Another Timbre

Skuggorna och ljuset - Magnus Granberg - Would Fall from the Sky, Would Wither and Die (2015) {Another Timbre at84}

Skuggorna och ljuset - Magnus Granberg - Would Fall from the Sky, Would Wither and Die (2015) {Another Timbre at84}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 180 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (png) -> 9 Mb | 5% repair rar
© 2015 Another Timbre | at84
Classical / Modern Classical / Experimental / Abstract

If the Swedish group name Skuggorna Och Ljuset does not ring any bells, then the names of some of its members may help jog the memory—Magnus Granberg on clarinet, Anna Lindal on violin, Leo Svensson Sander on cello, Erik Carlsson on percussion. Yes? Well, all four of them have previously figured on Another Timbre releases as members of the larger ensemble Skogen, in particular playing the Granberg compositions "Ist gefallen in den Schnee" and "Despairs Had Governed Me Too Long".
Magnus Granberg - How Deep Is the Ocean, How High Is the Sky? (2015) {Another Timbre at87}

Magnus Granberg - How Deep Is the Ocean, How High Is the Sky? (2015) {Another Timbre at87}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 289 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 300 dpi (png) -> 9 Mb | 5% repair rar
© 2015 Another Timbre | at87
Classical / Electronic / Modern Classical / Experimenal / Abstract

“The Swede Magnus Granberg has rapidly become a key member of the Another Timbre family, this being his fifth album on the label in under four years, with four of those being his own compositions. Those familiar with Granberg's past AT releases will be delighted to hear that How Deep is the Ocean, How High is the Sky? follows the familiar pattern of the others. As before, it employs material derived from another song—in this instance, Irving Berlin's "How Deep is the Ocean"—but there are few, if any, traces of the original in evidence. Instead, the piece establishes a pleasantly melancholy mood that typifies Granberg compositions.

Matt Bianco - Another Time Another Place (1994)  Music

Posted by Domestos at Sept. 7, 2017
Matt Bianco - Another Time Another Place (1994)

Matt Bianco - Another Time Another Place (1994)
EAC Rip | ape (image+.cue, log) ~ 279.38 Mb | 43:48 | Scans included
Jazz, Latin Pop | Country: UK | Label: JVC-Victor, Zyx Records

This was Matt Bianco's first album after splitting from Warner Brothers. Eager to take on the world without the constraints of a marketing department, Mark Fisher and Mark Reilly recorded this in the Fishbowl, Fisher's own studio on the outskirts of London. This record saw a new group of session musicians participating in the production, although Robin Jones was still around to record percussive layers that support the songs rhythm structure. Ronnie Ross had died, so the brass section had to be reorganised as well, giving the record a different timbre. To be sold, the record needed distributors, which were found for Germany, France, Spain, Latin America and Asia, but only JVC-Victor in Japan really made some headway in promoting them to the local audience, and the album went Gold there. Due to lack of airplay it failed to have any major impact in the rest of the world. This was not due to particularly bad material, as songs like "You and I" and "Head over Heels" are some of the best Fisher wrote. Nevertheless, the lack of backing of a major label was certainly showing.

Linda Catlin Smith - Dirt Road (2016)  Music

Posted by varrock at Sept. 7, 2017
Linda Catlin Smith - Dirt Road (2016)

Linda Catlin Smith - Dirt Road (2016)
MP3 CBR 320kbps | Tracks: 15 | 68:23 min | 159 Mb
Style: Contemporary Classical | Label: Fluid Radio

The title of Another Timbre’s latest series of releases, “Violin +1”, would seem to imply that the violin is the star, and the ‘+1’ just an accompaniment. However, the label’s recording of composer Linda Catlin Smith’s “Dirt Road” is very much an equal partnership between violinist Mira Benjamin and percussionist Simon Limbrick, if anything slightly skewed towards the percussion. Unfolding over fifteen movements, the order of which is intended to be flexible, the piece drifts and meanders through a wild and intensely-evoked world of forest, weather, and silence.

Marc Sabat - Harmony (2017)  Music

Posted by aasana at April 3, 2017
Marc Sabat - Harmony (2017)

Marc Sabat - Harmony (2017)
Contemporary Classical | 1:03:49 | MP3, 320 kbps | 147 MB
Label: Another Timbre

The fifth CD in the Canadian Composers Series is also the debut appearance on Another Timbre by the Jack Quartet. It features chamber music for strings by the Berlin-based composer Marc Sabat, whose compositions explore the world of Just Intonation. But, as Nick Storring argues in the booklet accompanying the Canadian Composers Series of CDs, “to fixate upon this aspect of his music conceals at least half of what makes it so beguiling and beautiful. From an aural perspective, what is most salient about his work is not the system itself but his fluency within it. Part of this is attributable to his deep insight and compassion surrounding performance.

Timbre - Sun & Moon (2015) [2CD] {Self-Released}  Music

Posted by ruskaval at Nov. 22, 2015
Timbre - Sun & Moon (2015) [2CD] {Self-Released}

Timbre - Sun & Moon (2015) [2CD] {Self-Released}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 589 Mb | MP3 @320 -> 264 Mb
Full Artwork @ 600 dpi (png) -> 266 Mb | 5% repair rar
© 2015 Self-Released | # -
Chamber Music / Classical / Chamber Folk / Indie / Modern Classical / Harp

Sun & Moon is the exploration of an idea: no art exists on its own. Art always influences art. This album explores the deep intrinsic relationship between popular music and classical music. “Sun” features music written and performed by my band, while “Moon” features classical music I have written for solo harp, harp & oboe, orchestra, and choir.
Timber Timbre - Hot Dreams (2014) [Official Digital Download 24bit/44,1kHz]

Timber Timbre - Hot Dreams (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 43:03 minutes | 469 MB
Official Digital Download - Source: Qobuz | Front cover

Toronto-based singer-songwriter who makes dark, mysterious music influenced by pre-war folk and blues. With his third album, "Hot Dreams", Timber Timbre transposes new definitions of historic ambience, unabashedly weaving unity between disparate, charted environments.

Tuning, Timbre, Spectrum, Scale (repost)  eBooks & eLearning

Posted by interes at Jan. 27, 2014
Tuning, Timbre, Spectrum, Scale (repost)

Tuning, Timbre, Spectrum, Scale by William A. Sethares
2nd edition | English | 2004-11-04 | ISBN: 1852337974 | 448 pages | PDF | 4.2 mb

The only things truly universal in music are those that are based on biological and/or perceptual facts. Tuning Timbre Spectrum Scale focuses on perceptions of consonance and dissonance, which are defined in the Harvard Dictionary of Music: ?Consonance is used to describe the agreeable effect produced by certain intervals as against the disagreeable effect produced others.

Tuning, Timbre, Spectrum, Scale (repost)  eBooks & eLearning

Posted by libr at Dec. 8, 2012
Tuning, Timbre, Spectrum, Scale (repost)

William A. Sethares, "Tuning, Timbre, Spectrum, Scale"
2nd edition | English | 2004-11-04 | ISBN: 1852337974 | 448 pages | PDF | 4.2 mb

The only things truly universal in music are those that are based on biological and/or perceptual facts. Tuning Timbre Spectrum Scale focuses on perceptions of consonance and dissonance, which are defined in the Harvard Dictionary of Music: ?Consonance is used to describe the agreeable effect produced by certain intervals as against the disagreeable effect produced others. Consonance and dissonance are the very foundation of harmonic music… consonance represents the element of smoothness and repose, while dissonance represents the no less important elements of roughness and irregularity.?

Tuning, Timbre, Spectrum, Scale (repost)  eBooks & eLearning

Posted by Book-er at Feb. 28, 2012
Tuning, Timbre, Spectrum, Scale (repost)

William A. Sethares, "Tuning, Timbre, Spectrum, Scale"
2nd edition | English | 2004-11-04 | ISBN: 1852337974 | 448 pages | PDF | 4.2 mb

The only things truly universal in music are those that are based on biological and/or perceptual facts. Tuning Timbre Spectrum Scale focuses on perceptions of consonance and dissonance, which are defined in the Harvard Dictionary of Music: ?Consonance is used to describe the agreeable effect produced by certain intervals as against the disagreeable effect produced others. Consonance and dissonance are the very foundation of harmonic music… consonance represents the element of smoothness and repose, while dissonance represents the no less important elements of roughness and irregularity.?