Collecting five CDs for about the price of three, this set of Boulez recordings is without parallel among the conductor's new-music releases. Imagine getting Boulez's celebrated single CD of Luciano Berio's Sinfonia and Eindrücke and his equally impressive single CD of Arnold Schoenberg's Pelleas und Melisande and Variations for Orchestra, bundled with four pivotal Elliott Carter works, Sir Harrison Birtwistle's electrifying …AGM…, Gérard Grisey's Modulations, Iannis Xenakis's Jalons, Hugues Dufourt's Antiphysis, and Brian Ferneyhough's Funerailles, and you have an idea how far this set stretches.
These recordings were made by Erato shortly before Barenboim took over as musical director at Chicago and were hailed at the time as the best possible foretaste of the partnership. Until recently they were available on Warner’s mid-price Elatus label but, despite the strong recommendations which they received in that form, such is the economic pressure of the times that they have now been further reduced to the budget-price Apex label.
Mozart’s charming opera tells the story of a Countess who disguises herself as a gardener in order to find and forgive her lover, who thinks he has killed her in a quarrel. The score is one of real musical delights with uncommonly rich and full orchestration and prominent parts for wind in particular. Arnold Östman conducts this Göran Järvefelt production in which the countes is played by Britt-Marie Aruhn.
This 11-disc set is essential for anyone interested in the music of Arnold Schoenberg. It is the complete Sony "Boulez Conducts Schoenberg" series in a Brilliant-style box without jewel cases. Whether you are just investigating Schoenberg, or looking to complete the series, this is a most welcome release.
Sir Simon Rattle conducts the Berlin Philharmonic in Mahler's mighty Symphony no 7. Closely associated with both live performances and recordings of the Mahler symphonies throughout his career, Rattle steers the world-leading orchestra through the intense drama of this huge and complex but emotionally powerful orchestral work, marshalling unconventional instruments including cowbells, mandolin and guitar.
From the Royal Albert Hall, Daniel Barenboim returns to the Proms with his West-Eastern Divan Orchestra, the celebrated ensemble of young Arabs and Israelis. Following his highly acclaimed Proms performance of Wagner's Ring in 2013, Barenboim conducts two Wagner overtures - Tannhauser and The Mastersingers of Nuremberg - alongside music from Gotterdammerung. The great pianist Martha Argerich is the soloist in Liszt's Piano Concerto No 1 and the programme also includes Jorg Widmann's lively Con Brio.
Neeme Järvi and the OSR continue their exploration of French orchestral music with this fourth album: a merry collection from the best of the vigorously ebullient music of Jacques Ibert. Among the numerous winners of the famous Prix de Rome between its institution by Napoleon in 1803 and its abandonment in 1968, the twentieth century provides us with repertoire works from only one composer: Jacques Ibert, whose characteristically clear orchestration is emphasised by strong melodic lines and supported by lively ostinato patterns in the bass. At the same time, the album reveals what an eclectic composer Ibert was. The contrast between his two best-known pieces is a perfect example: Divertissement, for small orchestra, is light-hearted, even frivolous; Escales…, on the other hand, is a ripely romantic work for large orchestra.