Originally released between 1975 to 1991 on the now-defunct Calliope label, Andre Isoir's recordings of the complete organ works of Bach have been unanimously acclaimed by both the press and the public. La Dolce Volta now offers these landmark recordings (unavailable since 2008), completely remastered, in a deluxe, specially priced boxed set. The set includes a 152 page, full color booklet rich with photos and information about the music and the recordings.
Carl Philipp Emanuel Bachs interest in the organ would seem to be fairly limited, at least judging by the number of pieces he composed for the instrument. The reasons for this attitude could be personal and professional, but could also reflect the changing affections and the new sensibility of the period, since during his lifetime the organ underwent a phase of relative decline. Indeed, following the acme reached by Johann Sebastian Bach, the instrument sank into a phase of neglect in Germany during the second half of the 1700s.
Box set containing a compilation of works by various composers in celebration of the 200th anniversary of Liszt. As well as the tracks listed it also includes 'Piano Sonata No. 8 in C minor, Op. 13, 'Pathétique'', 'Piano Sonata No. 14 in C Sharp minor, Op. 27, No. 2, 'Moonlight'' and 'Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'' by Ludwig van Beethoven, 'Preludios, Op. 80' by Joaquin Turina, etc…
Masaaki Suzuki was an organist before he was a conductor, and his recordings of Bach's organ works have made a delightful coda to his magisterial survey of Bach cantatas with his Bach Collegium Japan. This selection, the second in a series appearing on the BIS label, gives a good idea of the gems available. You get a good mix of pieces, including a pair of Bach's Vivaldi transcriptions. Fans of Suzuki's cantata series will be pleased to note the similarities in his style between his conducting and his organ playing: there's a certain precise yet deliberate and lush quality common to both. And he has a real co-star here: the organ of the Kobe Shoin Women's University Chapel, built in 1983 by French maker Marc Garnier. The realizations of Bach's transcriptions of Vivaldi concertos fare especially well here, with a panoply of subtle colors in the organ. Sample the first movement of the Concerto in D minor, BWV 596, with its mellow yet transcendently mysterious tones in the string ripieni. BIS backs Suzuki up with marvelously clear engineering in the small Japanese chapel, and all in all, this is a Bach organ recording that stands out from the crowd. Highly recommended.