This was a beautiful bossa nova record of Astrud Gilberto's vocal stylings…All the material (32:13) here, with the exception of "Learn to Live Alone" and "Pretty Place," which were arranged by Al Cohn, were arranged by Gil Evans. With the exception of a Johnny Coles trumpet solo, the personnel was uncredited on this 1966 recording. Discographies have credited Bob Brookmeyer (valve trombone), Kenny Burrell (guitar), and Grady Tate (drums), but except for a few bars of sax, there was no solo indivdualism in this large Creed Taylor-produced orchestra.
Fourth album of Brazilian singer Astrud Gilberto (Bahia, 1940). Astrud's voice has been described as the voice of the sound of the 'cherished innocence'. She has a great command of bossa songs while creating fresh and incisive interpretations of American popular songs. On this album she plays singing in both English and Portuguese on musical arrangements and orchestrations of the late Canadian musician Gil Evans. The songs in Portuguese look a magical and warm interpretative delicacy.
Astrud for Lovers is a strong collection of love songs performed by Brazilian singer Astrud Gilberto. Her wispy and melancholic vocals are featured in a variety of settings recorded between 1963 and 1969 for Verve. The earliest tune, "Corcovado (Quiet Nights of Quiet Stars)," is taken from the legendary Getz/Gilberto album that marked Astrud's star-making first recording. The rest of the collection finds her with Stan Getz again doing a sweet version of "It Might as Well Be Spring" in 1964.
Compilation album released in the U.S.A. on Brazilian singer Astrud Gilberto (Bahia, 1940). She features twelve songs from her diverse discography that stands in the melodic and romantic look of the compositions. The subject of love has always been a favorite in the production of Astrud, both accompanied by orchestra and small ensembles in which artists appear as Stan Getz, Antonio Carlos Jobim, Joao Gilbert, Walter Wanderley or Kenny Burrell among others, interpreting Brazilian rhythms, especially bossa, ballad or slow.
On their second effort, Fly to the Rainbow, the Scorpions begin to establish their trademark hard-rock sound while exorcising the last of their remaining psychedelic hippie tendencies. In fact, the band bursts out of the gate in surprisingly straightforward fashion with the hard rocking "Speedy's Coming" before resorting to the aforementioned bad habits on otherwise promising tracks such as…
"Ride To The Rainbow" is Thelma Houston's eighth studio album. The album was not the commercial success it deserved to be initially because the album's most compelling songs never were released as singles. Lax promotion also played a role in the albums' slow sales upon its original release. The album includes such hidden gems as "Imaginary Paradise", "I Wanna Be Back in Love Again", "Just a Little Piece of You." It also includes a version of The Miracles' "Love Machine" and the Top 40 Pop hit, "Saturday Night, Sunday Morning" (in its 12" version different from the previous short version released on the album "Ready to Roll").