Here is a package that satisfies intellectual curiosity and is musically delightful. This two-disc set begins with a precise, but still musical, harpsichord performance of Bach's Goldberg Variations by Céline Frisch. Her Aria is clean, with both the melody and the bass line countermelody clear and phrased so that everything comes together well. Her ornaments fit naturally into the melodies throughout the variations, without drawing attention away from the tune, and she always has a sense of direction and forward momentum. The second disc contains the 14 canons on the first eight notes of the bass of the Aria from the Goldberg Variations and the two songs that are contained in the quodlibet near the end of the Variations. The canons are rich and warm performed by Café Zimmermann, a string sextet that includes a double bass, with excellent contrasts in the feel of each canon. The song Cabbages and Turnips Have Driven Me Away is the highlight of the two discs. Period instruments accompany Dominique Visse as he sings about a hunter bringing a girl home to meet his mother. Visse switches from a jolly, idiomatic tenor voice for the hunter to a smooth alto for the girl, and a slightly grating alto for the mother, often in mid-verse.
This 1990 Digital Recording is a must for Bach's CD Collector. Recorded using historic organs on which some were played himself by Bach. Marie-Claire Alain's playing here is more in historic and faithful to performance practice. The tempos and the registrations are well planned and the approach of playing is spontaneous and simple. The spirituality of the performer is so evident here.
Jarrett plays brilliantly.
Personally, I love Jarrett's playing; he is one of the most sensitive and lyrical of contemporary pianists, and his long illness has deprived us of what would surely have been a larger body of baroque music recordings. So make your own mind up.
I highly recommend this collection to lovers of Bach, Jarrett and the diabolical harpsichord.
A very different set than Teldec's Bach 2000. The Hanssler Bachakademie, supervised by Helmut Rilling, is not HIP (historic instruments performance). The orchestras are warm and lush (but not huge). The soloists are, in general, extraordinary. The tempos are sane. Hanssler has included fragments of some incomplete BWV's that are not included in the Teldec set; a minor plus but appealing. I found I preferred these traditional instruments and the daring using of forte-piano in place of harpsichord on a few of the recordings (flute sonatas). Highlights for me are The Well-Tempered Clavier Books 1 and 2, Musical Offering, Flute Sonatas, The Motets. I also found I prefer these Cantatas recordings to any other, including the new Koopman, Suzuki and the well-known Leonhart-Harnoncourt. While not the newest recordings, the sound is warmer which I prefer to the new state-of-the-art HIP recordings. Although most of the Cantatas are older recordings, much of the Hanssler Bachakademie edition is newly recorded for this project and the sound is consistent and excellent.