Now available on CD in Digipak format. Released for short time in 1993 on the indie HTD label and hard to find. Recorded at The Attic Bar in Stafford in September 1992, before an ecstatic home-town crowd. Only their second live album after 1974's iconic FM Live and of comparable quality. Features definitive Nineties line up of Colin Cooper, Lester Hunt, George Glover, Neil Simpson and Roy Adams. Contains long-time set opener Fool For The Bright Lights , their biggest hit single Couldn't Get It Right and classics Chasing Change and The Movie Queen . Band play on today with frontman Johnny Mars replacing the late Colin Cooper, and most of this repertoire survives in their set. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly remastered superb sound - top quality reproduction. The best in the business!
A tremendous album from flute man Sam Most – a record that really shines strongly amidst the rest of his catalog – and one that has us completely reevaluating our understanding of his sound! By the time of this set, Sam had been blowing for a few decades – most famously on Bethlehem Records sessions of the 50s, but also on a number of other records over the years – yet this album has the musician emerging as a stunningly strong voice on his instrument – playing the flute with all of these low, deep tones that are quite a change from more mainstream jazz flute of the decade – especially in fusion or crossover soul. There's a wonderfully moody vibe to the album – laidback, but never sleepy – and cast out perfectly with a group that includes Kenny Barron on piano, George Mraz on bass, Walt Bolden on drums, and Warren Smith on percussion.
Released in the wake of Subterranea's success, The Lost Attic: A Collection of Rarities (1983-1999) is exactly what the title says. The reference to Tales From the Lush Attic, IQ's first album (its second if one counts the self-released cassette Seven Stories Into Eight), indicates most of the material included here focuses on the periods when Peter Nicholls was with the band (1983-1985 and 1991-1999), whereas the previous collection J'Ai Pollette D'Arnu was more centered on the Paul Menel years. The Lost Attic includes two unreleased songs from the Subterranea sessions, many fan club-only releases and compilation tracks, a couple of oddities, and three songs from a 1984 BBC session.
London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her aunt's suspicions merely a red herring?
Sisters Carrie and Anna Berniers have been supporting their ne'er-do-well brother Julian through various failed businesses; now, he returns home with a sudden fortune and his young bride. Jealousies both old and new will play a part as the sisters try to understand what Julian's been up to, and as his wife wonders if there's another woman involved.