Bach Bwv 988

Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017) [Official Digital Download 24/192]

Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017)
FLAC (tracks) 24-bit/192 kHz | Time - 77:28 minutes | 2.52 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For her second Warner Classics release, young Italian pianist Beatrice Rana turns to a pinnacle of the solo keyboard repertoire and a composer she has described as “my first love”: Johann Sebastian Bach. Her interpretation of his epic Goldberg Variations bears out Le Monde’s judgement that “Beatrice Rana certainly has nothing left to prove when it comes to technique, but what makes an impression are her calm maturity and her sense of architecture,” and Gramophone’s that she is “a fully developed artist of a stature that belies her tender years.”

Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017)  Music

Posted by Pisulik at Feb. 24, 2017
Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017)

Beatrice Rana - Bach: Goldberg Variations, BWV 988 (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:17:52 | 180 MB
Label: Warner Classics | Release Year: 2017

For her second Warner Classics release, young Italian pianist Beatrice Rana turns to a pinnacle of the solo keyboard repertoire and a composer she has described as “my first love”: Johann Sebastian Bach. Her interpretation of his epic Goldberg Variations bears out Le Monde’s judgement that “Beatrice Rana certainly has nothing left to prove when it comes to technique, but what makes an impression are her calm maturity and her sense of architecture,” and Gramophone’s that she is “a fully developed artist of a stature that belies her tender years.” Bach was the composer who most obsessed Beatrice Rana as a child, and in a recent interview with Pianist magazine, she confessed that it would be his music, and above all the Goldberg Variations, that she would choose if she had to devote her life to a single composer. As she said: “I’m very happy to be going back to Bach … It’s best to avoid Bach in competitions … you can’t expose yourself to be totally killed by the jury! But Bach is my first love; now I am allowed to play it in public and I’m really looking forward to that.”

Bach - Goldberg Variationen, BWV 988 (Wolfgang Gluxam) [2001]  Music

Posted by Aregak at Feb. 18, 2017
Bach - Goldberg Variationen, BWV 988 (Wolfgang Gluxam) [2001]

Bach - Goldberg Variationen, BWV 988 (Wolfgang Gluxam) [2001]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 492.32 MB
Classical | Label: ORF | Catalog Number: CD270 | TT: 77’35

Die Goldberg-Variationen sind ein Höhepunkt barocker Variationskunst. Jeder Einzelsatz besitzt seinen ganz eigenen Charakter. Der Zusammenhang der Variationen untereinander ergibt sich durch das gemeinsame Bassthema und durch einen planvollen Gesamtaufbau des Werkes mit regelmäßig eingefügten, in den Oberstimmen streng kanonischen Sätzen.
Bach - Goldberg-Variationen BWV 988 (Gustav Leonhardt) [2012 / 1978]

Bach - Goldberg-Variationen BWV 988 (Gustav Leonhardt) [2012 / 1978]
Classical |EAC Rip | FLAC, IMG+CUE, LOG | Covers | Label: DHM
Catalog Number: 88691 95307 2 | 1cd, 316.78 MB

He was born in 's-Graveland, North Holland and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist.
wiki
Celine Frisch, Cafe Zimmermann, Dominique Visse - J.S. Bach: Variations Goldberg, 14 Canons, Quodlibet (2001) 2CD

J.S. Bach - Variations Goldberg BWV 988, 14 Canons BWV 1087, Les chansons allemandes de la Variation 30 (Quodlibet) (2001)
Céline Frisch, clavecin Anthony Sidey; Ensemble Instrumental Café Zimmermann; Dominique Visse, contre-tenor

EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Scans ~ 293 Mb | Time: 01:42:11
Genre: Classical | Label: Alpha | # 014

Here is a package that satisfies intellectual curiosity and is musically delightful. This two-disc set begins with a precise, but still musical, harpsichord performance of Bach's Goldberg Variations by Céline Frisch. Her Aria is clean, with both the melody and the bass line countermelody clear and phrased so that everything comes together well. Her ornaments fit naturally into the melodies throughout the variations, without drawing attention away from the tune, and she always has a sense of direction and forward momentum. The second disc contains the 14 canons on the first eight notes of the bass of the Aria from the Goldberg Variations and the two songs that are contained in the quodlibet near the end of the Variations. The canons are rich and warm performed by Café Zimmermann, a string sextet that includes a double bass, with excellent contrasts in the feel of each canon. The song Cabbages and Turnips Have Driven Me Away is the highlight of the two discs. Period instruments accompany Dominique Visse as he sings about a hunter bringing a girl home to meet his mother. Visse switches from a jolly, idiomatic tenor voice for the hunter to a smooth alto for the girl, and a slightly grating alto for the mother, often in mid-verse.
Ketil Haugsand - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2002) [Upgrade]

Ketil Haugsand - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2002)
EAC | FLAC | Image (Cue&Log) ~ 497 Mb (incl 5%) | Mp3 (CBR320) ~ 170 Mb (incl 5%) | Scans ~ 91 Mb
Genre: Classical | Label: Simax | # PSC 1192 | Time: 01:10:52

The title alone is enough to make the heart beat a little faster. It is not coincidental that many music lovers have just this work as a centre in their private musical universe, a piece they return to again and again, always to find something new. A set of variations which stretches the limits; old man Bach with the powers to make the variation-form a display of pure music. This release concludes Ketil Haugsand"s recordings of all Bach"s "Clavierübung" on harpsichord for Simax Classics. The two earlier releases became reference recordings over-night, and Goldberg really is the jewel of the crown. As always Haugsand"s interpretation is no scratching the surface, but taking you through to the deeper layers of this music in breathing and singing phrases, along the map drawn up by Bach.
Johann Sebastian Bach - Goldberg Variations BWV 988  (Ragna Schirmer)

Johann Sebastian Bach - Goldberg Variations BWV 988 (Ragna Schirmer)
Classical | EAC: FLAC+Cue+Log | 2 Cd, Covers | 349 Mb
Date: 2000

An air of leisure, if not outright luxury, pervades pianist Ragna Schirmer's 1999 recording of J.S. Bach's Goldberg Variations. From the deluxe double-disc packaging – many Goldberg recordings make do with only one CD – to the taking of all repeats, this is a set for dedicated listeners who have ample time to appreciate the subtleties of Bach's art of variation, and the patience to devote nearly 87 minutes to hearing this work straight through. It would be unfair to suggest that Schirmer plays the variations too slowly, or that the performance is in any way sluggish or tedious because she takes her time. Indeed, she is quite capable of imparting a feeling of virtuosity and brilliance as she skillfully works her way through the embellishments and the trickier passages of Bach's elaborate counterpoint, …….
Blair Sanderson @ AllMusic
Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

Johann Sebastian Bach - Andreas Staier - Goldberg Variations, BWV 988
EAC+LOG+CUE | FLAC: 512 MB | DVD (untouched): 1,10 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902058 | Country/Year: Europe 2010
Genre: Classical | Style: Baroque

…Overall, Staier is persuasive in his choice of tempi, ornamentation, mechanical proficiency, and his basic characterization—one of the most important aspects to a successful performance of this piece. He has a way of treating these variations individually, much as Gould did in his first recording of the Goldbergs. Most importantly, he has…energy and life.
Johann Sebastian Bach - Goldberg Variations, BWV 988 - Trevor Pinnock

Johann Sebastian Bach - Goldberg Variations - Trevor Pinnock (Harpsichord)
Baroque | APE, Cue | No Log | 1 CD, no covers | 358 MB | RS
ARCHIV 415 130-2 | 1985

Jan Hanford (jsbach.org) wrote:
"The Goldberg Variations is one of those works that should be in everyone's Bach music collection. Their level of complexity is balanced by a musical intimacy that makes them universally enjoyable.
Everyone has recorded this work, it seems to be a measuring stick of every performer's abilities. Some are excellent; some fail. Trevor Pinnock, known mostly as conductor of the exquisite English Concert, performs here with fantastic energy, precision and charm.
Trevor Pinnock's special understanding of Bach's music is evident here and his performance is remarkable. Speed, clarity, sensitivity; all the components necessary in a great performance with no strange interpretive nuances getting in the way.
The recording itself is crystal clear ADD with the microphone appropriately close to the harpsichord. There is no ambient echo which is often distracting and, sometimes, annoying in harpsichord recordings. This recording is so perfect it sounds like Trevor Pinnock is in your living room performing for you."