This 60-minute interval workout features a 12-minute warmup, a 12-minute cool-down, plus four segments of Anna’s signature blend of dance cardio, sports training, Pilates, yoga, and strength – exactly what you’d get if you took one of her sold-out classes. No more guessing whether you need to incorporate toning, cardio, or flexibility into your routine, because this efficient, effective, and seriously addictive workout has it all. You’ll burn calories, torch fat, and sculpt the lean, lithe dancer’s body of your dreams.
This new Traviata belongs near the top of the fine recorded versions of the opera despite a serious vocal problem in the middle. The great news is in the casting of the two lovers: Rolando Villazon's Alfredo is just about perfect. He sings with handsome, shaded tone, great attention to the text–his anger feels as real as his grief and passion–and absolute freedom throughout the range.
It’s no secret that soprano Anna Netrebko is one of opera’s true box office draws: Her performances of Il Trovatore last season were among the few nights the Met was completely sold out. But her new CD, Verismo, reveals she is more than just a star; her performances of arias and scenes from Italian opera highlight an artistry that is both subtle and thrilling.
Collection includes studio albums 1995-2011, 3 compilations and 5 remixes albums by legendary British electronic music duo.
One of the brightest stars in the 20th-century operatic firmament, the Pennsylvania-born soprano Anna Moffo (1932–2006) enjoyed a meteoric rise in the 1950s and 1960s that saw her conquer all the major opera houses in Europe and America. After making her Metropolitan Opera début in 1959 as Violetta in La traviata, she went on to appear with the company in 200 performances of 21 roles over a total of 18 seasons, before finally singing her last complete performance – once again as Verdi’s Violetta – and retiring from the stage in 1976. Specially released to mark the 10th anniversary of Anna Moffo’s death, Sony Classical releases for the first time, newly mastered from the original analogue tapes using 24bit/96kHz technology.
Although highly esteemed by Classical and Romantic composers such as Beethoven and Brahms (the latter's summing-up: "what we musicians recognize as the height of dramatic music"), Cherubini's setting of Euripides, first heard in 1797 in French, all but vanished over the course of the 19th century. Today it would be as obscure as the Baroque composer Marc-Antoine Charpentier's operatic treatment of the same material were it not for the title role's emergence in the 1950s as one of Maria Callas's signature roles… By Todd Kay
Emmylou Harris’s groundbreaking album Wrecking Ball reissued April 8 on Nonesuch Records. Produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson), Wrecking Ball won the 1996 Grammy Award for Best Contemporary Folk Album and was highly praised by critics worldwide. The new three-disc set features the remastered original album, a bonus CD of previously unreleased material, and a DVD of the documentary Building the Wrecking Ball, which was directed by Bob Lanois and includes interviews and studio footage of Harris and Lanois as well as special guests Kate and Anna McGarrigle, Neil Young, Steve Earle, Brian Blade, and others.