist. As famous as any Hollywood star, he even had songs written about him. A child prodigy, unmatched by his contemporaries, he achieved more by his teens than most artists do in a lifetime. But the man behind the violin was harder to know - his cocooned and curious childhood marked him emotionally for life. Endlessly touring and crossing continents and cultures, the man whose contract with EMI was the longest in the history of the music industry took classical music out of the concert hall because he believed music was for everyone and had the power to change lives.
The late Nathan Milstein’s 1975 stereo remake (DG mid-price) was his own preferred version of these pillars of the violin repertoire with which he had been so associated since his youth in Odessa. But his (broadly faster) mid-Fifties New York account, now remastered and restored by EMI, was a famous yardstick of its time – a grandly phrased, aristocratically structured, Romantically resonant statement to treasure beside Menuhin and Heifetz. These are epic virtuoso performances justifying Milstein’s view that with this music the performer could ‘bask in the most glamorous light’. Stylistically, purists will object to their expressive liberty and gesture. But few will be able to resist their artistry or intensity of delivery.