This release celebrates and commemorates Yo-Yo Ma's 30 year recording career with Sony Music. Created with the full participation of Yo-Yo Ma, 30 Years Outside the Box, is the definitive collection of this iconic artist. The box set contains every original album Yo-Yo Ma has recorded including 2 discs of rare and never before released material.
Bach showed that the cello can dance, but composers from Rossini to Shostakovich have favored it as an instrument of pensive reflection and brooding melancholy. The playful cover photo notwithstanding, SOLO features Yo-Yo Ma in five 20th century cello works of a serious nature, all with folk influence and all echoing at least a bit of the troubles of the times in which they were written.
Sony Music is proud to announce the worldwide release of Yo-Yo Ma: 30 Years Outside the Box, a deluxe box set of Yo-Yo Ma's recorded legacy. This elaborate, numbered, limited-edition box will celebrate Yo-Yo Ma's 30th Anniversary with the label. Created with the full participation of Yo-Yo Ma, 30 Years Outside the Box, is the definitive collection of this iconic artist in a presentation as beautiful and timeless as the music itself.
This recording presents two comparatively rarely heard but striking works by Frederick Delius, performed by the BBC Symphony Orchestra under Sir Andrew Davis with entirely idiomatic results. Both works are prime examples of Delius’s highly individual and ground-breaking use of voices in predominantly orchestral works.
Christian Escoude combines elements of gypsy jazz, bop, and a contemporary flavor during these 1989 sessions that also include fellow guitarists Paul Challin Ferret, Jimmy Gourley, Frederic Sylvestre, accordion player Marcel Azzla, cellist Vincent Courtois, bassist Alby Cullaz, and either Billy Hart or Philippe Combelle on drums. The presence of so many players sometimes muddies the sound, especially when Azzla is too prominent in the mix. Several of the works were written by Escoude's late uncle, the popular accordion player/composer Gus Viseur, who had worked with Django Reinhardt and Stéphane Grappelli in the Quintet of the Hot Club of France, though the switch to electric guitars and addition of percussion indicates this is not your father's gypsy music.