"Mellow" might have been recorded in a shipyard–augmenting Jack Hersca's nagging if fetching guitar and Gene Lake's steady if seething drums is a rhythm element that suggests a boat whistle heard across a moonless harbor. Next track the artist makes his pop bid with a catchy femme-chorus refrain and a guest star: Polly Jean Harvey, what a draw! For another three songs, a decent level of musical amenity is maintained: Martina's crooning tale of woe underpinned by low-register guitar/keyb riffs of unspecified origin and Calvin Weston's free drumming, three-note distorto hook beneath Tricky's speed-mumble, xylophonish tinkle countered by a keyb belch like an engine that won't catch. Thereafter the residues of grimy technologies settle into permanent low-level disorder: foghorns lowing, brakes complaining, clocks sounding across windswept nights, locomotives struggling uphill. He's a hater not a fighter, and the devil is in his details. So give that man a set of horns–he's earned them.
This disc is supposed to hurt. Just look at the program: it starts with Crumb's Black Angels for electric string quartet, a work that is the aural equivalent of Coppola's Apocalypse Now, and ends with Shostakovich's String Quartet No. 8, a work that is either the aural equivalent of a monument to the victims of war and fascism written in the ruins of Dresden or the musical equivalent of a suicide note written before the composer joined the Communist Party. With the spooky and evocative performances of Thomas Tallis Spem in Alium, Istvan Marta's Doom. A Sigh, and Charles Ives' There They Are!, this disc is so painful it could be the soundtrack for an unmade Kubrick movie. The question is, is this disc supposed to hurt so much? The Kronos Quartet is a harsh and aggressive ensemble with an angular approach to rhythm and structure and an overwhelming need to assert its individual and collective identity.
This latest LP of Angel City/Angels is their best stuff in a career of 25 years of devastating riffs of basic and unmissable rock. It was not easy to manage, but they've reached perfection and this is simply the best album of rock of all time! Impossible to miss "Northern highway", "Invisible man", "Wasteland", "What the Hell" (probably their best song ever) and "Call that living"…
Get ready for a whole new approach to Masada music! Expressive and passionate, Basya Schecter, Ayelet Rose Gottlieb, Malika Zarra and Sofia Rei Koutsovitis are four of the most creative vocalists around. Each the leader of a dynamic band of their own, they come together here in an intimate a cappella setting to interpret eleven songs from Zorn's remarkable Book of Angels. With lyrics in Hebrew, Yiddish, Ladino, French and Arabic drawn from Rumi, Fernando Pessoa, The Hebrew Bible and more, the Masada vocal project is perhaps the most hauntingly beautiful installments in the entire Angels series. Dynamic and evocative New Jewish Music from four powerful women vocalists!