Autoweek March 7 2016

Autoweek - March 21, 2016  Magazines

Posted by nextek at March 18, 2016
Autoweek - March 21, 2016

Autoweek - March 21, 2016
English | 68 pages | True PDF | 21.00 Mb

Lacey Banghard - Page 3 Girl March 7, 2016  Girls

Posted by nrg at March 7, 2016
Lacey Banghard - Page 3 Girl March 7, 2016

Lacey Banghard - Page 3 Girl March 7, 2016
4 jpg | 1000*1500 | 1.48 Mb
British glamour model

TV Guide Magazine - March 7, 2016  Magazines

Posted by nextek at March 4, 2016
TV Guide Magazine - March 7, 2016

TV Guide Magazine - March 7, 2016
English | 120 pages | True PDF | 40.00 Mb

The New Yorker - March 7, 2016  Magazines

Posted by nextek at Feb. 29, 2016
The New Yorker - March 7, 2016

The New Yorker - March 7, 2016
English | 78 pages | True PDF | 11.00 Mb
Christoph Spering - Bach: Lutherkantaten, Vol. 3 (BWV 126, 4, 2, 7) (2016) [Official Digital Download]

Christoph Spering - Bach: Lutherkantaten, Vol. 3 (BWV 126, 4, 2, 7) (2016)
FLAC (tracks) 24-bit/48 kHz | Time - 72:14 minutes | 746 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Brand new recording of all Luther cantatas composed by Johann Sebastian Bach. 2017 marks the 500th anniversary of the Protestant Reformation. Half a millennium ago, on October 31, 1517, Martin Luther launched this movement by posting his 95 theses on the door of Wittenberg’s Castle Church. Two centuries later, inspired by Luther’s words, & fully in the spirit of the reformer’s aim of spreading his theories via hymns, Johann Sebastian Bach composed what is probably the most significant body of cantatas based on Luther’s texts.

Vtwonen - Nr.7 2016  Magazines

Posted by crazy-slim at Aug. 19, 2017
Vtwonen - Nr.7 2016

Vtwonen - Nr.7 2016
Dutch | 216 pages | True PDF | 67 MB

Medioevo Misterioso - Numero 7 2016  Magazines

Posted by crazy-slim at July 24, 2017
Medioevo Misterioso - Numero 7 2016

Medioevo Misterioso - Numero 7 2016
Italian | 100 pages | True PDF | 71 MB
Millenium Orchestra - Mozart: The Vienna Concert, 23 March 1783 (2016) [Official Digital Download 24/88]

Millenium Orchestra - Mozart: The Vienna Concert, 23 March 1783 (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 105:21 minutes | 1.65 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

On 23 March 1783, an important concert took place in Vienna, playing a considerable role for Mozart’s reputation in the imperial capital, where he had resided since 1781. It is obvious that Mozart wanted to be heard in both what he had composed prior to 1781, as well as in his more recent works. From the Salzburg repertoire, he borrowed the ‘Haffner’ Symphony. To this he added the long concertant movement for wind instruments from the ‘Posthorn’ Serenade.
Sir Colin Davis, London Symphony Orchestra - Sibelius: Symphonies Nos. 1–7 (2016) [Official Digital Download 24/96]

Sir Colin Davis, London Symphony Orchestra - Sibelius: Symphonies Nos. 1–7 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 308:42 minutes | 6.43 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Sir Colin Davis was instrumental in the development and success of LSO Live, including the label’s first Grammy award. He also played a huge part in the pre-eminence of the LSO across the globe for more than 50 years. A ‘master Sibelian’ his landmark cycle of the complete symphonies on LSO Live has been described as possibly "the finest Sibelius cycle on disc" by The Observer.
Ulster Orchestra, Howard Shelley - Daniel Steibelt: Piano Concertos Nos. 3, 5 & 7 (2016)

Daniel Steibelt - Piano Concertos Nos. 3, 5 & 7 (2016)
Ulster Orchestra; Howard Shelley, piano & conductor

EAC | FLAC | Image (Cue&Log) ~ 261 Mb | Mp3 (CBR320) ~ 185 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA68104 | Time: 01:19:56

Howard Shelley and the Ulster Orchestra return for a second volume in Hyperion’s new Classical Piano Concerto series. Daniel Steibelt—the man who dared to challenge Beethoven and lost—ruled the keyboards of northern Europe for a quarter of a century, his own concertos as sensationally popular as their composer was ostentatious.