Possessing not the greatest album sleeve in history - "Images" was nonetheless a bit of a Jazz-Funk peach. Produced by "Stix" Hooper, Wilton Felder & Joe Sample for "Crusader Productions, Inc." and mastered by long-standing expert Bernie Grundman, it followed so much of their Seventies output - really well-produced instrumental funky tracks followed by mellow ones that filled both the floor and the heart at one and the same time. Remastered from the original tapes by KEVIN REEVES at Universal Mastering in the States, it now sounds FABULOUS - really clear and defined - and virtually hiss-free. After a whole decade and umpteen albums of their particular type of funk & jazz, the same team that handled "Images" would finally hit paydirt a year later in 1979 with the global smash of "Street Life" and make Randy Crawford a star.
Vassilis Tsabropoulos (born 1967 in Athens) is an internationally acclaimed Greek concert pianist conductor and composer. Tsabropoulos studied at Juilliard with Rudolf Serkin and Tatjana Nikolayeva. Simultaneously and with the encouragement of Chick Corea, he began to improvise in jazz contexts and he's followed parallel paths ever since. Tsabropoulis has an extraordinarily beautiful and expressive touch. Perhaps a little surprisingly, he sounds like a relaxed, fluent, unselfconscious improviser, entirely comfortable with what many classical musicians find a fundamentally different musical philosophy.
A pupil of Fauré, Louis Aubert moved in the same circles as Ravel, Debussy, Koechlin and others and was considered in his day to be one of the most original French composers. With its evocatively impressionistic images of seascapes, the night and Spain, Sillages is amongst the most significant French piano works of the early 20th century. The intensely expressive and impassioned Violin Sonata is Aubert’s only large-scale work in abstract Classical form and the distinctive Feuille d’images is a varied collection of educational pieces. The fiery Habanera, Aubert’s most frequently performed orchestral work, is heard in the composer’s own transcription for piano four hands.