The second CD by Philip Johnston's Big Trouble is jazz mixing great musicianship with a touch of madness. He treats Steve Lacy's "Hemline" as if it were penned by Raymond Scott (whose music was adapted for classic Looney Tunes cartoons) and "Bone" sounds like a wild improvisation on a childhood chant. Pianist Joe Ruddick's "Heaven, Hell, or Hoboken" has a nifty calypso beat with an intense cacophony of reeds and brass. Johnston is also a gifted composer; his "Pontius Pilate Polka" blends folk dances with swinging Dixieland interludes. "Mr. Crocodile" is a light samba with a touch of reggae. Highly recommended for fans of the great melting pot of jazz.
Combining nu-metal with serious pop polish and structure, Alien Ant Farm always felt like a band that lived in two worlds: not quite heavy enough to be metal, but a little too fast-paced for the pop set. And while Alien Ant Farm's genre might be unclear, their entry in the 20th Century Masters series gives fans a bird's-eye view of their career and another opportunity to try nailing down what these guys were up to. Given the musicianship on tracks like "Movies" and their cover of the Michael Jackson classic "Smooth Criminal," while it might be hard to describe, it sure did work.
Little is known about the life of Francisco António de Almeida, but he occupied a central position in Portuguese life in the first half of the 18th century and was able to learn the Italian style in Rome thanks to the ambitions of King João V. The rarely recorded La Spinalba ovvero Il vecchio matto (Spinalba, or the Mad Old Man) is a comic opera which follows the buffa tradition of intrigue and romantic complexities, and is filled with superb cantabile arias as well as a rich variety of original and dramatic orchestral effects. The cast is led by Ana Quintans, a much-in-demand soloist on the early music scene, and the highly regarded Portuguese ensemble Os Músicos do Tejo is directed by its co-founder Marcos Magalhães.