Essential: a masterpiece of progressive rock music.
Many words come to mind when listening to this fantastic album, like pastoral, spacey, atmospheric, trippy, eastern, dreamy, cosmic, dark and for one song heavy.
Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles. The albums are accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is being in limited quantities worldwide…
My fave band produces a sneakily good album.
Black Sabbath were an English rock band, formed in Birmingham in 1968, by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward. Black Sabbath are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970) and Master of Reality (1971). The band had multiple line-up changes, with Iommi being the only constant member throughout its history…
After 17 albums, Australia's premier purveyors of neo-psychedelic dream pop have finally come unplugged. The Liberation Blue Acoustic Series finds the veteran four-piece laying down 14 cuts – including five new tracks – over the span of a weekend. Beginning with "The Unguarded Moment" from 1981's Of Skins and Heart, they gently burn through classics like "Metropolis" and "Under the Milky Way" with an intimacy and intensity that feel more natural than any studio album that they've released in the last ten years.
With label woes, a rotation of drummers, and Stateside disinterest, the 1990s were difficult for the Church. Tough enough that most would have expected the veteran Australian rock act – cursed in North America as a one-hit wonder for 1988's "Under the Milky Way," despite an impressive catalog that dates back to 1981 – to throw it all away by now, or at least cash in through some nostalgia tour. Not so. Instead, the quartet took to the studio for three months, jamming with one another unhindered, and then piecing together the fruits of their labor. The resulting Forget Yourself, the Church's 17th album, is a timeless, magical disc that is easily as strong as anything from their 1980s peak.
Arista dropped them but the Church soldiered on – Tim Powles fully joined in the songwriting process a number of times, while Peter Koppes guested on various cuts after his absence from Sometime Anywhere. Violinist Linda Neil also appeared along with other guests from that record, with Magician Among the Spirits being the attractive end result. If the band was still a touch fragmented, Magician shows them well on the road to becoming a fully tight unit once again, with a number of interesting diversions along the way. Sonically, things followed in the vein of Sometime to a large extent, trying out different approaches and backing, often exploring more spacious, sometimes very late-night, relaxed arrangements.