More and more music lovers are discovering the unique sound of a vinyl record. Stockfisch thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however, has many artifacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artifacts that are detrimental to a good sound. Stockfisch calls their new production method 'DMM-CD'.
In listening to the five years of the Brad Mehldau Trio represented in this box set, one hears the unfolding of a new and significant part of modern jazz history, as the end of the 1990s opened the door on the explosive creative renaissance of the music in the 21st century. Nonesuch has compiled the five releases in the Art of the Trio series, as well as an additional disc of unreleased recordings from the same period (1997-2001), offering a serious reconsideration of what has already been accepted as a "next step" for the jazz piano trio's history.
A documentary film by Bruno Monsaingeon devoted to the 20th century's greatest violinists, The Art of Violin really cannot be faulted. The same, incidentally, can also be said of the similar volumes that cover the piano and singing, so there's never been a better time to collect a personal audio-visual archive of some wonderful historical performers. The added dimension provided by the painstakingly collected film material (here featuring no fewer than 20 outstanding soloists Jascha Heifetz, Fritz Kreisler, David Oistrakh, Yehudi Menuhin, Isaac Stern, and Eugene Ysaye) is of exceptional value when observing violin technique, and the diversity of approaches presented here in loving detail is in itself a subject for endless comparison.
Progression was recorded in September of 2000 at the Village Vanguard. It is a double CD set of the trio with Mehldau, Grenadier and Rossy, and spans a wide range of material. There are the ballads: ‘The Folks Who Live on the Hill,’ and ‘Secret Love’ build on the lyrical approach that the trio has taken so far, while ‘Cry Me A River,’ and ‘How Long Has This Been Going On’ have a torch-like, slow-swinging quality, with more of a focus on the blues feeling in the interpretation.