This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.
The liner notes of The Hugo Masters: An Anthology of Chinese Classical Music contain extensive documentation of the various instruments used in Chinese solo and orchestral music, with descriptions of their history and modifications, as well as an essay to help Western listeners understand the background of Chinese classical music.
This 37-track, two-disc set is the most comprehensive compilation of John Renbourn's recording career to date. In one sense, Renbourn can be defined as a traditional British folk guitarist, but within that category, he has managed a wide variety of different recording projects over 40 years. There are the solo guitar albums, of course, but then there are also duo albums with Bert Jansch and Stefan Grossman; Renbourn's major group affiliation with Pentangle; his own band projects, the John Renbourn Group and John Renbourn's Ship of Fools, and even prominent work as a sideman for other artists.