Audio Fidelity Flac 2014

Scorpions - 3 Studio Albums (1976-1984) [Audio Fidelity, 2012-2014]

Scorpions - 3 Studio Albums (1976-1984) [Audio Fidelity, 2012-2014]
EAC Rip | FLAC (image+.cue+log) - 750 MB | MP3 CBR 320 kbps (LAME 3.93) - 266 MB | Covers - 101 MB
Genre: Hard Rock | RAR 3% Rec. | Label: Audio Fidelity

Scorpions - Virgin Killer (1976). Virgin Killer is the first of four studio releases that really defined the Scorpions and their highly influential urgent metallic sound. It was released in 1976 and was the first album of the band to attract attention outside Europe. The album was a step in the band's shift from psychedelic music to hard rock. For the first time in the band's career the line-up stayed the same with Klaus Meine on vocals, Uli Jon Roth on lead guitar, Rudolf Schenker on rhythm guitar, Francis Buchholz on bass, and Rudy Lenners on drums. The nine tracks were laid down with Dieter Dierks producing…
Eric Clapton - Time Pieces: The Best Of Eric Clapton (1982) [Audio Fidelity '2014] PS3 ISO + FLAC

Eric Clapton - Time Pieces: The Best Of Eric Clapton (1982) [Audio Fidelity '2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 45:37 minutes | Scans included | 1,4 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 927 MB
Mastered for SACD by Kevin Grey | Audio Fidelity # AFZ 190
Eric Clapton - Pilgrim (1998) [Audio Fidelity '2014] PS3 ISO + Hi-Res FLAC {RE-UP}

Eric Clapton - Pilgrim (1998) [Audio Fidelity '2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 77:25 minutes | Scans included | 2,36 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,47 GB
Mastered for SACD by Steve Hoffman | Audio Fidelity # AFZ 188
George Benson - Breezin' (1976) [Audio Fidelity '2014] {2.0 & 5.1} PS3 ISO + Hi-Res FLAC

George Benson - Breezin' (1976) [Audio Fidelity '2014]
PS3 Rip | SACD ISO | DSD/DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 38:34 minutes | Scans included | 2,91 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | 38:45 minutes | Full Scans included | 761 MB
Features 2.0 Stereo & 5.1 multichannel Surround sound | Audio Fidelity # AFZ5 185
Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity '2014] {2.0 & 5.1}

Mike Bloomfield, Al Kooper, Steve Stills - Super Session (1968) [Audio Fidelity '2014]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 52:41 minutes | Scans included | 3,48 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | 50:20 mins | Full Scans included | 1,02 GB
Features 2.0 Stereo & 5.1 multichannel Surround sound | Audio Fidelity # AFZ5 186
Renaissance - Scheherazade And Other Stories (1975) [2014, Audio Fidelity AFZ 183] Repost

Renaissance - Scheherazade And Other Stories (1975)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Audio Fidelity AFZ 183 | ~ 263 or 111 Mb | Scans(jpg) -> 178 Mb
Progressive Rock, Symphonic Rock

This album was the group's magnum opus in the perception of many onlookers and fans, and it still plays well, though its flaws are more evident than they were at the time. The "Song of Scheherazade," really a suite for the group supported by the London Symphony Orchestra and a chorus, started with guitarist-composer Michael Dunford, who had a personal fascination with the medieval literary work Tales of 1,001 Arabian Nights, and was realized by Dunford and his composing partner Betty Thatcher, with bassist Jon Camp and pianist John Tout…
The Butterfield Blues Band - East-West (1966) [2014, Audio Fidelity AFZ 172] Repost

The Butterfield Blues Band - East-West (1966)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Audio Fidelity, AFZ 172 | ~ 296 or 109 Mb | Scans(jpg) -> 20 Mb
Blues, Rock

The raw immediacy and tight instrumental attack of the Paul Butterfield Blues Band's self-titled debut album were startling and impressive in 1965, but the following year, the group significantly upped the ante with its second LP, East-West. The debut showed that Butterfield and his bandmates could cut tough, authentic blues (not a given for an integrated band during the era in which fans were still debating if a white boy could play the blues) with the energy of rock & roll, but East-West was a far more ambitious set, with the band showing an effective command of jazz, Indian raga, and garagey proto-psychedelia as well as razor-sharp electric blues…
Rush - Counterparts (1993) [2012, Audio Fidelity AFZ 152] Repost

Rush - Counterparts (1993)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Audio Fidelity, AFZ 152 | ~ 380 or 132 Mb | Scans(jpg) -> 198 Mb
Progressive Rock

By 1993, alternative rock had arrived in a big way, and surprisingly, Canadian veterans Rush were game, releasing their most honest and organic rock & roll record in over a decade with Counterparts…
Eric Clapton - Pilgrim (1998) [2014, Audio Fidelity AFZ 188] Repost

Eric Clapton - Pilgrim (1998)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Audio Fidelity AFZ 188 | ~ 481 or 186 Mb | Scans(jpg) -> 173 Mb
Blues Rock, Classic Rock

Pilgrim is the thirteenth studio album by the British rock musician Eric Clapton, released on March 10, 1998 for Reprise Records.[1] The album features all-new studio-recorded material since Clapton's 1989 hit album Journeyman and was nominated for several music awards…
Jon Anderson - Olias Of Sunhillow (1976) [2014, Audio Fidelity AFZ 156] Repost

Jon Anderson - Olias Of Sunhillow (1976)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Audio Fidelity, AFZ 156 | ~ 252 or 107 Mb | Scans(jpg) -> 231 Mb
Progressive Rock

Inspired by the artwork of Roger Dean and the writings of Ver Stanley Alder, Jon Anderson developed an entire story around the idea of an interstellar exodus from Sunhillow, writing this album around the narrative (named for the spaceship's architect, Olias). The idea may seem overly ambitious, but Anderson fills the record with enough magical moments to delight fans of Yes' mystic side. The music is written and performed almost entirely by Anderson, who dubs vocals, plays guitar and harp, and adds percussion and the occasional synthesizer to flesh out his ideas so that at no point does the music lose its spellbinding effect for lack of sonic detail…