Art x

Shadow Photo Art X  Graphics

Posted by sparkus at Aug. 30, 2006
Shadow Photo Art X

Shadow Artistic Photography X
50 Photos | Many Sizes (800x1000 aprox) | 4.85 Mb
Vienna Art Orchestra - The Big Band Years 1993-2007 (2010) {4CD Box Set EmArcy-Universal 0602527539966}

Vienna Art Orchestra - The Big Band Years 1993-2007 (2010) {4CD Box Set EmArcy-Universal 0602527539966}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.86 Gb | MP3 @320 -> 713 Mb
Full Artwork @ 600 dpi (jpg) -> 226 Mb | 5% repair rar
© 1993-2007, 2010 EmArcy / Universal | 0602527539966}
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

The Vienna Art Orchestra is a 15-member jazz orchestra that features the avant-garde arrangements and compositions of its leader, pianist Mathias Ruegg. This is a reissue of their 1980 debut, an important document in the post-modern jazz movement. The opening, title track is a joyous, folkish tango that's been cartoonishly toyed with, featuring three solo sections. The marimba section is also ornamented with vocalese from Lauren Newton, followed by an extremely playful horn lead that sounds like a toy instrument. The solo offering from violinist Rudi Berger has an electronically effected fusion sound. A tight, alto sax solo by Wolfgang Puschnig ties everything together neatly with a lengthy, unaccompanied performance.

Art Farmer & Jim Hall Quartet - Complete Live Recordings (2008)  Music

Posted by Designol at Nov. 23, 2017
Art Farmer & Jim Hall Quartet - Complete Live Recordings (2008)

Art Farmer & Jim Hall Quartet - Complete Live Recordings (2008)
EAC | FLAC | Image (Cue&Log) ~ 357 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Jazz, Bop, Hard Bop, Cool | Label: Gambit Records | # 69288 | Time: 01:08:56

2008 release compiles all of Art Farmer and Jim Hall's live quartet recordings in their entirety including the 1963 Half Note performances and the extremely rare 1964 London concert. Features musical assistance from Steve Swallow, Walter Perkins and Pete La Roca. This material is presented here for the first time ever in one package. New and careful remastering, includes comprehensive 12-page booklet.

Art In America - Art In America (1983)  Music

Posted by Designol at Nov. 22, 2017
Art In America - Art In America (1983)

Art In America - Art In America (1983)
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included
Prog-Rock, Soft Rock | Label: Renaissance | # RMED 00103 | Time: 00:35:53

Art in America begins as delicate, somewhat elegant album with a pleasing mix of harp, guitar and keyboard that slowly changes to a more arena rock sound with progressive touches that make the band sounds like Asia meets Breathe. A pretty and slightly mystic album with hints of album rock and pop, Art in America was overlooked upon its release.

Black Lips - Satan’s Grafitti or God’s Art? (2017)  Music

Posted by SERTiL at Nov. 22, 2017
Black Lips - Satan’s Grafitti or God’s Art? (2017)

Black Lips - Satan’s Grafitti or God’s Art?
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 55:43 min | 360 MB
Label: Vice Records ‎– VCA207009 | Tracks: 18 | Rls.date: 2017
Garage Rock

Rowdy 2017 album from the Atlanta garage-rock stayers … their first in 3 years! Produced by Sean Lennon. Cameos by Saul Adamczewski (Fat White Family) and Yoko Ono. Includes "Squatting In Heaven", plus a cover of The Beatles' "It Won't Be Long".
Vienna Art Orchestra - Tango from Obango (1979) {Extraplatte EX 10-2 rel 1997}

Vienna Art Orchestra - Tango from Obango (1979) {Extraplatte EX 10-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 287 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1979, 1997 Extraplatte | EX 10-2
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

The Vienna Art Orchestra is a 15-member jazz orchestra that features the avant-garde arrangements and compositions of its leader, pianist Mathias Ruegg. This is a reissue of their 1980 debut, an important document in the post-modern jazz movement. The opening, title track is a joyous, folkish tango that's been cartoonishly toyed with, featuring three solo sections. The marimba section is also ornamented with vocalese from Lauren Newton, followed by an extremely playful horn lead that sounds like a toy instrument. The solo offering from violinist Rudi Berger has an electronically effected fusion sound. A tight, alto sax solo by Wolfgang Puschnig ties everything together neatly with a lengthy, unaccompanied performance.
Vienna Art Orchestra - Innocence of Cliches (1990) {2CD Amadeo ‎841 646-2}

Vienna Art Orchestra - Innocence of Clichés (1990) {2CD Amadeo ‎841 646-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 548 Mb | MP3 @320 -> 234 Mb
Full Artwork @ 600 dpi (jpg) -> 70 Mb | 5% repair rar
© 1990 Amadeo | 841 646-2
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

In the jazz world, Vienna is about as far from New York's Lincoln Center as you can get. It follows that Mathias Rüegg's Vienna Art Orchestra has about as much in common with Wynton Marsalis' Lincoln Center big band as a Sacher torte has with a Hostess Cup Cake; while they share some ingredients, the Austrian product satisfies on a more profound level. By the turn of the century, the Lincoln Center paradigm defined the jazz big band as a finished concept – locked into the past, serving mostly as a repertory ensemble. The VAO, on the other hand, while hardly ignoring traditional jazz verities, lives in the present and looks to the future.
Tom Harrell - The Art Of Rhythm (1998) {RCA Victor 09026-68924-2 rec 1997}

Tom Harrell - The Art Of Rhythm (1998) {RCA Victor 09026-68924-2 rec 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1998 RCA Victor / BMG | 09026-68924-2
Jazz / Post Bop / Straight-Ahead Jazz / Trumpet

Best known as a superior and advanced cool-toned trumpeter, Tom Harrell shows throughout this consistently brilliant set that he has also developed into an excellent composer and a particularly talented arranger. All ten songs and arrangements are his, and the music both swings and is quite original. Harrell doubles on flügelhorn and utilizes a wide variety of interesting musicians, including clarinetist Greg Tardy (who plays beautifully on the opening "Petals Danse"), acoustic guitarist Romero Lumbambo (heard on the more Brazilian-oriented numbers), the great free bop tenor Dewey Redman, pianist Danilo Perez, electric guitarist Mike Stern, tenorman David Sanchez, and several strings (including Regina Carter) among others.
A.R. & Machines - The Art Of German Psychedelic, 1970-1974 (2017) {10CD Box Set, Remastered Edition}

A.R. & Machines - The Art Of German Psychedelic, 1970-1974 (2017) {10CD Box Set, Remastered Edition}
EAC Rip | FLAC (Img) + Cue + Log ~ 3,48 Gb | MP3 CBR320 ~ 1,51 Gb
Scans Included (CD & Matrix) | RAR 5% Recovery
Progressive Rock, Kraut Rock, Psychedelic | BMG / Tangram #538307740

The complete collection of Achim Reichel’s innovative avant-garde project in the early 1970s. The lavishly designed 10 CD box-set includes all five studio albums and almost five hours of rare and unreleased music, a new remix-album – Virtual Journey – as well as a hardcover book with the artist’s own liner notes. A lucky accident was the catalyst. In Hamburg in the early 70s, while playing with his new Akai X330D tape machine, Achim Reichel discovered he could build soundscapes of guitar echoes and add even more simultaneously. He spent hours in his room with headphones on, growing his orchestra of guitars. A.R. & Machines recorded five studio albums…
Vienna Art Orchestra - European Songbook (1993) {GIG Records GIG 660 177}

Vienna Art Orchestra - European Songbook (1993) {GIG Records GIG 660 177}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 600 dpi (jpg) -> 206 Mb | 5% repair rar
© 1993 GIG Records | GIG 660 177
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

In the jazz world, Vienna is about as far from New York's Lincoln Center as you can get. It follows that Mathias Rüegg's Vienna Art Orchestra has about as much in common with Wynton Marsalis' Lincoln Center big band as a Sacher torte has with a Hostess Cup Cake; while they share some ingredients, the Austrian product satisfies on a more profound level. By the turn of the century, the Lincoln Center paradigm defined the jazz big band as a finished concept – locked into the past, serving mostly as a repertory ensemble. The VAO, on the other hand, while hardly ignoring traditional jazz verities, lives in the present and looks to the future.