"The First Time Ever (I Saw Your Face)" is an album by American pop singer Johnny Mathis that was released on May 10, 1972, by Columbia Records and continues in the tradition set by his recent studio releases of covering mostly current chart hits. It made its first appearance on Billboard magazine's Top LP's & Tapes chart in the issue dated June 10, 1972, and remained there for 15 weeks, peaking at #71.
It’s amazing! Close your eyes and enjoy rock moments.
Now thirteen classic rock ballads on a DTS Audio CD. A comprehensive and unique sonic pleasure in surround sound format. “Everybody Hurts”, “Catch The Rainbow”, “Big Log”, “Stairway To Heaven”, “Epitaph” and many more.
Compiled and edited by EktorasClub
Covers design: Panagiotis Thrassos
Steve Smith and Vital Information is an American jazz fusion group led by drummer Steve Smith.
Vital Information was formed by Steve Smith in 1983 with friends Tim Landers, Dave Wilczewski, Dean Brown, and Mike Stern.
In the Court of the Crimson King (an observation by King Crimson) is the 1969 debut album by the British progressive rock group King Crimson. The album reached #3 on the British charts. The album is certified gold in the United States. The album is generally viewed as one of the strongest of the progressive rock genre, where blues-oriented rock was mixed together with jazz and European symphonic elements. In his 1997 book Rocking the Classics, criticmusicologist Edward Macan notes that In the Court of the Crimson King may be the most influential progressive rock album ever released. The Who's Pete Townshend was quoted as calling the album an uncanny masterpiece. The album was remastered and re-released on vinyl and CD several times during the 1980s and 1990s. The original stereo master tapes were finally located in a Virgin Records storage vault in 2003, leading to a much improved remastered CD version released in 2004. ---Wikipedia
Having at last laid Roxy to bed with its final, intoxicatingly elegant albums, Ferry continued its end-days spirit with his own return to solo work. Dedicated to Ferry's father, Boys and Girls is deservedly most famous for its smash single "Slave to Love." With a gentle samba-derived rhythm leading into the steadier rock pace of the song, it's '80s Ferry at his finest, easy listening without being hopelessly soporific. As a whole, Boys and Girls fully established the clean, cool vision of Ferry on his own to the general public. Instead of ragged rock explosions, emotional extremes, and all that made his '70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match. Co-producer Rhett Davies, continuing his role from the latter Roxy albums, picks up where Avalon left off right from the slinky opening grooves of "Sensation." The range of people on the album is an intriguing mix, from latterday Roxy members like Andy Newmark and Alan Spenner to avid Roxy disciples like Chic's Nile Rodgers. Everyone is subordinated to Ferry's overall vision, and as a result there's not as much full variety on Boys and Girls as might be thought or hoped. The album's biggest flaw is indeed that it's almost too smooth, with not even the hint of threat or edge that Ferry once readily made his own. As something that's a high cut above the usual mid-'80s yuppie smarm music, though, Boys and Girls remains an enjoyable keeper that has aged well.---allmusic.com
George Martin and his son Giles began work on Love after getting permission from Paul McCartney, Ringo Starr, Yoko Ono, and Olivia Harrison (the latter two representing John Lennon and George Harrison, respectively). In discussing the project, Giles Martin noted that elements were utilized from recordings in The Beatles catalogue, "the original four tracks, eight tracks and two tracks and used this palette of sounds and music to create a soundbed." George Martin also promised a prize to those who could crack a "code" found in the album. Giles Martin said in an interview that he was afraid they wouldn't get the green light to do the project, so he started by making digital back-ups of the original multi-track recordings just to get started on the project. He also said that he and his father mixed more music than was eventually released, including "She's Leaving Home" and a version of "Girl" that he was particularly fond of. Paul McCartney and Ringo Starr, the two surviving members of The Beatles, have responded very positively to the album. McCartney noted that "This album puts The Beatles back together again, because suddenly there's John and George with me and Ringo". Starr commended George and Giles Martin for the album and said that the album is "really powerful for me and I even heard things I'd forgotten we'd recorded."
The Moody Blues' second album was also their first of what would be a succession of "concept" albums. Inspired by the Beatles' Sgt. Pepper and utilizing the London Festival Orchestra primarily for epic instrumental interludes between songs, Days of Future Passed moved the Birmingham band away from its early R&B roots (as displayed on its debut album with soon-to-depart future Wings member Denny Laine) into uncharted rock territory, making them the early pioneers of both classical and progressive rock. The concept of the 1967 release was very simple, tracing a day in the life from dawn to night, from awakening to sleep. The seven tracks spawned two hit singles--"Tuesday Afternoon" and "Nights in White Satin" (which hit No. 2 four years after the LP's original release) and a prog-rock cottage industry.–Bill Holdship